He had been horrible enough to Christiana during their short marriage, and she was not going to allow the traditional period of mourning to ruin her sisters' debuts as well. So she decides to put him on ice and go on as if nothing's happened ...Until the real earl appears. Richard Fairgrave had every intention of confronting his villainous twin who had robbed him of his name and title ... only to discover that he had died. Quietly assuming his identity, Richard must now deal with a maddening desire for his ravishing inherited wife --- certainly a gold digger and possibly a murderess. And Christiana must deal with an unwanted new husband ... and they both must figure out what to do before the ice melts.

    . . but what comes after?Darbury, England, 1814Amelia Barrett, heiress to an ancestral estate nestled in the English moors, defies family expectations and promises to raise her dying friend’s infant baby. She'll risk everything to keep her word—even to the point of proposing to the child’s father, Graham, a sea captain she’s never met.Tragedy strikes when the child vanishes with little more than a sketchy ransom note hinting to her whereabouts. Fear for the child’s safety drives Amelia and Graham to test the boundaries of their love for this infant.Amelia’s detailed plans would normally see her through any trial, but now, desperate and shaken, she examines her soul and must face her one weakness: pride.Graham’s strength and self-control have served him well and earned him much respect, but chasing perfection has kept him a prisoner of his own discipline.Both must learn to accept God’s sovereignty and relinquish control so they can grasp the future He has for planned for them.

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    She does not ride astride. She does not fence or attend duels. She does not fire a pistol, and she never gambles at a gentlemen's club.Lady Calpurnia Hartwell has always followed the rules, rules that have left her unmarried—and more than a little unsatisfied. And so she's vowed to break the rules and live the life of pleasure she's been missing.But to dance every dance, to steal a midnight kiss—to do those things, Callie will need a willing partner. Someone who knows everything about rule-breaking. Someone like Gabriel St. John, the Marquess of Ralston—charming and devastatingly handsome, his wicked reputation matched only by his sinful smile.If she's not careful, she'll break the most important rule of all—the one that says that pleasure-seekers should never fall hopelessly, desperately in love.

    He’s a rake and an atheist, and the rumours about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)Guy Frisby and his sister Amanda live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder. Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind—and dangerously attractive. In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist...and so is Philip. But all too soon the rural rumour mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet—but does he dare lose his reputation too?

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love.Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

    Four years ago, they had a fight to end all fights, and have barely spoken since.Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She’s outraged. He’s confused. And the distance between them has never been more apparent.Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them?

    For four years, Miles Linwood, the Marquess of Grenton, has felt incomplete without her. When a carriage breakdown leaves him temporarily stranded in a tiny town, Miles makes an unexpected discovery that will alter the course of his life, and rewrite the pages of his past.

    . . A Lady Awakened.Newly widowed and desperate to protect her estate and beloved servants from her malevolent brother-in-law, Martha Russell conceives a daring plan. Or rather, a daring plan to conceive. After all, if she has an heir on the way, her future will be secured. Forsaking all she knows of propriety, Martha approaches her neighbor, a London exile with a wicked reputation, and offers a strictly business proposition: a month of illicit interludes . . . for a fee.Theophilus Mirkwood ought to be insulted. Should be appalled. But how can he resist this siren in widow’s weeds, whose offer is simply too outrageously tempting to decline? Determined she’ll get her money’s worth, Theo endeavors to awaken this shamefully neglected beauty to the pleasures of the flesh—only to find her dead set against taking any enjoyment in the scandalous bargain. Surely she can’t resist him forever. But could a lady’s sweet surrender open their hearts to the most unexpected arrival of all . . . love?

    But the rules of her father’s exclusive academic society forbid her entrance unless she weds one of its members. To clear her ailing father’s name of a scandalous rumor, Cecily needs to gain admission into the Egyptian Club—and is willing to marry any old dullard to do it.Lucas Dalton, Duke of Winterson, is anything but dull. He’s a dashing and decorated war hero determined to help Cecily—even if that means looking the other way when she claims the dance card of Amelia Snow, this season’s most sought-after beauty. But Lucas has a reason for wanting Cecily to join the Egyptian Club: His brother went missing during one of Lord Hurston’s expeditions to Egypt. An alliance with the explorer’s bluestocking daughter could bring Lucas closer to the truth about what happened…or it could lead him to a more dangerous love than either he or Cecily could have imagined…

     Miss Gail Alton is not having a good day. Or a good year. First, her new stepmother strong-arms her into attending the Season as a foil to her beautiful sister Evangeline. Then, while riding her mare in the park, she gets toppled by a stuffy, self-important, too-handsome-by-half "gentleman" who has the audacity to blame her for their fall into the chilly lake! Little does she know that the very same man will soon be found in a compromising position with Gail's sister. Forced into asking for Evangeline's hand in marriage, Maximillian, Viscount Fontaine, can't take his mind off the irksome girl who threw him from his horse and who can match wits with him at every turn. He's determined to follow through with his best intentions, yet he can't deny that every encounter with Gail makes him want to cast propriety aside-and whisk away the sister of his soon-to-be bride.

    And now that she’s at last become its owner, she suspects that she was drawn there for a reason.As if Greywethers were a portal between worlds, she finds herself transported into seventeenth-century England, becoming Mariana, a young woman struggling against danger and treachery, and battling a forbidden love.Each time Julia travels back, she becomes more enthralled with the past...until she realizes Mariana’s life is threatening to eclipse her own, and she must find a way to lay the past to rest or lose the chance for happiness in her own time.

    Charlotte Harris, headmistressLady Amelia Plume has many admirers -- it's too bad they're all fortune hunters and fops who can't provide the exotic adventures she seeks.But the ballrooms of Mayfair have become much more appealing since the arrival of Major Lucas Winter, an American with a dark past and a dangerous air. Lucas is brash, arrogant -- and scandalously tempting.Every thrilling kiss sparks hotter desire, yet Amelia suspects that Lucas has a hidden motive in wooing her. And she intends to discover it, by any means necessary