SOHO, 1935.SERGEANT LEON GEATS' PATCH.A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another young woman who topped herself early.But Geats - a good man prepared to be a bad one if it keeps the worst of them at bay - knows the dark seams of the city.Working with his former partner, mercenary Flying Squad sergeant Mark Cassar, Geats obsessively dedicates himself to finding a warped killer - a decision that will reverberate for a lifetime and transform both men in ways they could never expect.

    And BAD… But the lengths he will go through to accomplish this may become the reason he would want her to be more than just a fling. As Adrian sees the side of Emily that’s headstrong and stubborn, he can't help but be drawn to her little quirks as well. Everything about her intrigues him. A heated debate ensues after she refused to participate in a business deal he wants to do with her help. As anger and frustration creeps into his head, it leads to a sexual tension that results in a moment that will change the whole dynamic of their relationship.

     Now only fifteen are left to call themselves the Glasshouse Gang Commando Unit, and live on their wits and their desert knowledge and their fighting skills, and evade both the Eighth Army and Rommel’s Afrika Korps. One far-sighted general at Cairo H.Q. had seen a use for John Offer’s misfits and sent them to wreak death and destruction behind Rommel’s lines. And now the Germans hold hostages—two of the Glasshouse Gang, prisoners in the hands of the S.S. in Benghazi. They will not live long unless their comrades can pull off another of their daring exploits... Praise for Gordon Landsborough “An exciting tough, fast and moving novel” – Times Literary Supplement “It has everything…supremely good characterisation, descriptive brilliance, and masterly in its simplicity" - Birmingham Post "A punchy tale coupled with plenty of action - an engaging read!" - Philip McCormac Gordon Landsborough was a publisher, author and bookseller. In the 1950s to 1980s, the publishing industry went through significant changes. Landsborough found himself at the forefront of this and used this opportunity to bring forth his innovative ideas. Other works by Landsborough included, The Violent People (1960), The Dead Commando (1976) and Black Death (1951), among many more.

    He silently hopes his life choices aren’t a reflection of what he sees wrong in others.Detective Bobbi Marshal is an attractive woman whose beauty turns heads. Ironically, she and her partner comprise the LAPD Wilshire Division sex team. Bobbi, mature, sophisticated, capable and compassionate, finds herself working and competing in a man’s world.Detective Sergeant Stryker and Detective West are a “Salt & Pepper” team, one white, one Black. Besides race, there’s one crucial difference between the men…at End of Watch, Stryker drives out of the ghetto into a White community where he lives. West has a much shorter drive, his home is in the ghetto.Now, it’s just a matter of time and cunning …and who makes the first fatal mistake. City on Fire includes: City of Passion, Badge of Honor, Deadly Justice, See the Woman and Yesterday Is Dead.

    Black Irish Blues is the return-to-origin story of Caesar Stiles, an erstwhile runaway who returns to his hometown with plans to buy the town's only tavern and end his family's Sicilian curse.Caesar's attempt for redemption is complicated by the spectral presence of his estranged father, reparation seekers related to his corrupt older brother, a charming crime boss and his enigmatic crew, and - most significantly - a stranger named Dinny Tuite whose disappearance under dubious circumstances immerses Caesar in a mystery that leads into the criminal underbelly of industrial New Jersey, the flawed myth of the American Dream, and his hometown's shameful secrets.Black Irish Blues is a poetic, gritty noir full of dynamic characters, a page-turning plot, and the further development of a unique American character.

    John is sleeping with Mary. Mary is married to Daniel. Both men work for her father, the Top Man. Daniel is his son-in-law, next in line to take over his little empire. John is muscle. The Top Man orchestrates robberies—banks, pay rolls, anything that will bring in some easy money. When Daniel discovers his wife’s illicit liaison, he wants John dead. The Top Man signs off on it.But John’s a man you only get one shot at. When Daniel happens to botch that one shot, then everyone involved needs to watch their back. Because John will be coming for them, and he won’t stop until he’s taken revenge on every last one involved in leaving him for dead.

    Gentle man. Wanted man. Holloway has secrets. Years ago, he witnessed his wife's betrayal and his life fell apart. Now someone's toying with his mind and the life of a missing woman, the prostitute Holloway pays to imitate his ex-wife. When she is murdered, his ex-wife's name scrawled on her abdomen, Holloway is trapped by the consequence of love and sex, of infidelity and violence in a world of his own terrible making. Hunted as a rogue policeman and a killer, he's on the run. And planning retribution.

    An unthinkable crime that somebody has attempted to cover up. Tasked with investigating, he soon finds himself immersed in a world of deception, police corruption and organised crime. O’Bryan has his own dark secrets too. In a place where he has no alliances and is viewed with suspicion, it is only a matter of time before he is found out. For so many years the dramatic and rugged coastline of Cornwall had been the scene to smuggling, deception and murder. Now, O’Bryan will find out how little has changed.

    Nevermind the fact that she is married to Evan. Everyone but her can see that Evan doesn’t have it all, even Serenity. Will Destiny see Evan’s true colors before it’s too late? Will Adonis finally get his Destiny? Ahmad has been feeling Krissy for some time now but he was too much of a ladies' man. Now ready to settle down with that one, will Krissy finally give in to what her heart wants? Is Krissy just another notch on his belt or is he seriously ready to become a one woman man? Rashard and Brooklyn are ready to say “I do” but will a secret break them apart before they make it past the honeymoon phase? Are they strong enough to overcome the obstacles that are thrown their way? In this fast-paced sequel, secrets will tear apart relationships, death will bring some close and new relationships are tested but will these couples survive it? Or will it all fall?

