Boston's political and queer communities are up in arms about the matter, and police are bent on finding the killer -- fast. Best friends Daniel Valentine and Clarisse Lovelace team up and hit the streets of Boston. Through a sinister underworld of bars and baths, bondage and blackmail, they're out to solve a very bizarre murder.

    One fateful meeting. Zoe Matthews depends on no one, not even after her husband died - and it was her fault. The last thing she wants to do is hurt someone again. But the moment she meets her sexy new neighbor, George, she recognizes in her a soul as broken as her own. When one night leads to a passion unexpected, she’s drawn to the physical comfort George offers, without pity. Again and again. It’s just sex. Isn’t it? George Ellis lived a charmed life as a wealthy young doctor until a series of calamities left her a widow with a dead wife, and put her career on hold. Now all she wants to do is forget. If that includes hiding from the world and putting on an I-don’t-care facade - well, that’s a sacrifice she’s willing to make. Then she meets Zoe, and one night together isn’t enough. Can George and Zoe leave the past behind them and forge a future of their own? Or will the ghosts of their pasts destroy them before they get their happy ending?

    In this her fourth book she reveals in depth the techniques she uses to produce her stunning works of art. Every aspect of botanical painting is covered, including the materials and tools you need, preserving your specimens, drawing, painting, color mixing and composition. Richly illustrated throughout with step-by-step demonstrations and examples of Billy’s work, this book is a visual feast as well as an invaluable source of expert guidance and inspiration. With a diverse range of subjects that include flowers, foliage, fruit and vegetables, Billy provides an insight into her painting techniques that artists of all abilities will find both informative and inspirational.

    Explored are the issues behind forty artefacts from ancient times to the present, and from cultures across the world, to ask a question that concerns us all: how easily can we recognize love in history? Concise and beautifully illustrated with objects from the British Museum’s far-ranging collection, A Little Gay History provides an intriguing and valuable insight into the range, diversity and complexity of same-sex experiences. It has been named a Stonewall Book Award-Israel Fishman Non-Fiction Award Honor Book for 2014.AuthorR. B. Parkinson is internationally known as a specialist in Ancient Egyptian texts and a curator of ancient Egyptian culture at the British Museum. His books for the British Museum Press include Voices from Ancient Egypt, The Tomb-Chapel of Nebamun, and (for children) The Pocket Guide to Ancient Egyptian Hieroglyphs.

    This definitive volume showcases his correspondence with some of the most original and interesting artists of his time, including Jack Kerouac, William S. Burroughs, Gregory Corso, Neal Cassady, Lionel Trilling, Charles Olson, Lawrence Ferlinghetti, Philip Whalen, Peter Orlovsky, Philip Glass, Arthur Miller, Ken Kesey, and hundreds of others.Through his letter writing, Ginsberg coordinated the efforts of his literary circle and kept everyone informed about what everyone else was doing. He also preached the gospel of the Beat movement by addressing political and social issues in countless letters to publishers, editors, and the news media, devising an entirely new way to educate readers and disseminate information. Drawing from numerous sources, this collection is both a riveting life in letters and an intimate guide to understanding an entire creative generation.

    Have you ever looked at old building in the morning light? It’s like they come alive. You can almost see the horse carriages driving past. But buildings I love, it’s the couples that get to me. I love my work as a photographer but I’ve been shooting too many weddings, too many couples in love. The closest thing to “love” I come is the occasional model in my hotel room.Photo Description: A man sits on a hill holding a camera. There is a path behind him. Trees fill the background, and at least a few of them have leaves that are starting to change colors. The man is dressed in jeans, a flannel shirt, and hiking boots. He is wearing a backpack and is looking off to his left.This story was written as a part of the M/M Romance Group's "Love is an Open Road" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    Granted unprecedented access to personal papers and diaries, Peters gives us a compelling look at the woman who influenced a legion of readers with rich and intimate writings, and reveals the fascinating life that Sarton herself kept hidden.Beginning with a young Sarton largely ignored by her parents, Peters traces the compulsive quest for recognition and artistic inspiration that would characterize most of Sarton's life. We witness her at nineteen as she chooses a life in the theater, only to discover later her real passion: writing. As her literary career takes shape, we watch her personal and professional struggles for acceptance, her intense relationships with such learned friends as Muriel Rukeyser and Louise Bogan, and her secret turmoil over her sexuality. But ultimately, we see Sarton begin to create in her works the image of a strong, independent woman who lived peacefully with solitude--an image that often contradicted the reality of her life.

    The exciting pieces come from an international array of artists, each with a unique perspective. The stylishly varied collection has a little bit of everything: the cups range from handbuilt to wheel-thrown, practical to sculptural, round to square. Benjamin Schulman's "Stacked Teacup Set" takes a strictly functional approach, while Heather O'Brien's "Dessert Cups on Stand" focuses on aesthetic form rather than usefulness. Annette Gates' "Espresso Shot Cups with Rubies" has a surface design of simple abstract lines and dots of glaze and jewels. Some are whimsical, others starkly conceptual. Every one is a treat for the eye.

