The musical is based on a dramatic 70-page slice of Leo Tolstoy’s War and Peace. Profusely illustrated, the book also includes an annotated script and a special CD with three songs from the Off-Broadway production and two all-new recordings for the Broadway production featuring Josh Groban with a 25-piece orchestra.

    Dubious but flattered, Edward sheds his clothing and emerges from years of apathy. This tale of secrecy, love and eventual understanding explores our perceptions of beauty and abnormality. Chosen by book groups in the UK to be the Hookline Novel Winner in 2008.

    193,000 miles. 190 countries. One play. For the 450th anniversary of Shakespeare’s birth the Globe Theatre undertook an unparalleled journey, to take Hamlet to every country on the planet, to share this beloved play with the entire world. The tour was the brainchild of Dominic Dromgoole, artistic director of the Globe, and in Hamlet Globe to Globe, Dromgoole takes readers along with him.From performing in sweltering deserts, ice-cold cathedrals, and heaving marketplaces, and despite food poisoning in Mexico, the threat of ambush in Somaliland, an Ebola epidemic in West Africa and political upheaval in Ukraine, the Globe’s players pushed on. Dromgoole shows us the world through the prism of Shakespeare—what the Danish prince means to the people of Sudan, the effect of Ophelia on the citizens of Costa Rica, and how a sixteenth-century play can touch the lives of Syrian refugees. And thanks to this incredible undertaking, Dromgoole uses the world to glean new insight into this masterpiece, exploring the play’s history, its meaning, and its pleasures. Hamlet Globe to Globe is a highly enjoyable book about an unprecedented theatrical adventure.

    Through thick and thin, growing pains and wild nights out, they were inseparable. But it was their biggest adventure that was to tear them apart: travelling through Australia, Andrea and Lexi are involved in a catastrophic accident.

    And there is Oshoosi, fresh out of prison, who always takes the wrong track. When his ex-cell mate Elegba gives him a clapped-out car, true freedom seems just around the corner... The Brothers Size is the European debut of an amazing young writer who plants Nigerian myth in the fertile soil of Louisiana. The play premiered at Drum, Plymouth, in October 2007, before touring and transferring to the Young Vic, London.

    From congresswoman to senator, the magnetic, ambitious single mother now has her eye on the White House—always looking forward, never back. Until an estranged childhood friend shreds her in an op-ed hit piece gone viral.With seven words—“Cleo McDougal is not a good person”—the presidential hopeful has gone from in control to damage control, and not just in Washington but in life.Enter Cleo’s “regrets list” of 233 and counting. Her chief of staff has a brilliant idea: pick the top ten, make amends during a media blitz, and repair her reputation. But there are regrets, and there are regrets: like her broken relationship with her sister, her affair with a law school professor…and the regret too big to even say out loud.But with risk comes reward, and as Cleo makes both peace and amends with her past, she becomes more empowered than ever to tackle her career, confront the hypocrites out to destroy her, and open her heart to what matters most—one regret at a time.

    So when Cole Russell, a successful and sexy, but short-term-only kind-of-guy, decides that he'd like to get to know her, she turns him down flat. Still, he somehow manages to convince her to join him for coffee, and a surprising friendship is born.While everyone around them, including a matchmaking girlfriend and a grumpy but charming old man, grows exasperated with them, Kate and Cole insist that they are happily content being "just friends". Until Cole kisses Kate. Can Cole convince her that he's in this for the long haul, and that they are clearly meant to be more than friends?

