Children’s Literature charts the makings of the Western literary imagination from Aesop’s fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter.The only single-volume work to capture the rich and diverse history of children’s literature in its full panorama, this extraordinary book reveals why J. R. R. Tolkien, Dr. Seuss, Laura Ingalls Wilder, Beatrix Potter, and many others, despite their divergent styles and subject matter, have all resonated with generations of readers. Children’s Literature is an exhilarating quest across centuries, continents, and genres to discover how, and why, we first fall in love with the written word.

    Includes all new multimedia and pedagogy to bring physical geography to a new audience. The new fourth edition of Introducing Physical Geography, focuses on both content and pedagogy. The text also includes current examples of environmental phenomena, such as Hurricane Isabel and the recent earthquakes in Turkey. The readability of the text has been enhanced with new placements of boxed features and supplementary material.

    The fascinating "Montaillou: The Promised Land of Error" (and alternate titles; 1975, translation 1978) may be the best-known of his works, as well as the most controversial among historians, based as it is on village gossip recorded by Inquisitors. Perhaps more representative are detailed studies of a popular demonstration / riot in "Carnival in Romans" ("Le Carnaval de Romans," 1979), and of folktale themes as transmitted in popular and literary versions from the south of France, in "Love, Death and Money in the Pays D'Oc" ("L'argent, l'amour et la mort en pays d'Oc," 1980), in which social stresses and personal anxieties come together.Underlying much of this production, however, and perhaps giving Ladurie the confidence to interpret the notoriously difficult inquisitorial records, is this less-inspiring sounding early work, "Les Paysans de Languedoc" of 1966, here translated under an equally plain and literal title, which appeared in English only three years after the original French edition. In any case, it clearly underlies his later investigations of provincial culture and society.This is a sophisticated analysis of primarily economic records from one of the traditional provinces of southern France, covering mainly the sixteenth, seventeenth, and eighteenth centuries. It deals with the basics of ordinary life -- production, consumption, property, and taxes, and how they interacted. There are interesting confirmations of what can go wrong when people act without much guidance from economic theory in determining self-interest. For example, wide-spread cutting of wages in a time of rising prices reduced income and purchases, ultimately putting meat beyond the reach of most consumers. This was a catastrophe for some of the same employers, who were cattle-raisers (or owners of grazing land) with a diminishing market. (If I understand Ladurie's tables and charts correctly -- and this involves some interpretation on the part of a non-professional -- the typical response to their falling profits was to cut wages again, again reducing the cash in circulation, and reinforcing the cycle in a time when markets for most goods, especially perishable ones, were strictly local.)It is definitely not light reading, but Ladurie is not above adding characterizations (such as "tight-fisted fellows") to otherwise anonymous groups of property-owners and employers, sacrificing a little of the appearance of objectivity for the sake of human interest. Generally speaking, Ladurie draws such positions from the hard data, and the attentive reader may well reach the same conclusion; I remain happier about the practice from a literary point of view than an historical one."Peasants of Languedoc" represents a major move toward understanding the history of people left out of official histories, although the original description as "total history" is rather misleading. Taken together with Ladurie's later cultural studies, however, it does mark a considerable advance.This review by Ian M. Slater "aylchanan" was copied from Amazon.com. (There was no prior default book description.)

    Unearthing startling new evidence from the National Archives, Margot Canaday shows how the state systematically came to penalize homosexuality, giving rise to a regime of second-class citizenship that sexual minorities still live under today.Canaday looks at three key arenas of government control--immigration, the military, and welfare--and demonstrates how federal enforcement of sexual norms emerged with the rise of the modern bureaucratic state. She begins at the turn of the twentieth century when the state first stumbled upon evidence of sex and gender nonconformity, revealing how homosexuality was policed indirectly through the exclusion of sexually degenerate immigrants and other regulatory measures aimed at combating poverty, violence, and vice. Canaday argues that the state's gradual awareness of homosexuality intensified during the later New Deal and through the postwar period as policies were enacted that explicitly used homosexuality to define who could enter the country, serve in the military, and collect state benefits. Midcentury repression was not a sudden response to newly visible gay subcultures, Canaday demonstrates, but the culmination of a much longer and slower process of state-building during which the state came to know and to care about homosexuality across many decades.Social, political, and legal history at their most compelling, The Straight State explores how regulation transformed the regulated: in drawing boundaries around national citizenship, the state helped to define the very meaning of homosexuality in America.

