This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

    And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt's story as written in pencil on the walls of Quiet Room in the Children's Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself....In this rediscovered modern classic from "one of France's best-loved temporary writers" (Time), Howard Buten renders with astounding insight and wry language the tale of a troubled -- or perhaps just perfectly normal -- young boy testing the boundaries of love and life.

    Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    His daughters are grown, his wife has died, and the idea of running an avocado grove in Texas suddenly seems infinitely more appealing than staying in his rambling Midwestern house.So a new life it is. Rudy heads off for a part of the world where he knows scarcely a soul. But he has a guide: a slender book called Philosophy Made Simple, each chapter highlighting the ideas of a different philosopher. No amount of Plato, Schopenhauer, or Sartre, however, can prepare Rudy for the surprises that emerge as he arranges for his daughter's Hindu wedding and gets to know Norma Jean - an elephant with a talent for painting - who is abandoned to Rudy's care and who leads him, ultimately, toward the prospect of a new love.

    Instead they find high rents, faithless partners, and dead-end careers. Offbeat, funny and bitingly satirical, "Slaves of New York" sheds an incomparable light on the city's denizens and social mores.

    1,091 and dwindling) is eating Gilbert Grape, a twenty-four-year-old grocery clerk who dreams only of leaving. His enormous mother, once the town sweetheart, has been eating nonstop ever since her husband's suicide, and the floor beneath her TV chair is threatening to cave in. Gilbert's long-suffering older sister, Amy, still mourns the death of Elvis, and his knockout younger sister has become hooked on makeup, boys, and Jesus--in that order, but the biggest event on the horizon for all the Grapes is the eighteenth birthday of Gilbert's younger brother, Arnie, who is a living miracle just for having survived so long. As the Grapes gather in Endora, a mysterious beauty glides through town on a bicycle and rides circles around Gilbert, until he begins to see a new vision of his family and himself.

    It is the story of a woman who is convinced, and, astonishingly, will ultimately convince the reader as well, that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state, so too will her drama become one of the few certifiably original fictions of our time.

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, THE BRIDGES OF MADISON COUNTY gives voice to the longings of men and women everywhere-and shows us what it is to love and be loved so intensely that life is never the same again.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    Fortunately, the Mallone sisters--that's Mal-Ion-e, pronounced the Italian way--are shrewd, tough, and sharp-tongued, quick with a Lucky Strike and a good time. While their grandmother Anona insists the whole family is cursed with the evil eye. Helen, Mary, and Gracie prefer to make their own luck with everyone from mobsters to the cops on the beat. But while tough-talking Helen and flirtatious Mary have what it takes to keep the creeps away, their sweet baby sister has it bad for the notorious Frankie--a guy who never met a skirt he couldn't chase or a woman he couldn't make miserable. They're not about to let Gracie ruin her life for a wrong number like Frankie. Sisters have to stick together, no matter what. Now, in downtown Manhattan's darkened nightclub booths, where cigarette girls trade looks with small-time hoods, the sisters Mallone are hatching a wickedly devious plan, one that will test the boundaries of love, family, good taste, and possibly humanity.

    Embittered and distrusting, Vida is harassed by Delphi's racist sheriff and haunted by the son she lost to the world. Hazel, too, has lost a son and can't keep a grip on her fractured life. After drunkenly crashing her car into a manger scene while gunning for the baby Jesus, Hazel is sedated and bed-ridden. Hazel s husband hires Vida to keep tabs on his unpredictable wife and to care for his sole surviving son. Forced to spend time together with no one else to rely on, the two women find they have more in common than they thought, and together they turn the town on its head. It is the story of a town, a people, and a culture on the verge of a great change that begins with small things, like unexpected friendship."

    But someone wants to claim them . . . or silence her before she can reveal them on her own.Boston, 1926. Jenny “Wren” Lockhart is a bold eccentric—even for a female vaudevillian. As notorious for her inherited wealth and gentleman’s dress as she is for her unsavory upbringing in the back halls of a vaudeville theater, Wren lives in a world that challenges all manner of conventions.In the months following Houdini’s death, Wren is drawn into a web of mystery surrounding a spiritualist by the name of Horace Stapleton, a man defamed by Houdini’s ardent debunking of fraudulent mystics in the years leading up to his death. But in a public illusion that goes terribly wrong, one man is dead and another stands charged with his murder. Though he’s known as one of her teacher’s greatest critics, Wren must decide to become the one thing she never wanted to be: Stapleton’s defender.Forced to team up with the newly formed FBI, Wren races against time and an unknown enemy, all to prove the innocence of a hated man. In a world of illusion, of the vaudeville halls that showcase the flamboyant and the strange, Wren’s carefully constructed world threatens to collapse around her. Layered with mystery, illusion, and the artistry of the Jazz Age’s bygone vaudeville era, The Illusionist’s Apprentice is a journey through love and loss and the underpinnings of faith on each life’s stage.

    Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human—and one of those rare books that renew the idea of what a novel can do.