Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    They share their dreams and disappointments and rejoice in each other's triumphs. This is the second part of Ruth Park's autobiography.

    These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    Welcome to a chronicle of broken hearts, fervid pursuits, passionate friendships, deranged letter-writing, the allure of the bottle, the singular charms of musicians, the lost song of youth, and three very awkward evenings with varying prostitutes--exactly zero percent of which the author's parents will want to read. Add to that a slightly misguided attempt to give real-life friends and ex-lovers a 'right of reply' to the stories they appear in and it's fair to say an extended stint in the Witness Protection Program beckons.Confessional, voyeuristic, painful, hilarious and heartfelt, You'll Be Sorry When I'm Dead reveals the acerbic wit, unflinching gaze and razor-sharp insight of a writer at the height of her powers-or the unhinged fantasies of a dangerous mind with not enough to do.

    This ebb and flow of the day became a way of life.In this beautifully delicate memoir, Tim Winton writes about his obsession with what happens where the water meets the shore – about diving, dunes, beachcombing – and the sense of being on the precarious, wondrous edge of things that haunts his novels.Complemented by the breathtaking photographs of Narelle Autio, Land's Edge is a celebration of the coastal life and those who surrender themselves to it.

    It is the story of Albert Facey, who lived with simple honesty, compassion and courage. A parentless boy who started work at eight on the rough West Australian frontier, he struggled as an itinerant rural worker, survived the gore of Gallipoli, the loss of his farm in the Depression, the death of his son in World War II and that of his beloved wife after sixty devoted years - yet he felt that his life was fortunate.Facey's life story, published when he was eighty-seven, has inspired many as a play, a television series, and an award-winning book that has sold over half a million copies.

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    The result is a memoir that is at once intellectually provocative and deeply honest; the book that readers of Poppy, The Orchard and Stravinsky's Lunch have been waiting for.

    Growing up in Bathurst, New South Wales she felt a deep connection to her Australian home and her Australian family.It wasn't until she heard her name uttered in the hit movie Slumdog Millionaire that Latika recognised she knew nothing of her Indian roots, the world she was born into and what she could have become had she not been brought to Australia as a baby.As Latika carved out a successful career for herself as an award-winning political journalist, she became more and more curious about her heritage and what it meant to be born in India and raised in Australia. And so began a deeply personal and sometimes confronting journey back to her birthplace to unravel the mysteries of her heritage.From India with Love is a beautiful story of finding your place in the world and finding peace with the path that led you there.

    Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.

    A collage of memories of childhood, significant moments, and relationships with family, friends and enemies, this autobiographical memoir provides a frank insight into the life of one of the greatest novelists Australia has ever produced.

    Since the death of his father, Moniek Prochownik, four years earlier, Toni has been at a creative standstill - until Marina Golding, the wife of his former teacher and mentor, Robert Schwartz, contacts him, and everything changes. Toni finds in Marina the perfect companion of his life in art and his creative energies are re-awakened.But Toni's newfound inspiration and artistic energy come at the direct expense of his relationship with his wife and daughter. The more dependent for his art he becomes on Marina, the more potentially destructive become the tensions between himself and his wife, Teresa. Toni's dilemma is how to reconcile the transgressive nature of his imaginative life with the daily life of his family, who he loves. Robert Schwartz's dying father, Theo, warns him not to confuse art with life. But by what means is he to achieve such clear-sightedness?Immensely satisfying, Prochownik's Dream is a work of great subtlety, strength and intellect. Its examination of the artist at work is complex and completely absorbing. But at its heart, very simply, it is a book about love.

    This sun-baked coast was innocently proud, too, of its tranquillity and friendliness. Then a man he knew murdered a boy he also knew. The murderer randomly killed eight strangers - variously shooting, strangling, stabbing, bludgeoning and hacking his victims and running them down with cars - an innocent Perth was changed forever. In the middle-class suburbs which were the killer's main stalking grounds, the mysterious murders created widespread anxiety and instant local myth. 'The murders and their aftermath have both intrigued me and weighed heavily on me for three decades. To try to make sense of this time and place, and of my own childhood and adolescence, I had, finally, to write about it.' The result is 'The Shark Net', a vibrant and haunting memoir that reaches beyond the dark recesses of murder and chaos to encompass their ordinary suburban backdrop.

    Clementine is twenty-five and still living in the place where she grew up, rooted there by memories and her own inability to make changes until she has understood her past.That past is dominated by memories of her mother, and her mother's attempts to dramatise and enrich small-town life and the perceptions of her three, clever, receptive daughters.But only Clementine has stayed. Is this out of loyalty to her mother's memory? Or to comfort her father? Perhaps she wants to find peace with Hugh, the earnest husband in whose house she most uncomfortably lives? Or is Thomas the lure, who alone can appreciate Clementine's own sensuality, and her humour, but who must remain another of her secrets.Already widely known and praised for her short stories, Gillian Mears has written a wonderful debut novel which will be read with pleasure and remembered with joy.

    There is always so much more and it swims, shimmering beneath the surface, glittering with all the inherent contradictions of who we are, the changes that time brings and the very elusiveness of a life slipping through our fingers.BIRTHS DEATHS MARRIAGES is about life and how we really live it. These true tales move from visits to nudist communes, to losing your virginity; to going to couples' counseling and coping with death in the family. From a bohemian childhood in the seventies to becoming a mother and a writer, Georgia Blain explores a new land - true life in all its extraordinary richness - taking us deep into the heart of how we love, learn, fail, and try to learn again.