She was allergic to everything, used a wheelchair and practically lived at the hospital. Neighbors did all they could, holding fundraisers but no matter how many doctors, tests, or surgeries, no one could figure out what was wrong with Rose Gold.Turns out her mom, Patty Watts, was just a really good liar.After serving five years in prison, Patty begs her daughter to take her in. The entire community is shocked when Rose Gold says yes. And Rose Gold is no longer her weak little darling...And she's waited such a long time for her mother to come home.

    Before he was born, his family was disfigured by a fire. His sister wears a white mask to cover her burns.He spends his hours with his cactus, reading his book on insects, or touching the one ray of sunlight that filters in through a crack in the ceiling. Ever since his sister had a baby, everyone’s been acting very strangely. The boy begins to wonder why they never say who the father is, about what happened before his own birth, about why they’re shut away.A few days ago, some fireflies arrived in the basement. His grandma said, There’s no creature more amazing than one that can make its own light. That light makes the boy want to escape, to know the outside world. Problem is, all the doors are locked. And he doesn’t know how to get out.…

    “Diamonds are nothing more than compressed carbon.” Veteran cop, DCI David Jones, is tough and uncompromising. His Serious Crime Unit has the best arrest record the Midlands Police Service has ever seen and Jones wants to keep it that way. Locksmith turned jewel thief, Sean Freeman, is the best in the UK. He's never been caught—the police have never even come close. When Freeman's boss forces him to break into the Stafford Museum, the UK’s most secure premises outside of the Bank of England, he's in trouble—the Stafford is in the heart of Jones' jurisdiction. Someone's record is going to suffer. In the third instalment of the DCI Jones Casebook series, veteran detective, David Jones tackles a series of cases and faces a clever and engaging criminal he respects and would probably like--under different circumstances. But Jones has a job to do and Freeman is going down. . This book can be read as a stand-alone novel.

    

    But what if, just when she thought the love of her daughter would carry her through the tough emotional turmoil, that daughter then turned against her? This is Tina Stevens story, as she finally comes to terms with her very messy divorce, thinking nothing would ever hurt her again, only to face her sixteen year old daughter. Sixteen year old Natasha, ready for sexual relations – A teenager, full of sordid secrets - Natasha, planning to show mummy - The pain she endured yesterday is nothing compared to the excruciating torment heading her way today. An emotional psychological thriller, where a daughter misbehaving isn't the new chapter they needed in their lives, but an entirely new book, looking for immediate closure.

    This bundle of book 2 & 3 continues the saga of NY private eye Michael Derrigan, as he comes into possession of a manuscript that will change the world order if its secrets are aired. Clandestine factions of the U.S. government will do anything to keep the story buried, & a trail of butchery follows Derrigan as he races for his life in a chase that takes him from New York, to Mexico, to Havana. A roller-coaster ride of a thriller, The Delphi Chronicle's unflinching & often disturbing twists and turns question the nature of reality & of the integrity of our governments in a post-modern world of lies, deceit & betrayal.+++Questions & Answers with bestselling author Russell Blake.Question: The Delphi Chronicle posits a troubling & plausible conspiracy. Where did you get the idea?Russell Blake: The idea stemmed from the title. I was originally going to call the trilogy The Pegasus File, & I'd conceptualized a cool cover, so I Googled it to confirm there weren't any other books with that name. The original conspiracy was much tamer than what I wound up with. I had the idea of a literary agent getting a manuscript detailing a shocking scheme, but I hadn't defined what it was, exactly. From that search came this conspiracy, & I have to admit I considered toning it down a lot, because it scared even me. So readers? This is fiction, OK? And U.S. government? No need to send a wet team after me. We all understand it's fictional. As in, an invention, not real. That's my official position. Readers can decide how plausible theinvention is for themselves. Some will hate it, as it portrays the U.S. government in a negative light. Can't please everyone.Q: Why write it as a trilogy?RB: It would have been a long single volume if I'd tried to squeeze it all into one book. Given the success I saw with the Zero Sum trilogy, I wanted to do another one, & this was just naturally written in three volumes, although I think most will get the first one, & then buy the specially-priced bundle of Books 2 & 3 if they're interested in following the story to its thrilling conclusion (wink wink).Q: How do your novels compare to the work of your peers?RB: I think they're faster paced than most. I try to catapult readers through a series of twists & turns at such aggressive velocity they're left gasping by the end. And I dislike books where I can see the ending coming a third of the way through. Just hate that. I try to write racing, intelligent thrillers that don't pander & aren't formulaic. All have gotten raves, so I'm fooling at least some of the people most of the time...Q: Part of Delphi unfolds in Mexico. Any particular reason?RB: I live in Mexico. Have for almost a decade. Modern Mexico is very different than as portrayed by the U.S. media. Many parts are indistinguishable from medium sized cities in the U.S. Strip malls, high rises, melting-pot racial integration, etc. It's not cactus & sombreros. One of the things I find fascinating is how different it is than what my expectations were when I moved here, & I try to impart that. Most novels set in modern Mexico I've read are caricatures of the truth. Mission bells, white-garbed peasants, stereotypical characters. I try to imbue my fiction with reality, not a Hollywood portrayal based on a snapshot from the 1950s. I think readers will find that distinction interesting.

