When, years later in the 1980s, Flor is murdered in Guatemala while running an orphanage, Roger returns to uncover the truth of her death. There he is reunited with Luis Moya, a childhood friend, and together they venture on a quest and chronicle of Flow's whole life story that will prove to have unexpected, and unforgettable, repercussioins.

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.

    The story is told by an unnamed female narrator, Mauro's friend and disciple who we also suspect might be in love with him. Set not only in Paris but in Berlin, Thailand, Burma, and other far-flung places over the course of fifteen years, the book is hyperrealistic--to the point of feeling, at times, like a documentary. It transcends this simplistic form, however, through the lyricism and intensely vivid evocative nature of Maylis de Kerangal's prose, which conjures moods, sensations, and flavors, as well as the exhausting rigor and sometimes violent abuses of kitchen work.In The Cook, we follow Mauro as he finds his path in life: baking cakes as a child; cooking for his friends as a teenager; a series of studies, jobs, and travels; a failed love affair; a successful business; a virtual nervous breakdown; and--at the end--a rediscovery of his hunger for cooking, his appetite for life.

    The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness, and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

    A young Iraqi girl and her best friend find themselves living in war-torn Baghdad during the first Gulf War. Populated by a host of colourful characters, we share the two girls' dreams, music, school life and first loves as they grow up in a city torn apart by civil war. And as the bombs fall, the international sanctions bite and friends begin to flee the country, the city services collapse while abandoned dogs roam the streets and fortune-tellers thrive amidst the fear and uncertainty. This poignant debut novel will spirit readers away to a world they know only from the television, revealing just what it is like to grow up in a city that is slowly disappearing in front of your eyes, and showing how in the toughest times, children can build up the greatest resilience.

    Her life in danger, she joins the rebellion in the hills, where her comrades force her to give up the baby she conceives. Years later, having outlived countless men, she leaves to find her lost daughter, travelling across the Atlantic with meagre resources. She returns to a community riven with distrust, fear and hypocrisy in the wake the revolution.Hernandez’ narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of political trauma.

    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can—visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats—both human and those of nature—Simonopio’s purpose in Linares will, in time, be divined.Set against the backdrop of the Mexican Revolution and the devastating influenza of 1918, The Murmur of Bees captures both the fate of a country in flux and the destiny of one family that has put their love, faith, and future in the unbelievable.

    He resigns himself to taking over his brother’s role and spending the rest of his days ‘with his head under a cow’. After his old, worn-out father has been transferred upstairs, Helmer sets about furnishing the rest of the house according to his own minimal preferences. ‘A double bed and a duvet’, advises Ada, who lives next door, with a sly look. Then Riet appears, the woman once engaged to marry his twin. Could Riet and her son live with him for a while, on the farm? The Twin is an ode to the platteland, the flat and bleak Dutch countryside with its ditches and its cows and its endless grey skies. Ostensibly a novel about the countryside, as seen through the eyes of a farmer, The Twin is, in the end, about the possibility or impossibility of taking life into one’s own hands. It chronicles a way of life which has resisted modernity, is culturally apart, and yet riven with a kind of romantic longing.

    She accepts. The lady resembles the Austrian Empress Elisabeth and lives with her servant in an apartment full of bizarre souvenirs. More invitations follow. A seemingly harmless visit to the museum turns into a meticulously planned raid to steal a royal cocaine syringe. Without realizing, the young woman has become the lady’s accomplice. Does she realize she is losing control?Why Peirene chose to publish this book:'On the surface this is a clever thriller-cum-horror story of three women and their descent into addiction, crime and madness. And at times it’s very funny. But don’t be fooled. The book also offers an exploration of the way the mind creates its own realities and – quite often – deludes us into believing that we control what is actually controlling us. Uncanny, indeed.' Meike Ziervogel

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    The late Gavelis's first translation into English centers on Vytautas Vargalys, a semijustifiably paranoid labor camp survivor who works at a library no one visits while he desperately investigates the Them or They responsible for dehumanizing and killing the humans around him, including his wife, Irena; his genius friend, Gedis; and the young siren, Lolita. Meanwhile, failed intellectual Martynas chronicles Vargalys's struggle and the city's mysterious energy in his mlog, library worker Stefanija Monkeviciute dwells on her wavering faith and personal humiliations, and the city itself speaks in the voice of a dog, claiming that Vilnius can't distinguish dreams from reality. Wrought—and fraught—with symbolism and ennui, the oppressive internal monologues of the characters and the city show the intense importance and equal absurdity of life.

    When he receives an astronomical invoice from a random national bureaucratic agency, everything will tumble into madness as he calls the hotline night and day to find out why he is the recipient of the largest bill in the entire country. What is the price of a cherished memory? How much would you pay for a beautiful summer day? How will our carefree idealist, who is content with so little and has no chance of paying it back, find a way out of this mess? All these questions pull you through The Invoice and prove once again that Jonas Karlsson is simply a master of entertaining, intelligent, and life-affirming work.

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    The stories provide glimpses into the life of Don Henrik, a good man struck time and again by misfortune, as he confronts the crude realities of farming life. Over the course of these episodes we meet merciless entrepreneurs, hitmen, drug dealers and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, in a style that recalls Hemingway, Trout, Belly Up is a unique ensemble of beguiling, disturbing stories set in the heart of the rural landscape in a country where violence is never far from the surface.