Written by the author of Adventures In Capitalism, this title features twists 'n' turns, sex 'n' violence, and glitz 'n' glamour.

    Told in the odd and unforgettable voice of its protagonist, "Cornbread" is the tale of a matricidal Arkansas woman bringing about the final days of her marriage. At turns darkly comical and deeply tragic, it's a story that lingers long after it's finished, like the smell of fresh baked cornbread or discharged gunpowder...

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including Pale Horse, Pale Rider, where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and Noon Wine, a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.Selected and introduced by Sarah Churchwell, these 12 short stories by Katherine Anne Porter (1890-1980) include the three long tales published as Pale Horse, Pale Rider in 1937 and widely considered to be her masterpiece: Old Mortality, Noon Wine and Pale Horse, Pale Rider.

    

    Daphne Kalotay's characters confront regrets and unrealized hopes in tales tinged with gentle humor. A newly independent woman finds herself in bed with an ex-husband of long ago. A little girl gets a surprising glimpse into adulthood when she catches her mother in a moment of uninhibited pleasure. A thirteen-year-old boy contends with the unwanted attentions of a younger girl. And for two older women, a tie formed in their youth sustains them through varied twists of fate. These are dazzling intertwined tales of love, failure, and the comedy of human relationships.

    There, Mishka Shubaly learned some valuable life lessons — among them that in the absence of whiskey, wine and water, urine will get the job done.

    It was the Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying, "Top of the stairs, end of the hall, last door."Oddly enough, it was the start of a puzzling and all but unspeakable misadventure. As it were.

    Featuring the conclusions to Issue 57's cliffhanger stories by Booker Prize nominee Oyinkan Braithwaite, Brian Evanson, and Mona Awad.

     The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued... From Matt Shaw, author of Sick B*stards, PORN and 2016: A Year of Horror and Pain", comes a new psychological horror. A Short story of 12,000 words.

    Yet here are over thirty true stories of real life murderers who abused the trust of the public, their patients, their friends and their colleagues, indulging in chilling killing sprees. Neville Heath, the charming RAF officer with uncontrollable urges. Susan Christie, the ‘Fatal Attraction’ killer from the Ulster Defence Regiment. Robert Erler, the so-called Super Cop who shot a mother and daughter seemingly on a whim. Genene Jones, the loving nurse who killed many of the children in her care. James Camb, the ship’s steward who charmed and then killed one of his passengers. What drove these people to commit such heinous acts and how did they utilise the confidence placed in those in uniform? Killers in Uniform is saturated with stark reminders that real-life killers are far from monsters of fiction. In providing a comprehensive history of some of the most shocking crimes on record, Adrian Vincent raises important questions about patterns of crime, the psychology of murder and regulation of systems where trust and exploitation can unfortunately go hand in hand. He also charts changes in the justice system and controversial judicial attitudes towards punishment: documenting the move away from the death penalty and punitive punishment towards rehabilitation and flexible sentencing terms, detailing crimes which ended in hanging and life-sentences to prisoners sent to psychiatric hospitals including Broadmoor. Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    There are too many gaps in his code, too many mistakes left unfixed.Could Barry's programmers really have been so lax? Or does he have a greater purpose, some secret mission buried in his source code? He has another eighteen thousand years to find the answer. In the meantime, he's growing bored, and idle hands are the devil's playthings...

    Her best friend, Santana Corn Eyes, knows about the project, as does a ghost who visits her, silently urging her on. Yirah says the spirit is that of her departed uncle, but Santana is worried. Why would a ghost be crossing over to this world? Maybe it’s not such a good idea to get a a dead man’s motorbike running again. And if Yirah does succeed, will she be patient enough to learn how to safely handle it? Set in the Painted Hills near Santo del Vado Viejo, this original short story is loosely connected to de Lint’s acclaimed novel, The Wind in His Heart. “One of the most original fantasy writers currently working.”—Booklist “Charles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint’s vivid, original world. No one does it better.”—Alice Hoffman “De Lint creates an entirely organic mythology that seems as real as the folklore from which it draws.”—Publishers Weekly, starred review “De Lint is a romantic; he believes in the great things, faith, hope, and charity (especially if love is included in that last), but he also believes in the power of magic—or at least the magic of fiction—to open our eyes to a larger world.”—Edmonton Journal “It’s hard not to feel encouraged to be a better person after reading a book by Ottawa’s Charles de Lint.”—Halifax Chronicle Herald “If Ottawa-area author Charles de Lint didn't create the contemporary fantasy, he certainly defined it. …writer-musician-artist-folklorist de Lint has lifted our accepted reality and tipped it just enough sideways to show the possibilities that lie beneath the surface… Unlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it's just damned fine writing.” —Quill & Quire “In de Lint's capable hands, modern fantasy becomes something other than escapism. It becomes folk song, the stuff of urban myth.” ―The Phoenix Gazette

    This is the poetry of good vibrations, higher callings, and unbridled passions; this is poetry with heart and soul, poetry with a purpose; This is poetry that lifts you up with the beautiful truth.

    

    This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.Table of Contents:Flora – David RoseWinter Break – Hilary MantelEmergency Exit – Lee RourkeLove Silk Food – Leone RossFeather Girls – Claire MasseyForeigner – Christopher BurnsDinner of the Dead Alumni – Adam MarekThe Swimmer – SJ ButlerSo Much Time in a Life – Heather LeachStaff Development – Alan BeardThe Rental Heart – Kirsty LoganNotes on a Love Story – Philip LangeskovNo Angel – Bernie McGillSlut’s Hair – John BurnsideComma – Hilary MantelMoving Day – Robert EdricTristram and Isolde – Michèle RobertsLooted – Dai VaughanWhen the Door Closed, It Was Dark – Alison MooreEpiphany – Salley Vickers