His poetry & prose have increasingly influenced major writers. To his masterpiece A Season in Hell is here added Rimbaud's longest & possibly greatest single poem The Drunken Boat, with the original French en face Illuminations, Rimbaud's major works are available as bilingual New Directions Paperbooks. The reputation of A Season in Hell, which is a poetic record of a man's examination of his own depths, has steadily increased over the years. Upon the 1st publication of Varese's translation by New Directions, the Saturday Review wrote: "One may at last suggest that the translation of A Season in Hell has reached a conclusive point..." Concerning the 25-stanza The Drunken Boat, Dr Enid Starkie of Oxford University has written: "(It's) an anthology of separate lines of astonishing evocative magic which linger in the mind like isolated jewels." Rimbaud's life was so extraordinary that it has taken on the quality of a myth. A biographical chronology is included.

    Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

    Lorca (1898-1937) is admired all over the world for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. But Lorca's poems are, most of all, admired for their beauty. Undercurrents of his major influences--Spanish folk traditions from his native Andalusia and Granada, gypsy ballads, and his friends the surrealists Salvador Dali and Luis Bunuel--stream throughout Lorca's work. Poets represented here as translators are as diverse as Stephen Spender, Langston Hughes, Ben Belitt, William Jay Smith, and W.S. Merwin.

    Some of the stories here were collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four of the greatest writers in Russian literature: Nadezhda Teffi, Pavel Bazhov, Andrey Platonov, and Alexander Pushkin, author of Eugene Onegin, the classic Russian novel in verse. Among the many classic stories included here are the tales of Baba Yaga, Vasilisa the Beautiful, Father Frost, and the Frog Princess.

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    Most of the novella, told in the third person, relates incidents from the life of Vadim Alexandrovich Glebov. These portions alternate with short chapters told by an unidentified narrator who once knew Glebov.

    He can be jazzy and streetwise. Or cloak himself in antiquity. Simic has new eyes, and in these wonderful poems and poems-in-prose he lets the reader see through them.

    His most celebrated work, Six Characters in Search of an Author, embodies the Nobel Prize-winning playwright's innovations by presenting an open-ended drama on a stage without sets.First performed in 1923, this intellectual comedy introduces six individuals to a stage where a company of actors has assembled for a rehearsal. Claiming to be the incomplete, unused creations of an author's imagination, they demand lines for a story that will explain the details of their lives. In ensuing scenes, these "real-life characters," all professing to be part of an extended family, produce a drama of sorts — punctuated by disagreements, interruptions, and arguments. In the end they are dismissed by the irate manager, their dilemma unsolved and the "truth" a matter of individual viewpoints.A tour de force exploring the many faces of reality, this classic is now available in an inexpensive edition that will be welcomed by amateur theatrical groups as well as by students of drama.

    However, this anecdote is told ninety-nine more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

    Of The Dream Songs, A. Alvarez wrote in The Observer, "A major achievement. He has written an elegy on his brilliant generation and, in the process, he has also written an elegy on himself."The Dream Songs are eighteen-line poems in three stanzas. Each individual poem is lyric and organized around an emotion provoked by an everyday event. The tone of the poems is less surreal than associational or intoxicated. The principal character of the song cycle is Henry, who is both the narrator of the poems and referred to by the narrator in the poems.

    Outside the Smolny Institute for Noble Young Ladies, an English governess is waiting for her young charge to be released from school. But so are the Tsar’s secret police… Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and her dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction. Twenty years on, Sashenka has a powerful husband with whom she has two children. Around her people are disappearing, but her own family is safe. But she's about to embark on a forbidden love affair which will have devastating consequences. Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heart-breaking tale of passion and betrayal, savage cruelty and unexpected heroism - and one woman forced to make an unbearable choice.

    Daniel Simko's collection Autumn Sonata, has been lauded for the "simplicity and directness" of its translations, accomplished with out sacrificing the drama of Trakl's rich imagery. Suffering from manic depressive episodes and haunted by his experiences tending the wounded and dying during World War One, Trakl's poems reflect a sense of lostness: nightmare visions and disembodied voices provide an often eccentric perspective of reality. Though he yearns for deliverance, there poems do not anticipate it. Instead, they map the interior landscape of a brilliant, though troubled, spirit.

    Even more farsighted are [his] anxious forebodings about the limits and costs of the utopian future." --Science Fiction StudiesThe contemporary reader will marvel at [Bogdanov's] foresight: nuclear fusion and propulsion, atomic weaponry and fallout, computers, blood transfusions, and (almost) unisexuality." --ChoiceA communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (1873-1928), one of the early organizers and prophets of the Russian Bolshevik party. The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out the problems that will face industrialized nations, whether socialist or capitalist.

    The guest of honor, an actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the narrator, who begins a silent but frenzied, sometimes maniacal, and often ambivalent tirade against these former friends, most of whom were brought together by the woman whom they had buried that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing a culmination to the evening for which the narrator had not even thought to hope."Mr. Bernhard's portrait of a society in dissolution has a Scandinavian darkness reminiscent of Ibsen and Strindberg, but it is filtered through with a minimalist prose. . . . Woodcutters offers an unusually strange, intense, engrossing literary experience."—Mark Anderson, New York Times Book Review"Musical, dramatic and set in Vienna, Woodcutters. . . .resembles a Strauss operetta with a libretto by Beckett."—Joseph Costes, Chicago Tribune"Thomas Bernhard, the great pessimist-rhapsodist of German literature . . . never compromises, never makes peace with life. . . . Only in the pure, fierce isolation of his art can he get justice."—Michael Feingold, Village Voice"In typical Bernhardian fashion the narrator is moved by hatred and affection for a society that he believes destroys the very artistic genius it purports to glorify. A superb translation."—Library Journal

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.