    From the controversy of his early work to the political storm surrounding the arrival of the exhibition Sensation at the Brooklyn Museum of Art, his work has redefined international expectations of modern art. Even people with only a passing knowledge of art are familiar with his installations of a shark, cows, and sheep pickled in formaldehyde. "On the Way to Work" is an extremely candid autobiography of Hirst presented in a series of conversations. He expounds in unpredictable and scabrously funny ways on everything from art to celebrity to sex, and these frank and intimate conversations are punctuated with art from all phases of his career chosen by Hirst himself. This book is a window into Hirst's world: growing up in working class northern England, roughhousing in pubs, obsessing about life and death, questioning art world fame, and believing that art and beauty make a difference in the modern world. In addition to the attention he generates, this dynamic artist also garners critical acclaim-he is the winner of the Turner Prize and, ever since the groundbreaking exhibition that he organized as a fledgling artist in the early nineties, he is considered the unofficial leader of the Young British Artists movement. Hirst's appeal goes beyond the world of art; he's an influential figure to architects, designers, and the fashion crowd as well. Engaging, well-illustrated, and a real event in the art world, "On the Way to Work," like its subject, will generate controversy and acclaim.

    Your colorful pictures of flowers will produce a stunning flower art book that you can be proud of.In recent years coloring for grown-ups has become a widespread and growing hobby. There are of course many reasons for this, but here are just some... Coloring Lowers Stress And Anxiety Psychiatrists have long known that coloring relaxes the fear center of the brain and allows your mind to get some rest. In fact the founder of analytical psychology, Carl Jung, is known to have given his patients mandalas to color more than one hundred years ago. In today's hectic world the stress reducing properties of coloring are possibly more valuable than ever. Coloring Trains Your Brain To Focus Remaining inside the lines as you color needs focus and, while you are concentrating on this stress-free and relaxing activity, you can forget about your worries. Coloring is a mind exercise which allows you to put aside everything else for the time you spend coloring, and this is very important in our increasingly demanding world. Coloring Helps In The Development Of Fine Motor Skills And Vision Coloring forces the two hemispheres of the brain to work together and involves both the use of logic (necessary for coloring forms) and creativity (as we mix and match colors). In turn, this brings those areas of the brain responsible for fine motor skills and vision into play, and helps in keeping these active and in developing them further. It is this aspect of coloring which is being seen more and more as especially valuable for older individuals, as many in the medical profession believe that it can delay, or even prevent, the onset of dementia. Coloring Provides The Chance To Be Social Although you might feel that coloring should be a solo occupation, its rising popularity is quickly turning it into a social one. Friends, families, work colleagues and others are getting together to eat, drink and enjoy the chance to socialize, through their shared interest in coloring books. Without doubt, this is a perfect excuse for getting together, as coloring needs only a minimum of concentration and can easily be done in a group setting. Coloring Lets You Be Yourself There are no rules when it comes to coloring and your coloring book is your coloring book. If you mistakenly make the cat's back leg green because you mistook it for part of the grass, who cares? If you feel like making the sky yellow, what does it matter? You can be as creative as you wish because this is your coloring book, and yours alone."You may already be a convert to adult coloring, in which case you will already know and appreciate its value. This may however be a new project for you and one which you are considering for any one of several different reasons. If this is something new for you then I urge you to give it a try. There is a reason why so many people are fired up about the world of adult coloring, so join in and start enjoying the benefits for yourself today. IMPORTANT Please note that the illustrations in this Kindle book are deliberately of a relatively low quality in order to keep the download size of the book small.

    In Finding Fire, Dylan’s childhood friend barges back into his life as a man. Soon Dylan finds himself in over his head as he struggles to understand the feelings stirring inside. In Flesh and Blood, Nikolai the werewolf learns a hard lesson when it comes to trust, but also that redemption can come in many forms. Also included is The Loka Legends Sketchbook, featuring never before seen concept art and early sketches created by Andreas Bell, the author’s husband and illustrator of the Loka Legends books.

    When she was twenty-three, a psychic told her he was alive. Her sister, saddled with guilt, admits that the psychic is right and that the whole family has conspired to keep him a secret. Sent into a tailspin about her identity, Nicole turns to radio talk-show host Dr. Laura Schlessinger for advice.Packed cover-to-cover with heartfelt and disarming black-and-white illustrations, Calling Dr. Laura tells the story of what happens to you when you are raised in a family of secrets, and what happens to your brain (and heart) when you learn the truth from an unlikely source. Part coming-of-age and part coming-out story, Calling Dr. Laura marks the arrival of an exciting and winning new voice in graphic literature.

    Ivy feels invisible and ignored in the aftermath of the storm--and what's worse, her notebook filled with secret drawings of girls holding hands has gone missing.Mysteriously, Ivy's drawings begin to reappear in her locker with notes from someone telling her to open up about her identity. Ivy thinks--and hopes--that this someone might be her classmate, another girl for whom Ivy has begun to develop a crush. Will Ivy find the strength and courage to follow her true feelings?

    In a rash decision, he leaves his life-consuming job at Mass General Hospital, Boston, to be the small-town doctor in Belfast, Maine.With the job comes a house, and with the house comes a handyman-painter. Trent Jamieson, a nomadic artist, and his dog Bentley, are offered free accommodation for the few weeks he fixes up the hospital-owned house. Nathan is transfixed by this free-spirited, undeniably gorgeous man. Confused but amazed to feel any kind of attraction - much less to a man - Nathan convinces himself to put aside any preconceived ideas, and allows himself to just feel.As their attraction for each other grows, one man learns to live, the other learns to love. But just who is teaching who? Disclaimer: This is a re-written fanfiction, available only as a free read. Do not pay to download.As stated on my blog, this story has not been professionally edited.

    Parrish’s emotionally loaded, painted graphic novel is is a visual tour de force, always in the service of the author’s themes: navigating queer desire, masculinity, fear, and the ever-in-flux state of friendships.