It is rare to come across a first book that embraces the world--the way we see it, and the way it can be imagined--with such a wise and graceful mixture of humor, loss, intelligence, wit, self-deprecation and hope. AMERICAN LINDEN is such a first collection. The poems in this book are valuable, even necessary. They are, in the most important sense, love poems: to people, to ideas, to feelings, and to the mind itself, which--by means of language--move with honesty, wit, and distinction among the fleeting things of this world. Matthew Zapruder is a dangerous poet; his poems implicate us in demonstrations of lift-off and escape velocity while also proving the calamity of gravity--Dean Young.

    

    B. White in his essay on Don Marquis and his famous creations, and the undimmed enthusiasm of several generations of fans -- who every year buy thousands of copies of Marquis' earlier collections -- testifies to their appeal. A whimsical and sophisticated sage, archy the cockroach entertained readers with iconoclastic observations on pretensions, politics, and our place in the cosmos during Marquis' career as a New York newspaper columnist in the 1920s and 30s.Allegedly tapping out stories at night by leaping from key to key on Marquis' typewriter, archy couldn't quite manage the shift key for capital letters. Although his tales appeared in lower case, his views achieved a level grand enough to solidify Marquis' reputation as an American humorist in the tradition of Mark Twain, Joel Chandler Harris, and Ring Lardner. archyology brings together selected "lost" tales that were literally rescued from oblivion by Jeff Adams, who found them among papers stored in a steamer trunk since Marquis' death.And so archy emerges from his long silence. Whether reporting on characters like emmet the ghost, sailing to Paris to visit the insects of Europe, being trapped for days in a New York subway train, or hanging out in a Long Island orchard enjoying fermented cherries, archy is always both provocative and inimitable. With illustrations by Ed Frascino, a New Yorker regular, this collection reintroduces a delightful cast of characters who reconfirm archy's view of the world: "the only way to live with it is to laugh at it.

    Was he meant to be the last?Lucy is faced with a life-altering choice. But before she can make her decision, she must start her story—their story—at the very beginning. Lucy and Gabe meet as seniors at Columbia University on a day that changes both of their lives forever. Together, they decide they want their lives to mean something, to matter. When they meet again a year later, it seems fated—perhaps they’ll find life’s meaning in each other. But then Gabe becomes a photojournalist assigned to the Middle East and Lucy pursues a career in New York. What follows is a thirteen-year journey of dreams, desires, jealousies, betrayals, and, ultimately, of love. Was it fate that brought them together? Is it choice that has kept them away? Their journey takes Lucy and Gabe continents apart, but never out of each other’s hearts.

    The follow-up to Stuff I've Been Feeling Lately contains anthem-like poems about relationships, mental health, current social issues, and learning from loss, with the promise that recovery is possible.The reader's experience with this unique collection is lifted from the page as Cook has collaborated with a number of up and coming musicians to transform some of her poetry into song. Like her debut book, this one is divided into two parts. Modeled after a vinyl record this time, the collection is separated into the EP record, holding Cook's shorter poetry, and the LP record, holding Cook's longer poetry, prose, and songwriting. Together, they form an inspiring collection for all those recovering from something.

    In December 1962, shortly before her suicide, Plath moved with her two children to London from the Hughes's home in Devon. Focusing on the weeks after their arrival, but weaving back through the years of Plath's marriage, Kate Moses imagines the poet juggling the demands of motherhood and muse, shielding her life from her own mother, and by turns cherishing and demonizing her relationship with Ted. Richly imagined yet meticulously faithful to the actual events of Plath's life, Wintering is a remarkable portrait of the moments of bravery and exhilaration that Plath found among the isolation and terror of her depression

    In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art.Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story?Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.From the Hardcover edition.

    Five years ago, after learning he had cancer, Julius tried to make peace with his three sons. It didn't take. Now, the disease has gone into remission. Overjoyed, Julius is grateful for this miracle, and the time it affords him to make up for his past mistakes. It won't be easy. In Chicago, life isn't exactly simple for his three grown sons. The oldest, Austin, a successful attorney, struggles to be a good father to his children despite his ex-wife's attempts to turn them against him. Marcus, the middle son, wrestles with a fear of commitment that drives away the woman he loves. And young Caleb, just released from prison, fights to rebuild his life and win back his wife and child. The three Harris brothers have a hard enough time being there for each other—let alone a father they haven't seen in years. Nor are they sure they even want him in their lives. Filled with intrigue, romance, and shocking twists, The Harris Family is a deliciously gripping novel of contemporary black relationships and, ultimately, a moving testament to the power of family, love, and forgiveness.

    It can be downloaded as an electronic book OR you can order it in BOOK form that will be mailed to you.It can be purchased using Debit/Credit Card or PayPal account. CAUGHT SCREAMING includes over 140 pages of previously unpublished poems, private illustrations, & a blank diary section at the end of the book for buyers to add their own thoughts, poems, dreams, rants, & raves.BUY YOUR COPY TODAY!

    Known for her eponymous blog and her confessional style of writing, this is Trista Mateer's second collection of poetry.

    The Blizzard Voices is based on the actual reminiscences of the survivors as recorded in documents from the time and written reminiscences from years later. Here are the haunting voices of the men and women who were teaching school, working the land, and tending the house when the storm arrived and changed their lives forever.

    33 poems, over 70 minutes, very high quality recording on cassette or CD.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    In The Feather Room, Mojgani further explores storytelling in poetic form while traveling farther down the path of magic realism, endowing his tales with a greater sense of fantasy and brightness. The work recounts loss and heartbreak while discovering lightness and beauty on the other side. Throughout the book, Mojgani opens tree trunks to reveal chandeliers. He leads us through the rooms inside himself, using poems to part curtains and paint walls. He is lifting windows to let the fantasy indoors.

    At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?