    This book provides a practical guidebook for those seeking to understand and defeat the Alinsky tactics used by the Obama Administration, Occupy Wall Street, and other far-Left organizations.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    The once promising Broadway star now washes windows for tips and lives among the homeless. When his former dance partner recognizes him behind the fray of whiskers, shame drives him away from her. Angry at God and the world, the Dancer refuses to allow anyone into his life. When everything is stripped away, three things remain: faith, hope, and love. The greatest of these is love. I Called Him Dancer is a story about how one woman’s enduring faith and unconditional love drives her to reach out to a homeless man who has given up on life.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    Covered in tattoos and leather, he’s a smoking hot biker and nothing but trouble.As the president of the Dirty Aces MC, Malcolm is known for being cold and calculating. One bad decision – getting into business with the wrong person – is all it takes to bring down the entire MC. It’s happened before to his predecessor, which is why Malcolm refuses to let it happen again on his watch. He doesn’t trust anyone except for the few men who wear the same ace of spades patch on their back.And that’s exactly why he doesn’t ever take his eyes off of me – the new girl. I never intended to make an enemy out of Malcolm or the MC when I was sent to steal everything I could from them.~ DEVLIN ~As one of the enforcers for the Dirty Aces, sometimes I have to hurt people. Using my fists to get results is not something I enjoy – it’s just part of the job. My loyalty will always be to the MC and no one else.So just because Jetta James is a hot as hell girl I once hooked up with at a rock concert, it doesn’t mean I can give her brother a break on the gambling debt he owes to the Aces.When Jetta finds out I’m a member of the MC, she thinks I’m bad news; but her brother Sean is the one drowning in his bad decisions.~ NASH ~Whenever Nash Kincaid looks in the mirror, he only sees a monster who ruins lives. Thanks to his involvement with the Dirty Aces MC, there’s so much blood on his hands he’ll never wash them clean again. Violence is just part of the outlaw lifestyle. That’s why he’s not all that surprised when he’s hit with divorce papers three years after his wife walked out on him.The last thing Nash needs right now is a nosy new neighbor who refuses to leave him alone. If Lucy knew Nash’s dark secrets, he’s certain that she would run the other way rather than try her best to get into his bed. Thanks to a failed marriage, he knows he can never be the man Lucy needs him to be, not while he’s a member of the MC with a life sentence hanging over his head.~ SILAS ~A late-night attack at her home convinces Cora that leaving Carolina Beach behind to start over in witness protection is her only choice.What Cora doesn’t know is that the tough, no-nonsense FBI agent who swoops in to protect her is not who he says he is.In fact, he’s the last man she should ever trust.~ WIRTH ~After a patch-over party turns into a near-fatal shootout that injures several members, the Dirty Aces MC is left reeling.Wirth feels especially guilty since he wasn’t at the bar when his brothers needed him the most. Instead, he had left with a beautiful, mysterious woman, making some of the new members question his loyalty to the club.Needing to clear his own name, Wirth intends to find out who the rat is within the MC. Suspicious of the new girl, Maeve, he decides to try and get closer to her to determine where her true loyalties lie.~ FIASCO ~When he takes two bullets during a shooting, Fiasco nearly loses his life. And in a way, dying may have been the easy way out.But once he saw Joanna’s face, the angelic nurse doing everything she could to save his life, he wanted nothing more than to live.Overcoming his injuries is just the first obstacle Fiasco will have to face. If he can’t get back to his construction job soon, he’ll lose everything he’s worked so hard to have, along with all the people who depend on him.WARNING: THIS BOX SET CONTAINS SEXUALLY AND PHYSICALLY VIOLENT SCENES THAT MAY BE A TRIGGER FOR SOME INDIVIDUALS.

    Above all, "Drama" is a tribute to the most important influence in John Lithgow's life: his father, Arthur Lithgow. An actor, director, producer, and great lover of Shakespeare, Arthur brought theatre to John's boyhood, where performance and storytelling were a constant and cherished part of family life. Lithgow brings the theatre worlds of New York and London to life as he relives his collaborations with renowned performers and directors including Mike Nichols, Bob Fosse, Liv Ullmann, Meryl Streep, and Brian De Palma. Lithgow's ruminations on the nature of theatre, performance, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. At once hilarious and reflective, "Drama" pulls back the curtain on the making of one of our most beloved actors.“John Lithgow’s memoir is both unflinching and irresistible. It captures the long, hard road to the stage for any actor, or for virtually anyone trying to make it in New York, and shows how putting all of your hopes into the one thing you love isn’t so crazy after all.” —Gay Talese"A memoir as finely crafted as one of Lithgow’s performances."—Steve Martin“John Lithgow’s memoir of his training as an actor is more than an insider’s view of his craft. Lithgow likens acting to storytelling, and he’s a wonderful writer. The portrait of his father is as finely articulated as it is heartfelt, and the account of the young actor’s struggles with his too-young, too-early first marriage is both moving and candid. I loved this book.” — John Irving“This book has all the drama we’ve come to expect from John Lithgow, the alternately dark, tender, romantic, dangerous, deranged actor we find in Drama, which is also a family tale of the richest variety. A great read.” — Mary Karr

    The Cotton Centennial is in full swing as Joseph Bartlett takes his place among the local elite in the parade grandstand. The meticulously planned carnival has brought the thriving textile town to an unprecedented halt; rich and poor alike crowd the streets, welcoming President Taft to America's "Spindle City."Yet as he perches in the grandstand nursing a nagging toothache, Joseph Bartlett straddles the divide between Yankee mill owners and the union bosses who fight them. Bartlett, a renegade owner, fears the town cannot long survive against the union-free South. He frets over the ever-present threat of strikes and factory fires, knowing his own fortune was changed by the drop of a kerosene lantern. When the Cleveland Mill burned, good men died, and immigrant's son Joseph Bartlett gained a life of privilege he never wanted.Now Joseph is one of the most influential men in a prosperous town. High above the rabble, as he stands among politicians and society ladies, his wife is dying, his sons are lost in the crowd facing pivotal decisions of their own, and the differences between the haves and have-nots are stretched to the breaking point.Spindle City delves deep into the lives, loves, and fortunes of real and imagined mill owners, anarchists, and immigrants, from the Highlands mansions to the tenements of the Cogsworth slum, chronicling a mill town's-and a generation's-last days of glory.

    Some are national odes about public affairs; some are pleasant poems of love and wine; some are moral letters; all have a rare perfection.