A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset cliff tops only to find the building is not completely empty. . .

    Gone are the cartoon images of wizened gray-haired men in pointy caps creating magic with a wave of their wands. Today's wizards are more subtle in their powers, more discerning in their ways, and-in the hands of modern fantasists-more likely than ever to capture readers' imaginations.In Neil Gaiman's "The Witch's Headstone," a piece taken from his much-anticipated novel in progress, an eight-year-old boy learns the power of kindness from a long-dead sorceress. Only one woman possesses two kinds of magic-enough to unite two kingdoms-in Garth Nix's "Holly and Iron." Patricia A. McKillip's "Naming Day" gives a sorcery student a lesson in breaking the rules. And a famished dove spins a tale worthy of a meal, but perhaps not the truth, in "A Fowl Tale" by Eoin Colfer.

    It is true that I am nervous. But why will you say that I am mad? In "The Cask of Amontillado," a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In "The Masque of the Red Death," a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can t see his tormentors in "The Pit and the Pendulum," and in "The Tell-Tale Heart," a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems "The Raven," "The Bells," and Poe s poignant elegy to lost love, "Annabel Lee." The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror."

    Following his invitation to "browse through my gallery", readers will find ghoulish ghost stories "designed to frighten and instruct" -- instruct, that is, about the strange existence ghosts must endure! Stories include Miss Emmeline Takes Off by Walter Brooks; The Valley of the Beasts by Algernon Blackwood; The Haunted Trailer by Robert Arthur; The Truth About Pyecraft by H.G. Wells; The Isle of Voices by Robert Louis Stevenson; and more. Parents and kids can't help but chuckle at Hitchcock's comment, "I don't want to appear disloyal to television, but I think reading will be good for you." Contains some very spooky two-color illustrations by Fred Banbery.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.

    They represent more than 150 year's worth of writing, and include the greats: H.P. Lovecraft ("The Terrible Old Man"), Ambrose Bierce ("The Stranger"), Lafcadio Hearn ("A Dead Secret"), Oscar Wilde ("The Sphinx Without a Secret"), and J. Sheridan Le Fanu ("The Ghost and the Bone-Setter"). Best of all, a variety of human emotions and behavior come to the fore, from avarice (August Derleth's "Pacific 421") to revenge (Thorp McCluskey's "Black Gold"), from jealousy (Steve Rasnic Tem's "Daddy") to honor (Edith Nesbit's "John Charrington's Wedding") to love (Darrell Schwietzer's "Clocks"). Using a minimum of elements, each ghost story in this collection will entertain, captivate, and evoke a powerful response in readers. So be warned: you might not want to read these while you're all alone in the house...

    If you’re feeling brave, turn the page.A game of hide-and-seek goes on far too long…A look-alike doll makes itself right at home… A school talent-show act leaves the audience aghast…And a summer at camp takes a turn for the braaaains… This collection of all-new spooky stories is sure to keep readers up past their bedtimes, laughing, gasping, and looking over their shoulders to see what goes bump in the night.

    Exhausted by her efforts against Scion, Paige has no choice but to remain in hiding, away from the revolution she started, so she can heal and come to terms with her mental and physical scars.In the confines of a safe house, Arcturus and Paige begin to reconnect after following separate paths for weeks. As they wait for contact from the mysterious Domino Programme – an espionage network operating in Scion – their present begins to mirror their past.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    But it's just possible that the danger may be a little bit closer to home. This story is a companion folk tale to Leigh Bardugo's debut novel, Shadow and Bone.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    But her new BFF isn't kidding about the "Forever" part.Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend who’s been dead for a century.Falling down a well is bad enough, but Anya's normal life might actually be worse. She's embarrassed by her family, self-conscious about her body, and she's pretty much given up on fitting in at school. A new friend—even a ghost—is just what she needs.Or so she thinks. Spooky, sardonic, and secretly sincere, Anya's Ghost is a wonderfully entertaining debut from author/artist Vera Brosgol.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    But every wish has a consequence, and the White family finds they are completely unprepared for what comes next. The Monkey’s Paw is a classic horror tale that gives new meaning to the phrase “be careful what you wish for.”The Monkey’s Paw has become a classic horror story and has been adapted numerous times, including into episodes of such popular television series as The X-Files, The Twilight Zone, Buffy the Vampire Slayer, The Simpsons: Treehouse of Horror, Are You Afraid of the Dark?, and Tales from the Crypt.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

    But someone stopped him along the way, sending his life in a new and decidedly strange direction–leading him to London, to two new friends, and to a world of shadows and mystery.