    It is the story of the French colony of San Domingo, a place where the brutality of master toward slave was commonplace and ingeniously refined. And it is the story of a barely literate slave named Toussaint L'Ouverture, who led the black people of San Domingo in a successful struggle against successive invasions by overwhelming French, Spanish, and English forces and in the process helped form the first independent nation in the Caribbean.

    Long recognized as very applied and practical, Eggen and Kauchak's Educational Psychology: Windows on Classrooms, seventh edition is now even more applied and concise, giving students exactly what they need to know in the course. The author's hallmark cases remain, in both written and videotape format, to introduce real-world applications in a way that no other text can. Along with expanded applications to diversity (urban, suburban, and rural areas), technology, and a new pedagogical system that completely restructures how information is delivered in the book and will help students really understand what they should be getting out of every single chapter. The text now comes with two new DVDs of video material and an access code for the new Teacher Prep Website that will be automatically shrinkwrapped with all new copies of the text. Educational Psychology: Windows on Classrooms once again truly fulfills the promise of its title, giving students a window on the classrooms in which they will someday teach.

    A few even became royal mistresses, such as the rapacious Lady Castlemaine who amassed a fortune and flaunted her hold over King Charles I. Drawing on a wide variety of primary sources, including the diaries of such shrewd onlookers as Lady Cowper and Fanny Burney, bestselling author Anne Somerset provides a guide to the character, profligate or pious, of each court. This lively combination of entertaining anecdote and searching analysis is social history at its most colorful."...provides a wealth of juicy anecdotal material..."--The New York Times

    Kitty Kennedy loses her lover before Carolan is born; Katharine, Carolan's child, chooses what must inevitably be a life of danger; but it is Carolan, sensitive and proud, bold and reckless, who must suffer most deeply and who is the central figure around whom events revolve.Her adventures in the East End, in Newgate Jail and in the foul women's quarters on the prison ship transporting her to Australia are told with terrible clarity and a powerful imagination. The profligacy, perversion, vice and cruelty of that age are forcefully recreated. Having survived the journey and been taken to the house of Materman of Sydney, Carolan finds that her experiences have changed her from an innocent girl to a ruthless woman, determined to establish herself in the Masterman household, and her method of doing so is such as will haunt her for the rest of her life. The main characters in this unusual novel are not only vivid but convincing.There is the gay and amorous Marcus, vain Kitty, bawdy Margery and sweet Katharine; there is Masterman who, for love of Carolan, forgets he is ambitious and a Puritan; the pious Esther, and Carolan herself--these and many others, living in a world of crime and horror, dirt and luxury, cruelty and indifference are all reaching out hopefully to better times beyond the symbolic Blue Mountains.

    But the question of how we understand the British Empire - its origins, nature, purpose, and effect on the world it ruled - is far from settled. In this incisive work, David Cannadine looks at the British Empire from a new perspective - through the eyes of those who created and ruled it - and offers fresh insight into the driving forces behind the Empire.Arguing against the views of Edward Said and others, Cannadine suggests that the British were motivated not only by race, but also by class. The British wanted to domesticate the exotic world of their colonies and to reorder the societies they ruled according to an idealized image of their own class hierarchies.

    In "Gothicka, " Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives.To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of "The Shack"), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration.Fictions such as the "Twilight" and "Left Behind" series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in "The Da Vinci Code" and the child Ofelia becomes a goddess in "Pan's Labyrinth, " Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.

    The first comprehensive selection of Kavanagh's poetry to be published, this volume offers a timely reassessment of a poet unfairly neglected outside Ireland.

    Yet in Homeward Bound May demonstrates that there was also a domestic version of containment where the ”sphere of influence” was the home. Within its walls, potentially dangerous social forces might be tamed, securing the fulfilling life to which postwar women and men aspired. Homeward Bound tells the story of domestic containment - how it emerged, how it affected the lives of those who tried to conform to it, and how it unraveled in the wake of the Vietnam era's assault on Cold War culture, when unwed mothers, feminists, and ”secular humanists” became the new ”enemy.” This revised and updated edition includes the latest information on race, the culture wars, and current cultural and political controversies of the post-Cold War era.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    College Writing Skills With Reading features John Langan's clear writing style and his wide range of writing assignments and activities that effectively reinforce the four essentials of good writing: unity, support, coherence, and sentence skills. This alternate version provides 25 entertaining and informative essays by professional writers.

    While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s.