    But after her mother's death, Sarah spirals into depression and overdoses on sleeping pills. While Sarah claims it was an accident, her teenage children aren't so sure. Patrick decides they all need a fresh start and he knows just the place, since the idyllic family home where he was raised has recently come up for sale. There's only one catch: for the past fifteen years, it has become infamous as the "Murder House", standing empty after a family was stabbed to death within its walls.Patrick believes they can bring the house back to its former glory, so Sarah, uprooted from everything she knows, pours her energy into painting, gardening, and giving the rotting old structure the warmth of home. But with locals hinting that the house is haunted, the news that the murderer has been paroled, strange writing on the walls, and creepy "gifts" arriving on the doorstep at odd hours, Sarah can't shake the feeling that something just isn't right. Not with the house, not with the town, or even with her own, loving husband--whose stories about his perfect childhood suddenly aren't adding up. Can Sarah uncover the secrets of the Murder House before another family is destroyed?

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    loyal, trustworthy, and discreet. But his adored employer — the internationally famed portrait painter Jacqueline di Fidelio — suddenly finds herself in hot water with the IRS, the FBI, and two dangerous, attractive men. And Nigel discovers his duties expanding in a most unexpected way....As Madam jets from one glamorous playground to the next, Nigel turns spy and protector to fend off those who would do Jacqueline wrong. For in Nigel’s opinion, his irresistibly alluring employer’s torturous past has rendered her as unstable as a house of cards. Yet when one of Jacqueline’s simpering socialite clients is murdered — and then another mysterious death follows while Jacqueline is on the scene — Nigel begins to wonder if he has it all wrong. Is the woman to whom he has dedicated his life simply an innocent victim of careless, callous men? Or is she a heartless manipulator whose mask of black Prada and pearls hides the tortured secrets of a ruthless killer?

    Hayden has covered his tracks skillfully, moving stealthily from place to place, managing along the way to hold down various jobs and seem, to the people he meets, entirely normal. But some version of the truth is always concealed.A few days after graduating from high school, Lucy Lattimore sneaks away from the small town of Pompey, Ohio, with her charismatic former history teacher. They arrive in Nebraska, in the middle of nowhere, at a long-deserted motel next to a dried-up reservoir, to figure out the next move on their path to a new life. But soon Lucy begins to feel quietly uneasy.My whole life is a lie, thinks Ryan Schuyler, who has recently learned some shocking news. In response, he walks off the Northwestern University campus, hops on a bus, and breaks loose from his existence, which suddenly seems abstract and tenuous. Presumed dead, Ryan decides to remake himself through unconventional and precarious means.Await Your Reply is a literary masterwork with the momentum of a thriller, an unforgettable novel in which pasts are invented and reinvented and the future is both seductively uncharted and perilously unmoored.(jacket)

    Night Shyamalan-level twist.” ~Kristen Mae, bestselling author of the Conch Garden series OLD SINS. NEW BLOOD. Deputy Sheriff William Shannahan doesn’t feel like a detective, at least not like the ones he admires on TV. Not that he needs to be; the small town of Graybel, Mississippi, is a peaceful place, with acres of farmland, neighbors who always take care of their own, and noise from the outside world muted by a hundred miles of forest. That silence is about to be broken. When a child is found dead in the woods, the medical examiner deems it a dog attack. But the paw prints belong to something far larger than any creature in the Mississippi forests, and what animal would remove the victim’s eyes? Though no one believes him, William can’t shake the feeling that a human killer lurks in the shadowed woods. And his girlfriend, Cassie, has a son the same age as the victim. Cassie Parker was raised amid horrors she’s long pushed from her mind, but her scars won’t let her forget. Nor do the hallucinations, dreams so vivid she can feel and smell and taste them. And no one is more terrified than Cassie when another victim is found mauled to death—because this body has been drained of blood. She knows exactly what type of person would sacrifice a child, and why they’re after hers. But how can she explain it to William? This is William’s chance to act like a detective, to protect the woman and child he’s desperate to save. Pushing back against prejudice and presumption, he uncovers a trail of cruelty that spans decades, but each clue brings him closer to a truth more horrifying than killer beasts in the forest. For concealed beneath small-town politics is knowledge that will shatter everything he knows to be true about his town—and the people in it. A compulsively readable thriller in the vein of Cujo, The Girl on the Train, and M. Night Shyamalan’s The Village, Shadow’s Keep is a mind-bending exploration of obsession, desperation, and how far we’ll go to protect those we love.

    A young nurse fresh out of school, Kerstin has been hired for a position with the Cosway family, residents of the Hall for generations. She is soon introduced to her "charge" John Cosway, a thirty-nine-year-old man whose strange behavior is vaguely explained by his mother and sisters as part of the madness that runs in the family. Weeks go by at Lydstep with little to mark the passage of time beyond John's daily walks and the amusingly provincial happenings that engross the Cosway women, and Kerstin occupies her many free hours at the Hall reading or making entries into her diary. Meanwhile, bitter wrangling among Julia Cosway and her four grown daughters becomes increasingly evident. But this is just the most obvious of the tensions that charge the old remote estate, with its sealed rooms full of mystery. Soon Kerstin will find herself in possession of knowledge she will wish she'd never attained, secrets that will propel the occupants of Lydstep Old Hall headlong into sexual obsession, betrayal, and, finally, murder.

    Before its existence can be concealed, the object unearths itself and news of the discovery is leaked to the international media. As religious leaders strive to reconcile the artifactas existence with their faiths, and governments wrestle over its many secrets and how to exploit them, ordinary men and women around the world struggle to make sense of a perpetual onslaught of live and unfiltered news broadcasts about the object. When a survey team is sent in to examine and explore it, they discover that not only is the artifact still operational, but it is conscious and has been waiting for tens of millions of yearsa]

     Once upon a time, my name was not Alice. Once upon a time, I didn't know how lucky I was. When Alice was ten, Ray took her away from her family, her friends -- her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over. Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice's story. It is one you have never heard, and one you will never, ever forget.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.