One of the fallen officers, Stan Walczak, leaves behind a 12-year-old boy, Jimmy.Philadelphia, 1995: Homicide detective Jim Walczak learns that his father's alleged killer, Terrill Lee Stanton, has been sprung from prison. Jim stalks the ex-con, hoping to finally learn the truth.Philadelphia, 2015: Jim's daughter Audrey, a forensic science student, re-opens her grandfather's murder for a research paper. But as Audrey digs deeper, she comes to realize that Stanton probably didn't pull the trigger--and her father may have made a horrible mistake...

    Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    He is an illegal immigrant in a rich Hollywood resort community not unlike Telluride. No one is prosecuted for his death and his case is quietly forgotten.Six months later another illegal makes a treacherous run across the border. Barely escaping with her life and sanity intact, she finds work as a maid with one of the employment agencies in Fairview. Secretly, she begins to investigate the shadowy collision that left her father dead.The maid isn’t a maid. And she’s not Mexican, either. She’s Detective Mercado, a police officer from Havana, and she’s looking for answers: Who killed her father? Was it one of the smooth- talking Hollywood types? Was it a minion of the terrifying county sheriff? And why was her father, a celebrated defector to the United States, hiding in Colorado as the town ratcatcher?Adrian McKinty’s live-wire prose crackles with intensity as we follow Mercado through the swells of emotion and violence that lead up to a final shocking confrontation.

    His first case is a young woman found in an urban bayou. He immediately sees clues that lead him places he doesn't want to go. But his own demons may be the clue to solving the mystery of the woman's death. And as the case widens, so do his new partner's suspicions about his past and motivations.

    He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary—perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.More bears are killed on the preserve and Rice’s obsession with catching the poachers escalates, leading to hostile altercations with the locals and attention from both the law and Rice’s employers. Partnering with his predecessor, a scientist who hopes to continue her research on the preserve, Rice puts into motion a plan that could expose the poachers but risks revealing his own whereabouts to the dangerous people he was running from in the first place.James McLaughlin expertly brings the beauty and danger of Appalachia to life. The result is an elemental, slow burn of a novel—one that will haunt you long after you turn the final page.

    For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.

    Nobody wants Joe to hang around, not his ex-wife, his parents or his former colleagues. Meanwhile, local mafia don Manny Vassey is dying of cancer and keen to cut a deal with God. He’s thinking of singing to the DA if this will set him up for a better afterlife. And he knows stuff that will send Joe down again for a very long time.Set in the pressure cooker of a very small town, Small Crimes is an explosive thriller that brings the claustrophobic hell of Jim Thompson and James M. Cain right up to date.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

      Together they hatch an ingenious scheme to get rid of her husband. But in life as in poker, the other player sometimes has an ace up his sleeve.

    When you hire someone to kill your wife, don’t hire a psychopath.2. Drano is not the best tool for getting rid of a dead body.3. Those locks on hotel room doors? Not very secure.4. A curly blond wig isn’t much of a disguise.5. Secrets can kill.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date.Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley. But the house is all they have, and Ree's father would never forfeit it to the bond company unless something awful happened. With two young brothers depending on her and a mother who's entered a kind of second childhood, Ree knows she has to bring her father back, dead or alive, or else see her family turned out into the unforgiving cold.Sixteen-year-old Ree, who has grown up in the harsh poverty of the Ozarks, learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. She perseveres past obstacles of every kind and finally confronts the top figures in the family's hierarchy.Along the way to a shocking revelation, Ree discovers unexpected depths in herself and in a family network that protects its own at any cost.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.