From our colonial past to the present, the monster in all its various forms has been a staple of American culture. A masterful survey of our grim and often disturbing past, Monsters in America uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity.Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. From Victorian-era mad scientists to modern-day serial killers, new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous "other" not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.

    

    She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger--torn from kin and country. To lose your mother is to suffer the loss of kin, to forget your past, and to inhabit the world as a stranger. As both the offspring of slaves and an American in Africa, Hartman, too, was a stranger. Her reflections on history and memory unfold as an intimate encounter with places--a holding cell, a slave market, a walled town built to repel slave raiders--and with people: an Akan prince who granted the Portuguese permission to build the first permanent trading fort in West Africa; an adolescent boy who was kidnapped while playing; a fourteen-year-old girl who was murdered aboard a slave ship.Eloquent, thoughtful, and deeply affecting, Lose Your Mother is a powerful meditation on history, memory, and the Atlantic slave trade.

    In 'Destined to Witness', Hans Massaquoi has crafted a beautifully rendered memoir -- an astonishing true tale of how he came of age as a black child in Nazi Germany. The son of a prominent African and a German nurse, Hans remained behind with his mother when Hitler came to power, due to concerns about his fragile health, after his father returned to Liberia. Like other German boys, Hans went to school; like other German boys, he swiftly fell under the Führer's spell. So he was crushed to learn that, as a black child, he was ineligible for the Hitler Youth. His path to a secondary education and an eventual profession was blocked. He now lived in fear that, at any moment, he might hear the Gestapo banging on the door -- or Allied bombs falling on his home. Ironic, moving, and deeply human, Massaquoi's account of this lonely struggle for survival brims with courage and intelligence.

    Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

    I am furious. Because I never thought it would happen to us. Not us, the rainbow nation that defied doomsayers and suckled and nurtured a fragile democracy into life for its children. I never thought it would happen to us, this relentless decline, the flirtation with a leap over the cliff.” In a searing, honest paean to his country, renowned political journalist and commentator Justice Malala forces South Africa to come face to face with the country it has become: corrupt, crime-ridden, compromised, its institutions captured by a selfish political elite bent on enriching itself at the expense of everyone else. In this deeply personal reflection, Malala’s diagnosis is devastating: South Africa is on the brink of ruin. He does not stop there. Malala believes that we have the wherewithal to turn things around: our lauded Constitution, the wealth of talent that exists, our history of activism and a democratic trajectory can all be used to stop the rot. But he has a warning: South Africans of all walks of life need to wake up and act, or else they will soon find their country has been stolen.

    Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

    This 12-hour free course examined the Holocaust, historical arguments surrounding it, whether it is unique and why it happened as and when it did.

    . . Randolph Turpin, who made history in 1951 by defeating Sugar Ray Robinson, becoming Britain’s first black world-champion boxer, a top-class fighter for twelve years whose life ended in debt and despair . . . David Oluwale, a Nigerian stowaway who arrived in Leeds in 1949, the events of whose life called into question the reality of English justice, and whose death at the hands of police in 1969 served as a wake-up call for the entire nation.Each of these men’s stories is rendered in a different, perfectly realized voice. Each illuminates the complexity and drama that lie behind the simple notions of haplessness that have been used to explain the tragedy of these lives. And each explores, in entirely new ways, the themes—at once timeless and urgent—that have been at the heart of all of Caryl Phillips’s remarkable work: belonging, identity, and race.

    This Very Short Introduction discusses both the history and key debates of postcolonialism, and considers its importance as a means of changing the way we think about the world.Robert J. C. Young examines the key strategies that postcolonial thought has developed to engage with the impact of sometimes centuries of western political and cultural domination. Situating the discussion in a wide cultural and geographical context, he draws on examples such as the status of indigenous peoples, of those dispossessed from their land, Algerian rai music, and global social and ecological movements. In this new edition he also includes updated material on race, slavery, and postcolonial gender politics. Above all, Young argues that postcolonialism offers a political philosophy of activism that contests the current situation of global inequality, which in a new way continues the anti-colonial struggles of the past and enables us to decolonize our own lives in the present.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area These pocket-sized books are the perfect way to get ahead in a new subject quickly Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable

    . . WORK . . . PLAY . . . DIE . . . South Haven is the premier mixed-used community in metro Atlanta, a vibrant place where old-fashioned country living gets a modern update. There’s the town square where residents watch family movies on the lawn on warm summer nights. The corner market stocked with organic foods. The bakery with fresh coffee and Wi-Fi. The stately homes on shaded, gently winding streets. The water park where children splash, laugh, and run . . . There’s also something deadly lurking. The first incident is dismissed as an aberration: a college student goes berserk and hacks his family to chunks with a machete. But a day later, a young woman riding her bicycle is chased through the streets by her own neighbors. Then a teenager takes a deadly joyride, using his pick-up truck to mow down everyone in sight. As the incidents pile up, the only thing they share is that each person launched into an inexplicable, uncontrollable frenzy. Mark Deacon, an ex-cop and chief of South Haven’s private security force, has never seen anything like it. And it’s about to get a whole lot worse. Within twenty-four hours, South Haven is declared a quarantine zone, with every entrance barricaded and military snipers positioned outside the perimeter with orders to shoot on sight. Fearful residents huddle inside, uncertain whom to trust, anxiously watching one another for clues of where the terror might strike next. Together with Dr. Hannah Bailey, a brilliant CDC scientist dispatched to investigate the threat, Deacon teams up with a motley crew of neighbors, and they hatch a desperate plan to find out answers--and stay alive. But the spreading menace might not have arrived by accident . . . RAVES FOR BRANDON MASSEY'S SUSPENSE THRILLERS : "An intense thriller . . . a wild ride!" -Kevin O'Brien, New York Times bestselling author “A razor-sharp thriller guaranteed to keep you turning pages well into the night. Start this one on your day off—-you won't be able to put it down.” —Douglas Clegg, bestselling author of The Queen of Wolves and The Hour Before Dark "The talented Mr. Massey has the rare knack of grabbing the reader early and not letting go. Massey knows how to ratchet up the suspense." —John Lutz, New York Times bestselling author “A taut, involving, and utterly convincing thrill ride.” —Gregg Olsen, New York Times bestselling author

    There are dozens of pictorial remembrances, but this is the only book in which people from all walks of life have penned their thoughts, feelings, and memories of Diana. Requiem contains more than eighty heartfelt testimonials by, among others, Maya Angelou, Ted Hughes, Katharine Graham, Clive James, and Simon Schama. This volume beautifully evokes the memory of -- in her brothers words -- the unique, the complex, the extraordinary, and the irreplaceable Diana.

     The Post-Colonial Critic brings together a selection of interviews and discussions in which she has taken part over the past five years; together they articulate some of the most compelling politico-theoretical issues of the present. In these lively texts, students of Spivak's work will identify her unmistakeable voice as she speaks on questions of representation and self-representation, the politicization of deconstruction; the situations of post-colonial critics; pedagogical responsibility; and political strategies.

    We'll hear of the great love stories ranging from Johnny Cash and June Carter in the 1960s to Garth Brooks and Trisha Yearwood, who married in 2005. We'll get the truth of the tragedies that led to the loss of three stars all in the same month, starting the rumor of the "Opry Curse." We'll learn how after being stabbed, shot, and maimed, Trace Adkins calls his early honky-tonk years "combat country," and we'll find inspiration from DeFord Bailey, an African American harmonica player in 1927 crippled by childhood polio who rose to fame as one of the first Opry stars. Our hearts will break for Willie Nelson, who lost his only son on Christmas Day, and soar for Amy Grant and Vince Gill, who found true love. Based on over 150 firsthand interviews with the stars of The Grand Ole Opry, these are stories that tell the heart of country--the lives that are lived and inspire the songs we love.

    The leader of the Burkina Faso revolution recounts how peasants and workers in this West African country began confronting hunger, illiteracy, and economic backwardness prior to the 1987 coup in which Sankara was murdered.