Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. Between the announcement of the ballot and the Hugo Award ceremony at WorldCon, these works often become the center of much attention (and contention) across fandom. But there are more stories loved by the Hugo voters, stories on the longer nomination list that WSFS publishes after the Hugo Award ceremony at WorldCon. The Long List Anthology Volume 2 collects 18 fiction stories from that nomination list, along with 2 essays from the book Letters to Tiptree that was also on the nomination list, totaling over 500 pages of fiction by writers from all corners of the world. Within these pages you will find a mix of science fiction and fantasy and horror, the dramatic and the lighthearted, from android caretakers to Lovecraftian romances, from adventures to quests and more. There is a wide variety of styles and types of stories here, and something for everyone. The stories included are: "Damage" by David D. Levine "Pockets" by Amal El-Mohtar "Today I Am Paul" by Martin L. Shoemaker "The Women You Didn't See" by Nicola Griffith (a letter from Letters to Tiptree) "Tuesdays With Molakesh the Destroyer" by Megan Grey "Wooden Feathers" by Ursula Vernon "Three Cups of Grief, By Starlight" by Aliette de Bodard "Madeleine" by Amal El-Mohtar "Neat Things" by Seanan McGuire (a letter from Letters To Tiptree) "Pocosin" by Ursula Vernon "Hungry Daughters of Starving Mothers" by Alyssa Wong "So Much Cooking" by Naomi Kritzer "The Deepwater Bride" by Tamsyn Muir "The Heart's Filthy Lesson" by Elizabeth Bear "Grandmother-nai-Leylit's Cloth of Winds" by Rose Lemberg "Another Word For World" by Ann Leckie "The Long Goodnight of Violet Wild" by Catherynne M. Valente "Our Lady of the Open Road" by Sarah Pinsker "The Pauper Prince and the Eucalyptus Jinn" by Usman T. Malik "The Sorcerer of the Wildeeps" by Kai Ashante Wilson

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    

    The far ranging imagination of A. E. van Vogt will take you - Thousands of years into the future! Millions of years into the past! Trilions of miles into outer space! - and into other dimensions, galaxies and universes. Here is one of the modern masters of science fiction of whom it can well be said: "van Vogt's formula is grandoise - imaginative, I love it all." -Groff Conklin, Galaxy magazine. It contains the following stories:The Great Engine (1943) The Great Judge (1948) Secret Unattainable (1942) The Harmonizer (1944) The Second Solution (1942) Film Library (1946) Asylum (1942)

    Born in Charlottetown, Prince Edward Island, he grew up in the rural community of Hazel Grove. Wells attended high school in Ottawa, Ontario and university in Halifax, Nova Scotia. As an undergraduate, he spent summers working in Iqaluit, Nunavut as an airline cargo handler. After a brief stint at graduate school in Montreal, Quebec, he returned to Iqaluit in 2001 and later that year transferred to the remote settlement of Resolute, on Cornwallis Island, where he worked until 2003, when he moved to Halifax with his wife, Rachel Lebowitz. At this point he started contributing book reviews and essays on Canadian poetry to periodicals including Books in Canada, Quill & Quire and Maisonneuve. In the spring of 2004, his first chapbook of poems, Fool's Errand, appeared. In the fall of that year, Toronto's Insomniac Press published his full-length collection of Arctic poems, Unsettled, under Paul Vermeersch's 4 AM Books imprint. In 2004, Wells started working for Via Rail Canada as a service attendant. In 2006 he became the Reviews Editor for Canadian Notes & Queries. In 2007, after moving to Vancouver, he published Sealift, a CD recording of 24 poems from Unsettled; "Achromatope," a letterpress broadside; and After the Blizzard, a limited edition chapbook. In the spring of 2008, Jailbreaks, his anthology of Canadian sonnets, was published. Anything But Hank!, the children's book he co-wrote with Lebowitz, with illustrations by Eric Orchard, was published in the fall. In 2009, after moving back to Halifax, Wells published Track & Trace, his second trade collection of poems, with illustrations by renowned graphic artist Seth. Track & Trace was shortlisted for the 2010 Atlantic Poetry Prize. In 2010, he published The Essential Kenneth Leslie, the first collection of Leslie's poems to be published since 1972.

