When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    Written in his own hand or typed on his idiosyncratic Royal typewriter, A Continual Feast contains the lively ideas, common sense, profound wisdom, and plain good humor he has gleaned from the likes of C. S. Lewis, Emily Dickinson, William Blake, Helen Keller, G. K. Chesterton, and Will Rogers, to name just a few. Together with its successful companion volume, Patches of Godlight, Father Tim’s latest quote journal is sure proof of the truth of an entry from Lord Byron: "A small drop of ink produces that which makes thousands think."

    When the nameless narrator botches an assignment for the clandestine organization that employs him, everyone in his life—including his new girlfriend—is revealed to be either true-blue, double operative, or both.With the literary coyness of Paul Auster and the dark absurdity of Kafka, Hunt's debut is a daring, memory-driven narrative that is as fittingly spare as a bare ceiling light—and just as pendulous. On the surface, the narrator is a simple man, fixing his washer and dryer, strolling through city parks, falling in love at an office supply store. But in The Impossibly, the mundane gives way to outrageous misconduct, and with each unexpected visitor or cryptic note, the tension reaches tantalizing heights. As the narrator frugally doles out clues about his dangerous work in an unnamed European city, the reader inevitably becomes confidante and fellow gumshoe. The narrator's final assignment—to identify his own assassin—dismantles the reader's own analysis of the evidence.

    By the author of Dancing on My Grave. Reprint. AB. PW.

    Stephen King Dark Tower Collection 8 Books Set (1 to 8 Books Set) (The Gunsli...

    This funny, practical book by Andy Cope, the Dr of Happiness, will show you how to transform your thinking, change gear and find a fresh new perspective that will leave you better focused on the things that matter, healthier and a great deal happier.ABOUT THIS SERIESLittle Books are accessible and engaging books with a focus on personal development and business topics, delivering quick, outcome-focused results, ideal for self-improvement junkies, commuters, or business readers.

    This book explores the lives of Gor Ko (played by my dad) and Ah Pui (played by my mom) as they overcome great challenges and difficulties to finally come together to form the greatest underrated comic book artist ever (me), just so I can tell their stories.

    He's seen an 11-year-old boy shot off his bicycle and brought a bartender back to life on top of his own bar while Irish music played. Frank is an EMS medic in New York's Hell's Kitchen, a profession that subjects him to endless, careening nights tending to the cities most desperate and neglected patients, but has him hooked on the addictive thrill of saving lives. Increasingly, it seems to be Frank who needs saving.Abandoned by his wife, haunted by the ghost of the girl he helped kill and the protracted agony of a man he should have let die, Frank Pierce is an authentically wounded hero. In his riveting first novel, Joe Connelly, himself a New York City medic, straps us into Frank's ambulance and stomps down on the gas. And Bringing Out the Dead is a work of gripping verisimilitude and breakneck speed.

    In their fourth book, Williams and Breen, the authors of O Come Ye Back to Ireland, When Summer's in the Meadow, and The Pipes Are Calling chronicle their life and adventure in this beautiful country, where fewer and fewer Irish men and women are lucky enough to be able to live.

    Knox’s A Gringo Like Me contains poems at once raucous and sexy, tender and raw. Knox has collected dramatic monologues, personal lyrics, and even screenplays together in a single energetic volume for a genuinely surprising debut. In favorites such as “Hot Ass Poem,” “Cruising for Prostitutes,” and “Chicken Bucket,” Knox’s quirky characters appear ornery, hickish, misogynist, or worse, but each elucidates a truth worth knowing, even if it’s not always welcome. In poems like "A Common American Name" and "Freckles," Knox’s lyrical voice charms readers. Between the poles of her unique range, Knox straddles and tames what she may yet prove to be an artificial divide in American poetry: she's a former slam champion, but also a two-time contributor to The Best American Poetry; she's a hilarious performer on stage, but also a deeply intellectual and formally disciplined poet.

    The language, the invention, the imagination, and the sheer fun of his poems is astounding. It's not all dazzle either. The poems are also moving. This man reminds us that there is nothing more serious than a joke' - Charles Simic, final judge and author of "Jackstraws", "Walking the Black Cat", and "A Wedding in Hell".

    He is a forceful, cogent, incisive phrase-maker."—Bill Knott"The yearning in these poems is awash in dense, spiritual sexuality buffeted by time and the mishandling of promises and breakable bonds."—apt The Truth Is We Are Perfect contains fifty-four lyrics exploring the loss of oneself through the loss of an other, and how we seek to recreate ourselves in that absence. Stucky journeys into nothingness and, consequently, into awareness. His meditative sensibilities and minimalist style create ritualized poems acting as spells—transcribed to be read aloud and performed in the service of realizing that which we seek to become: "Because I love a burning thing / I made my heart a field of fire."Janaka Stucky is the publisher of Black Ocean as well as the annual poetry journal Handsome. He is the author of two chapbooks: Your Name Is The Only Freedom, and The World Will Deny It For You. His poems have appeared in such journals as Denver Quarterly, Fence and North American Review, and his articles have been published by the Huffington Post and the Poetry Foundation. He is a two-time National Haiku Champion and in 2010 he was voted "Boston's Best Poet" in the Boston Phoenix.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    As funny as it is sad, Good as Gold is a story of children grown up, parents grown old, and friends and lovers grown apart -- a story that is inimitably Heller.

    The plan hits troubled waters as she arrives in France with her marriage on the rocks and three children who speak no French. Her first attempts at surfing are disastrous; resulting in bruises, broken bones and a damaged ego, but when she experiences the euphoric feeling of catching her first wave and sets up the Mamas Surf Club, it's all worth it.