Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    Then the tragic day arrives on which the terrible true nature of the beast is revealed.

    Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.

    “The quirkiness and grace of the writing, the originality of the imagination at work,...and a certain lovable nuttiness make this collection well worth reading” (Margaret Atwood). Translated by William Weaver, Peggy Wright, and Archibald Colquhoun. A Helen and Kurt Wolff Book

    Yet they cannot be protected from the world forever. Even as Jonah becomes a successful young tenor, the opera arena remains fixated on his race. Ruth turns her back on classical music and disappears, dedicating herself to activism and a new relationship. As the years pass, Joseph – the middle child, a pianist and our narrator – must battle not just to remain connected to his siblings, but to forge a future of his own. This is a story of the tragedy of race in America, told through the lives and choices of one family caught on the cusp of identities.

    This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

    And in the air, a lone plane struggles to reach its destination. Over the course of seven pulse-pounding hours, a tense human drama plays out as a brilliant airport manager, an arrogant pilot, a tough maintenance man, and a beautiful stewardess strive to avert disaster.Featuring a diverse cast of vibrant characters, Airport is both a realistic depiction of the airline industry and a novel of nail-biting suspense.

    But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

    Brodkey was hailed as an 'unusually gifted writer' (The Atlantic) and a 'rich talent' (San Francisco Chronicle), whose stories read like 'murmured confidences, highly personal yet carefully contrived' (Chicago Tribune).In First Love and Other Sorrows, the young Brodkey chronicles the world of the educated and affluent middle class of the 1950s, at leisure and in love. He establishes the themes that would appear throughout his career: the painful uncertainties of childhood, the halting intimacies of social life, with rare terseness, humor, and haunting insight. Two new stories, never before collected, from Brodkey's early writings, join the original volume to complete a much-loved classic.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    First acclaimed as a story-length memoir, then expanded into a novel, Sylvia draws us into the lives of a young couple whose struggle to survive Manhattan in the early 1960s involves them in sexual fantasias, paranoia, drugs, and the extreme intimacy of self-destructive violence.Reproducing a time and place with extraordinary clarity, Leonard Michaels explores with self-wounding honesty the excruciating particulars of a youthful marriage headed for disaster.

    Lovecraft from 1917-1935. Excludes collaborations.The eBook’s table of contents is listed below. It includes the year each story was written.The Tomb (1917)Dagon (1917)Polaris (1918)Beyond the Wall of Sleep (1919)Memory (1919)Old Bugs (1919)The Transition of Juan Romero (1919)The White Ship (1919)The Doom That Came to Sarnath (1919)The Statement of Randolph Carter (1919)The Terrible Old Man (1920)The Tree (1920)The Cats of Ulthar (1920)The Temple (1920)Facts Concerning the Late Arthur Jermyn and His Family (1920)The Street (1920)Celephaïs (1920)From Beyond (1920)Nyarlathotep (1920)The Picture in the House (1920)Ex Oblivione (1921)The Nameless City (1921)The Quest of Iranon (1921)The Moon-Bog (1921)The Outsider (1921)The Other Gods (1921)The Music of Erich Zann (1921)Herbert West — Reanimator (1922)Hypnos (1922)What the Moon Brings (1922)Azathoth (1922)The Hound (1922)The Lurking Fear (1922)The Rats in the Walls (1923)The Unnamable (1923)The Festival (1923)The Shunned House (1924)The Horror at Red Hook (1925)He (1925)In the Vault (1925)The Descendant (1926)Cool Air (1926)The Call of Cthulhu (1926)Pickman’s Model (1926)The Silver Key (1926)The Strange High House in the Mist (1926)The Dream-Quest of Unknown Kadath (1927)The Case of Charles Dexter Ward (1927)The Colour Out of Space (1927)The Very Old Folk (1927)The Thing in the Moonlight (1927)The History of the Necronomicon (1927)Ibid (1928)The Dunwich Horror (1928)The Whisperer in Darkness (1930)At the Mountains of Madness (1931)The Shadow Over Innsmouth (1931)The Dreams in the Witch House (1932)The Thing on the Doorstep (1933)The Evil Clergyman (1933)The Book (1933)The Shadow out of Time (1934)The Haunter of the Dark (1935)

    In the extraordinary "Why China?" a man drags his family to the Xi'an province in a desperate attempt to reclaim his lost integrity, only to find himself more remote and mysterious than the place where his journey led. In settings as exotic as Kenya and Bora Bora, as glamorous as downtown Manhattan, or as familiar as suburban Illinois, Egan's characters—models, housewives, schoolgirls—seek transformation of the body and spirit, and transcendence of the borders of desire.