    G. Wells, and Jules Verne to Ray Bradbury, Ursula K. Le Guin, and William Gibson. In The Best American Science Fiction and Fantasy award-winning editor John Joseph Adams delivers a diverse and vibrant collection of stories published in the previous year. Featuring writers with deep science fiction and fantasy backgrounds, along with those who are infusing traditional fiction with speculative elements, these stories uphold a longstanding tradition in both genres—looking at the world and asking, What if . . . ?  The Best American Science Fiction and Fantasy 2015 includes  Kelly Link, Neil Gaiman, Karen Russell T. C. Boyle, Sofia Samatar, Jo Walton, Cat Rambo Daniel H. Wilson, Seanan McGuire, Jess Rowand others  JOE HILL, guest editor, is the New York Times best-selling author of the novels Heart-Shaped Box, Horns, and NOS4A2 and the short story collection 20th Century Ghosts. He is also the writer of the comic book series Locke & Key.   JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds, Wastelands, and The Living Dead. He is also the editor and publisher of the digital magazines Lightspeed and Nightmare and is a producer of Wired’s podcast The Geek’s Guide to the Galaxy.

    Who guides our fate? And can we ever hope to wrest control for ourselves? In this novella, "The Loom of Thessaly" , classical mythology merges with impudent modern spirit into a science fiction legend that speculates upon the nature of reality.

    Sprague de Camp77 • The Flight of the Horse • [Svetz] • (1969) • shortstory by Larry Niven (aka Get a Horse!)96 • On the Downhill Side • (1972) • shortstory by Harlan Ellison116 • The Night of the Unicorn • (1975) • shortstory by Thomas Burnett Swann124 • Mythological Beast • (1979) • shortstory by Stephen R. Donaldson149 • The Final Quarry • (1970) • novelette by Eric Norden176 • Elfleda • (1981) • shortstory by Vonda N. McIntyre193 • The White Donkey • (1980) • shortstory by Ursula K. Le Guin198 • Unicorn Variation • (1981) • novelette by Roger Zelazny231 • The Sacrifice • (1982) • shortstory by Gardner Dozois236 • The Unicorn • (1952) • shortstory by Frank Owen247 • The Woman the Unicorn Loved • [Anderson] • (1981) • novelette by Gene Wolfe271 • The Forsaken • (1982) • shortstory by Beverly Evans286 • The Unicorn • (1939) • shortfiction by T. H. White307 • Selected Bibliography (Unicorns!) • (1982) • essay by uncredited

    endings. The heroes and antiheroes of these tales find themselves, sometimes unexpectedly, arriving at major turning points in their lives – turning points that are quite often catastrophic, surreal, tragic. These stories are alternately triumphant and terribly sad, but they are always human.This collection includes the following previously published stories:Wolf SkinThe CaretakerThe Winter LandsNebulaeOnyxThe Last Rail-RiderThe Dark AgeDeep Breath Hold Tight will be published in the spring.

    Jerry Cornelius, a time traveler who is able to assume many identities, must prey on others to maintain his image stability.

    In the fallout of the devastation, a boy is found in the wreckage of a fortress from the Great War. The strongest of the Weavers, ones who can sense emotions in others, is dispatched to monitor the child. As the boy matures it becomes evident there is a dangerous power within him. Relocated to an academy on the edge of the Commonwealth, Brent is put to the test to determine if he is the greatest threat humanity has ever encountered. As his every move is observed and scrutinized he’ll have to face the exams of instructors, attempts on his life, and the wrath of the young Weavers.

    In the groundbreaking Amber books, he turned to fantasy, creating one of the most beloved series of all time.Sadly, Roger Zelazny was taken from us too soon. But his genius blazes on—not only in his own enduring fiction, but also in the work of fellow authors influenced by his example and touched by his friendship. Now twenty-five of those writers—including some of the most acclaimed names in SF and fantasy—come together to pay tribute to Roger Zelazny with original stories evoking the magic and wonder of his own best work.

     After first contact, which had not ended as the Earthlings expected, all traces of the visitors were lost in space, seemingly forever. But soon after, scientists noticed a mysterious gravitational anomaly not far from the Solar System as it journeyed around the centre of the Milky Way. To find out more, and perhaps discover the aliens’ secret, a research expedition fitted out with state-of-the-art scientific and military equipment sets out...

    Okay yes, all that stuff too, but I'm not talking about that right now. The government has also been lying to us about space aliens. Aliens have landed on the National Mall and are asking to speak with the President of the United States. For the sake of the planet, diplomat Michael Wallenson is tasked with keeping them away from Donald Trump at all costs. Will Michael succeed? Or will these heavily armed, easily offended aliens succeed in reaching our leader? Building the border dome, coal-powered missiles, and the true identities of the men in black - all in Take Us To Your Trump, another hilarious satirical comedy from author Andrew Stanek.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.