Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Selected poetry and prose from 1986.

    It contains three main chapters, centred around answers to three main questions one would ask during different stages of a relationship. The questions are:What are we?Where are we going?How are we getting there?The poems, juxtaposed together with short stories take readers on a deeply reflective journey within themselves as they contemplate the deepest thoughts, doubts and hopes they carry for their past and present relationships.

    Reg Kray was the torchbearer of that era in British history. But despite ongoing press interest in the world of the Krays, few have an understanding of Reg the man - a man who spent half of his life in prison and who died of cancer in October 2000. Sidgwick & Jackson published Reg and Ron's joint memoir, OUR STORY, in 1988, and Ron Kray's autobiography, MY STORY, in 1993. This is Reggie's story, a diary of the life he lived, with reflections on the past and the new role he found for himself 'on the inside'. It is a story of courage and remorse, revelation and friendship. For the first time he speaks of his marriage to Roberta, of his relationship with his brothers Ron, who died five years ago, and Charlie, who died April 2000, putting certain misconceptions straight. Updated with a new chapter by Roberta Kray, this is a valuable document for future generations and a fascinating insight into prison life.

    We were inundated with thousands of disgusterous entries! To discover our winners, we waded through burps, farts and rotten eggs; bogies, vile stew and goo to find the funniest and most revolting specimens. This eBook contains the crème de la phlegm-hand picked by children's author, songwriter and McFly frontman, Tom Fletcher, and Wales's Children's Poet Laureate, Anni Llyn.A huge thank you to our revolting partners Puffin Books, the National Literacy Trust, Literature Wales, Magic Light, and the Roald Dahl Museum and Story Centre for all their help and support!

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

     He stood in the pulpit on Sundays waving the same hands that abused her at night. He glorified God with the same mouth he used to chip away her self-esteem, daily. He was a man of God who had turned her away from the same God he told people they needed to serve. He was the man who was supposed to pray for, take care of and eventually love her. Instead he preyed on, took advantage of and shattered her heart before it had a chance to truly love someone else. Now, 14 years and a son later, she finds herself needing God yet she doesn’t know how to reach Him. She longs for God but isn’t sure He can hear a sinner’s prayer until she starts to say, Dear God ...

    Her ability to control minds in their hands could mean the destruction of the Kember and Drea race. Laced with speed, strength, and a physical ability, each Kember holds the key to not only defeat the Rygons, but to protect one Drea until death. But what happens when one who’s born to protect, hunts instead? During a heated battle with a rogue Kember, Taylee’s forced to run and let her own Kember—the man who raised her—face him alone. With the announcement of her protector’s death, Taylee’s anger and obsession regarding the mysterious murderer take over. She’s hell-bent on bringing her guardian justice, even if it means walking into the enemy’s trap.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Even though she believes true love will never find her, Jenna vows to help other women find their own true loves by opening a dating service. If she can’t find love for herself, she’s determined to find love for her hopelessly inept clients. Through messy mash-ups and zany adventures, Jenna and her best friend and business partner, Dale, help a Turret’s juggler lose her balls, an Elizabeth Taylor impersonator drop her White Diamonds, and a woman with multiple personalities find a girlfriend that adores all of her. Along the way, Jenna discovers that just because she’s given up on love, that doesn’t mean love has given up on her.

    I want to roam in the dales in search of that tune ~

    A cultural icon of Bengal and India, he became Asia's first Nobel laureate when he won the 1913 Nobel Prize in Literature. A Pirali Bengali Brahmin from Calcutta, Tagore first wrote poems at age eight. He published his first substantial poetry under the pseudonym Bhanushingho (Sun Lion). Tagore's works included numerous novels, short-stories, collection of songs, dance-drama, political and personal essays. Some prominent examples are Gora (Fair-Faced) (1910), Gitanjali (Song Offerings) (1912), and Ghare-Baire (The Home and the World) (1919). His verse, short stories, and novels-many defined by rhythmic lyricism, colloquial language, meditative naturalism, and philosophical contemplation-received worldwide acclaim. His other works include The King of the Dark Chamber (1914), The Gardener (1915), Songs of Kabir (1915), Fruit-Gathering (1916), Stray Birds (1916), The Hungry Stones and Other Stories (1916) and Glimpses of Bengal (1920).

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    Donald Hall's forceful, yet elegant, prose brings together all the elements of Dock Ellis's story into a seamless whole.  The two of them, the pitcher and the poet, give us remarkable insight into the customs and culture of this closed clannish world.  Dock's keen vision, filtered through Hall's extraordinary voice, shows us the hardships and problems of the thinking athlete in an unthinking world.

    Twenty voices.Endless possibilities.There's the girl who is in love with Holden Caulfield. The boy who wants to be strong who falls for the girl who's convinced she needs to be weak. The girl who writes love songs for a girl she can't have. The two boys teetering on the brink of their first anniversary. And everyone in between.As he did in the highly acclaimed Boy Meets Boy, David Levithan gives us a world of unforgettable voices that readers will want to visit again and again. It's the realm of possibility open to us all - where love, joy, and the stories we tell will linger.