His great book, On Nature, the world's first coherent philosophical treatise and touchstone for Plato, Aristotle, and Marcus Aurelius, has long been lost to history-but its surviving fragments have for thousands of years tantalized our greatest thinkers, from Montaigne to Nietzsche, Heidegger to Jung. Now, acclaimed poet Brooks Haxton presents a powerful free-verse translation of all 130 surviving fragments of the teachings of Heraclitus, with the ancient Greek originals beautifully reproduced en face.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Here are more than 700 of Isaac Asimov's favorite jokes, cleverest limericks and funniest stories.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    For Jay, a retired research scientist this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last.

    Her notes also give guidance to the literary and historical allusions that pepper Persius's and Juvenal's satirical poems--which were clearly aimed at a sophisticated urban audience. Both poets adopt the mask of an angry man, and sharp criticism of the society in which they live is combined with flashes of sardonic humor in their satires. Whether targeting common and uncommon vices, the foolishness of prayers, the abuse of power by emperors and the Roman elite, the folly and depravity of Roman wives, or decadence, materialism, and corruption, their tone is generally one of righteous indignation.Juvenal and Persius are seminal as well as stellar figures in the history of satirical writing. Juvenal especially had a lasting influence on English writers of the Renaissance and succeeding centuries.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    Alice Oswald has won several literary awards.

    ترجم الكتاب إلى العديد من اللغات العالمية.واسم الكتاب كاملاً طوق الحمامة في الألفة والأُلاف. ويحتوي الكتاب على مجموعة من أخبار وأشعار وقصص المحبين، ويتناول الكتاب بالبحث والدَّرس عاطفة الحب الإنسانية على قاعدة تعتمد على شيء من التحليل النفسي من خلال الملاحظة والتجربة. فيعالج ابن حزم في أسلوب قصصي هذه العاطفة من منظور إنساني تحليلي. والكتاب يُعد عملاً فريدًا في بابه.Ibn Hazm's Tawq al-Hamama ('The Ring of the Dove')The famous Arabic book on love and lovers, Tawq al-hamâma ('the Ring of the Dove'), is a splendid witness to the high age of Islamic culture in Spain. The book was written in or around 1022 CE in Játiva, south of Valencia, by Abu Muhammad `Ali Ibn Hazm al-Andalusi (Córdoba, 994-1064 CE). It is a youth work by this famous Andalusian poet, philosopher, jurist and scholar of comparative religion.In thirty chapters Ibn Hazm treats thirty moments or personages that are of relevance to love relationships, such as the signs of love, love at first sight, amorous allusions, correpondence between lovers, the messenger between the lovers, being together, fidelity and unfidelity, separation, death. Ibn Hazm alternates from theoritical observations to anecdotes of daily life and he ornates his essays with an abundance of appropriate poetry. The anecdotes are often very peronal and they give the reader a enthralling view on life and love in Islamic Córdoba. All poetry in the Ring of the Dove is Ibn Hazm's own.The Ring of the Dove has been preserved in only one manuscript, which is, since 1665, part of the Oriental collections of Leiden University Library (where it is registered as Or. 927). It was copied in 1338 CE, most probably in Egypt or Syria, from an original that is now lost. The manuscript was first acquired in Istanbul in the middle of the 17th century by the learned and bibliophile Dutch ambassador to the Sublime Porte, Levinus Warner (1619-1665). After his death his entire collection of books and manuscripts came to Leiden.The first edition of the Arabic text was made by the Russian D.K. Pétrof and was published in Leiden in 1914. Before that R.P.A. Dozy (1820-1883) had already published several fragments. All later editions and the numerous translations of the book are directly, or, mostly, indirectly based on the Leiden manuscript. Together they are proof to the fact that Ibn Hazm in his book on love and lovers treats themes that are for all humans in all times.

    Miłosz provides a preface to each of these poems, divided into thematic (and often beguiling) sections, such as “Travel,” “History,” and “The Secret of a Thing,” that make the reading as instructional as it is inspirational and remind us how powerfully poetry can touch our minds and hearts. "

    . . . His sentences are exquisitely constructed, suggesting the cyclic rhythms of his agrarian world."--New York Times Book Review.

    There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included.Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

    Find yourself in the middle of torrid love affairs, undying devotion, and scandalous betrayal as you uncover long-lost correspondences between lovers.From great Kings to War Heroes to Philosophers, spanning a period of five centuries, this collection illustrates that the human desires of sex and love were as powerful then as they are now.

    Thyestes depicts the menace of an ancestral curse hanging over two feuding brothers, while Phaedra portrays a woman tormented by fatal passion for her stepson. In The Trojan Women, the widowed Hecuba and Andromache await their fates at the hands of the conquering Greeks, and Oedipus follows the downfall of the royal House of Thebes. Octavia is a grim commentary on Nero's tyrannical rule and the execution of his wife, with Seneca himself appearing as an ineffective counsellor attempting to curb the atrocities of the emperor.

    But no matter what his subject, Mr. White always writes about it in a prose that is a joy to read."--New York Times