She expected a young student not a middle-aged bookseller whose marriage has fallen apart. But Trevor is attracted to Elizabeth's house because of the empty shed in her backyard, the perfect space for him to revive the artistic career he abandoned years earlier. The face-blind, EH Holden-driving Elizabeth is a solitary and feisty book editor, and she accepts him, on probation...Miles Franklin finalist Philip Salom has a gift for depicting the inner states of his characters with empathy and insight. In this poignant yet upbeat novel the past keeps returning in the most unexpected ways. Elizabeth is at the beck and call of her ageing mother, and the associated memories of her childhood in a Rajneesh community. Trevor's Polish father disappeared when Trevor was fifteen, and his mother died not knowing whether he was dead or alive. The authorities have declared him dead, but is he?The Returns is a story about the eccentricities, failings and small triumphs that humans are capable of, a novel that pokes fun at literary and artistic pretensions, while celebrating the expansiveness of art, kindness and friendship.

    Have they got what it takes to stay on top or are they just a one hit wonder? Told through the eyes of a young singer who's seen it all, this is celebrated rock journalist Jenny Valentish's debut novel - a wild ride into Australia's music scene.'I didn't know it yet, but one day my Wikipedia entry would begin: 'Nina Dall is one half of Sydney pop-punk band The Dolls. Since forming the group as a sixteen-year- old with her cousin Rose Dall under the guidance of veteran producer John Villiers, she has written and recorded one gold album, It's Not All Ponies and Unicorns (2012), and one platinum album, Tender Hooks (2014), and has taken home six ARIA awards.' There will be more photographs of me in existence than the prime minister, the leader of the opposition and any visiting dignitaries put together. I will only stay in suburbs with a Park Hyatt in them.'Twenty-one year old Nina Dall has seen it all, including her own meteoric rise to fame and its inevitable aftermath. She created teen band The Dolls to escape suburban hell. Now she needs to prove she's not a one-hit wonder and convince veteran producer John Villiers to be her own personal svengali. But he's got his own problems.Rose Dall craves adoration, and through The Dolls, she gets it. But with the band's every move coming under media scrutiny and cousin Nina going off the rails, she's pushed to breaking point. Can The Dolls survive each other?Alannah Dall had a pop career in the 1980s before disappearing from public view. She's resurfaced to steer her nieces away from the same scandals, but with her own comeback on the cards, The Dolls start to become a threat.

    The importance of home. Of love. Of kindness to strangers. Of memories and dreams.Australia's rural towns and communities are closing down, much of Australia is being sold to overseas interests, states and countries and regions are being realigned worldwide. Town matriarch Granna Adams, her grandson Roberto, the lonely and thoughtful Clare – all try in their own way to hold on to their sense of self, even as the world around them fractures.What would you do if all you held to be familiar was lost? More importantly, wheredo you belong?An extraordinary debut novel from an exciting new Australian voice.

    An unforgettable journey. A beautiful and bloody history. This is Iceland as you've never read it before... Broadcaster Richard Fidler and author Kári Gíslason are good friends. They share a deep attachment to the sagas of Iceland - the true stories of the first Viking families who settled on that remote island in the Middle Ages. These are tales of blood feuds, of dangerous women, and people who are compelled to kill the ones they love the most. The sagas are among the greatest stories ever written, but the identity of their authors is largely unknown. Together, Richard and Kári travel across Iceland, to the places where the sagas unfolded a thousand years ago. They cross fields, streams and fjords to immerse themselves in the folklore of this fiercely beautiful island. And there is another mission: to resolve a longstanding family mystery - a gift from Kari's Icelandic father that might connect him to the greatest of the saga authors. Praise For Fidler & Gíslason.'We already know Fidler is an interviewer of great empathy, now we know he mirrors that skill on the page, too.' Andrew McMillan, The Australian'Kári's descriptions of Iceland are so beautiful that one is tempted to pack up and go there.' Bev Blaauw, Cairns Post

    To this mix Adam Thompson manages to bring humour, pathos and occasionally a sly twist as his characters confront racism, untimely funerals, classroom politics and, overhanging all like a discomforting, burgeoning awareness for both white and black Australia, the inexorable damage and disappearance of the remnant natural world.

    We know, for example, that there are a few core truths to science of happiness. We know that being kind and altruistic makes us happy, that turning off devices, talking to people, forging relationships, living with meaning and delving into the concerns of others offer our best chance at achieving happiness. But how do we retain happiness? It often slips out of our hands as quickly as we find it. So, when we are exposed to, or learn, good things, how do we continue to burn with them?And more than that, when our world goes dark, when we're overwhelmed by illness or heartbreak, loss or pain, how do we survive, stay alive or even bloom? In the muck and grit of a daily existence full of disappointments and a disturbing lack of control over many of the things that matter most - finite relationships, fragile health, fraying economies, a planet in peril - how do we find, nurture and carry our own inner, living light - a light to ward off the darkness?Absorbing, achingly beautiful, inspiring and deeply moving, Julia Baird has written exactly the book we need for these times.