    Yet, as the armies of nightmare draw closer, she discovers that war is not the ultimate evil.

    Smith presents his homage to one of his favorite detectives, Nero Wolfe, but written for the "internet porn" generation.Octavia VanderPlatts is wealthy, powerful, and "comfortable with her weight"--or to hear her say it, a "rich fat b****." Her IQ is at the genius level, and she uses it to manipulate and frighten anyone who tries to get in her way. She controls an empire built on discrimination lawsuits won against some of the nation's top companies. On top of that, Octavia doesn't care one wink what people think of her. So when she offers her old friend poetry professor Mick Thooft some help in his impending divorce, he smells an ulterior motive. Maybe because Frances didn't invite Octavia to the wedding for fear of her clearing the buffet. Not only does Octavia want to help, but she's got evidence--plenty of scandalous photos. That's not Mick's style, so he turns her down flat...until he discovers that Fran's trying to take their home based on a near-perfect forgery of his signature. After that he and Octavia charge forward, but soon find they're in deeper than they realized--robot pens, swinger clubs, and a blackmail scheme that holds an entire college faculty hostage. Just when Mick and Octavia are on the cusp of victory, it all goes terribly wrong. Mick is framed for murder and someone targets Octavia's immense wealth and secret backyard greenhouse full of exotic marijuana. With no one on their side except Octavia's butler Jennings, her new personal chef Harriet, and their "Amazon Warrior" lawyer Pamela, Octavia and Mick must find a way to turn the tables before they end up broke, humiliated, and in prison.

    Fishing, swimming, golf, tennis. Seems like the ideal location for a former secret agent posing as a retired police officer and part-time private investigator. Until people start disappearing. Suggested reading order for the Nicholas Colt series: COLT LADY 52 POCKET-47 CROSSCUT SNUFF TAG 9 KEY DEATH BLOOD TATTOO SYCAMORE BLUFF THE JACK REACHER FILES: FUGITIVE THE JACK REACHER FILES: VELOCITY (Novella) THE BLOOD NOTEBOOKS Note: Although published at a later date, the events in COLT and LADY 52 precede those in Jude Hardin's debut thriller POCKET-47. All of the books listed work as stand-alone thrillers, depending on reader preference. Nicholas Colt also appears in several short stories, including the one titled RATTLED and the one titled RACKED. Praise for Jude Hardin’s Thrillers: POCKET-47 sucked me in and held me enthralled. Author Jude Hardin keeps the pace frantic, the thrills non-stop, but best of all is his hero, the wonderfully ironic Nicholas Colt. This is a character I'm eager to follow through many adventures to come. —Tess Gerritsen, New York Times bestselling author of ICE COLD. The best PI debut I've read in years, fit to share shelf space with the best of Ross Macdonald, Sue Grafton, and Robert B. Parker. POCKET-47 is so hot you may burn your hands reading. Highly recommended. —J.A. Konrath, author of the Jack Daniels mysteries Hardin gets everything right in his powerhouse thriller debut, which introduces rock star–turned–PI Nicholas Colt. —Publishers Weekly on POCKET-47 KEY DEATH is an exhilarating thriller that punches way above its weight. It hits you hard and fast with crackling suspense, hair-raising twists and stunning revelations. Word of advice: don't start on this one unless you're prepared to stay up all night. —John Ling, author of THE BLASPHEMER Colt is a physical, no-holds-barred PI, reminiscent of Robert B. Parker's Spenser and Lee Child's Jack Reacher, and his debut is action-packed. With a hefty toll of dead bodies, some described in cringe-inducing detail, this is crime fiction at its rawest. Hard-boiled connoisseurs should make Colt's acquaintance now. —Booklist on POCKET-47 With CROSSCUT, Jude Hardin takes the PI novel and psychological suspense to a new, unrestrained level. Fast, fierce, and relentless. —David Morrell, New York Times bestselling creator of Rambo

     Cola has that special something that makes all men want to have her. Her unstable ex-boyfriend, Zell took betrayal to another level with the things he did behind her back. After a tragic event caused Cola to lose her unborn child, she starts to fall out of love with Zell and in love with a man named Baker. Baker is the man in the streets and he knows how to treat his woman. He has no secrets and he tells no lies. Baker is a protector, provider and everything else a woman can dream of. Life is good for Cola until she gets the shock of her life when Baker’s cousin comes into the picture. Will Baker’s cousin keep Cola’s scandalous secret from her past? Or will the cat be let out of the bag? After being silent for years, Zell reappears and tries to wreak havoc on one of the people that means the world to Cola, but Zell makes the fatal mistake of not seeing things through himself. Will relationships and friendships end when things that were once done in the dark come out in the light? Come take a wild ride with Cola, Baker, and their crew as they plot revenge against the man who has caused turmoil in their lives.

    Naked and accidentally locked out of his apartment, he inadvertently causes a boy to fall to his death. Driven by guilt and by a compulsion to conceal his involvement, Fowler befriends the boy's mother. Yet his self-destructive rages to redeem himself lead to mayhem. This is Richard Wright's only published work with no black characters. He was unsure about how his readers would react to this bravely experimental novel. Shying away from the racial problem he depicted in his other works, he writes here a riveting study in psychological fiction. It deserves to be regarded anew as work from a master.