    Unsheltered will leave you wrung out and gasping.Relentlessly propulsive and profoundly moving, Unsheltered taps into some of our worst fears and most implacable motivations, marking the emergence of a fully-formed and urgent literary voice.Against a background of social breakdown and destructive weather, Unsheltered tells the story of a woman’s search for her daughter. Li never wanted to bring a child into a world like this but now that eight-year-old Matti is missing, she will stop at nothing to find her.As she crosses the great barren country alone and on foot, living on what she can find and fuelled by visions of her daughter just out of sight ahead, Li will have every instinct tested. She knows the odds against her: an uncompromising landscape, an uncaring system, time running out, and the risks of any encounters on the road. But her own failings and uncertainty might be the greatest obstacle of all. Because even if she finds her, how can she hope to shield Matti from the future? At times tender, at times terrifying, Unsheltered is an engrossing, unpredictable novel that keeps the reader in suspense all the way to the end. A brilliant feat of imagination that asks if our humanity is the only protection we have left, Unsheltered will affect you in ways a book hasn’t done in years.

    She smirked with one side of her mouth and looked up at me through the black spray of her fringe. Her eyes were dark and already she was playing some kind of game with me, or that's how it seemed. Her voice was a little deeper and huskier than I might have expected, so her last line had come out with a hint of something that might have been menace or even seductiveness or just a pitch at adult banter. Whatever it was, it stuck with me and it punctuated the moment and it didn't feel quite right for a conversation with a schoolgirl on my doorstep.”With his chart-topping band, Butterfish, Curtis Holland lived the cliched rock dream. Residing in hotels and recording studios, travelling in custom-built buses, he got married after a soundcheck in a wedding chapel in Nevada and barely noticed when his wife left him in Louisville.But no dream lasts forever.When Annaliese Winter walks down Curtis Holland's front path, he's ill-prepared for a sixteen-year-old schoolgirl who's a confounding mixture of adult and child. He's back in Brisbane trying to build a life and he is not used to having a neighbour at all.So when Curtis receives an invitation to dinner from Annaliese's mother, Kate, he is surprised when he not only accepts but finds himself being drawn to this remarkably unremarkable family. Even to fifteen-year-old Mark who is at war with his own surging adolescence.Curtis soon realises that with Kate divorced, Annaliese and Mark need a male role model in their lives, but it's hard for him to help when he's just starting to grow up himself and harder still when Annaliese begins to show an interest in him that is less than filial.Filled with acute observation, humour and tenderness, Butterfish is Nick Earls at his very best.

    It is a truly original and absorbing approach to revisiting Jackson Pollock and his wife Lee Krasner as artists and people, as well as realigning our ideas around the cultural legacy of Whitlam’s purchase of Blue Poles in 1973.It is also the story of Alyssa, and a contemporary relationship, in which Angela O’Keeffe immerses us in the essential power of art to change our personal lives and, by turns, a nation.Moving between New York and Australia with fluid ease, Night Blue is intimate and tender, yet surprisingly dramatic. It is a glorious exploration of how art must never be undervalued.

    Once a charming underachiever, he's now such a loser that he can't even commit suicide properly. Waking up in hospital after falling the wrong way on a rooftop, he comes to a decision. He shouldn't waste perfectly good organs just because they're attached to his head. After a life of regrets, Sully wants to do one useful thing: he wants to donate a kidney to a stranger. As he scrambles over the hurdles to become a donor, Sully almost accidentally forges a new life for himself. Sober and employed, he makes new friends, not least radio producer Natalie and her son Louis, and begins to patch things up with old ones, like his ex-best mate Tim. Suddenly, everyone wants a piece of him. But altruism is not as easy as it seems. Just when he thinks he's got himself together, Sully discovers that he's most at risk of falling apart.

    When Zach's wealthy mother goes missing, Rebecca – the truckie's daughter – is implicated in her disappearance. In the weeks that follow, Rebecca and Zach are drawn into a treacherous, adult world. Eager to please, Rebecca finds herself in danger of living up to the schoolyard taunts she so hates, while Zach channels his feelings through the sights of his gun.In the fading summer light, grudges are nursed and tempers fray, and as old lies unravel it seems nobody can be relied on. But beyond the fallout, the hard lessons in love and betrayal have not been wasted. Rebecca and Zach realise that judgements can be flawed – and that trust is better earnt than given.Original, unsettling and compelling, The Good Daughter is the much-anticipated second novel from Honey Brown.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    In ‘The Goose Girl’, the queen sends her daughter awayto her fate with a bloodied handkerchief tucked in her bosom, and in ‘Sleeping Beauty’, Mama’s best efforts cannotprevent one little prick from having disastrous consequences for the heroine. Danielle Wood’s Mothers Grimm brings characters from these stories into the modern world in a collection of four long stories that interrogate contemporarywomanhood and motherhood. Happy endings not guaranteed.

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.