What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.—from “WHEREAS Statements”WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

    The Atheist knows that god did not make man. The opposite is true - man made god in the image and likeness of a man, in the form of a virile Greco-Roman male in his early prime. Man completed this effort over 2,300 years ago. With this creation came religion. We know that religion requires unconditional belief and complete submission, without thought. Any discipline based on belief in man’s written words - requires complete submission - without concern for facts; and a set of rules that knowingly and completely overlook self-determination - appears cult like, trivial, and not worthy of respect. Upon examining, the benefits of believing Atheists realize that any benefit or benefits derived from affiliation with religion are at their very best meaningless or insignificant. Atheists are aware of atrocities committed in the name of spiritual superiority. Atheists view these events as wasteful, shameful, and as always elusive of any perceived victory and devoid of any social redeeming qualities or values. Accepting this truth is imperative, as it is so easy to verify, too many lose contact with reality based on trivial religious beliefs and bizarre religious doctrine. Most of religion’s beliefs are products of the ninth thru fifteenth century - the Dark-Ages period of Western Europe. These products include very basic child-like stories intended for the most uneducated members of society including pseudo horror stories. The stories are about demons, evil spirits, devils, and the like. However, the target audience changed now religion is an exceedingly mainstream belief system and extremely profitable for its promoters. Religion’s impact on our society is shocking, almost mind boggling. The wild stories work even today. If you are a clever preacher, you can tell your followers you saw a man walk on water. Many will believe you. The answers to the so-called mysteries of faith never elude us as they are in any public library. Most are just too lazy, complacent, stupid, or fearful to conduct the required research to explore such topics. “He who knows nothing is closer to the truth than he whose mind is filled with falsehoods and errors” Thomas Jefferson April 13, 1743 – July 4, 1826 Truth is not in demand in this society. We stand in abject fear of learning the truth. In being honest with ourselves, we must admit and accept that of our own volition we constructed a high tech do-it-yourself version of the European Dark-Ages in this so-called 21st century. We refer to this, as fundamentalism. After a thousand years of mental conditioning, we must admit the churches trained us too well. Now these habits are difficult to break, but changing a habit is not impossible. Always remember... “After your death, you will be what you were before your birth” Arthur Schopenhauer February 22 1788 – September 21 1860

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    The Psalms provide voices of faith in the life of community. In this shortened version of The Message of the Psalms, Dr. Brueggemann provides an insightful perspective and a structured overview of the Psalms using three categories: orientation, disorientation, and new orientation. Orientation is the establishment of structure and order. Disorientation is a place of imbalance and nonsense even potentially unjust. New orientation is moving forward away from what was and toward new possibilities.Spirituality of the Psalms brings together the Christian faith, expressions of suffering, hope, and seasons of everyday life. Brueggeman explains how Psalms of negativity, cries for vengeance, and profound penitence are foundational to a life of faith, and establishes that the reality of deep loss and amazing gifts are held together in a powerful tension.In this succinct edition, Brueggemann encourages readers to look up specific Psalms for study and consider God's justice in an unjust world. Spirituality of the Psalms is a brief yet thought-provoking edition for any reader wanting to understand complex dynamics found within the Old Testament Psalms.

     The Truth About Magic builds on the pains and joys of romance explored in Love Her Wild and the New York Times bestseller, The Dark Between Stars—heartbreaks and falling in love, looking back and looking inwards—by taking a fresh, awakened journey outward. An adventure into the great unknown. It’s about finding ourselves, our purpose, and the simple joys of life. It’s about lavender fields, drinking white wine out of oak barrels on vineyards, laughing until you cry, dancing in old barns until the sun comes up, and making love on sandy beaches. The Truth About Magic is a vibrant, transcendent journey into growth, which will leave you energized and eager to explore the wider world.

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    That same season, The Great Salt Lake began to rise to record heights, threatening the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

    In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

    It's a vision that stands in stark conflict with the anemic modern (and postmodern) perspectives that dominate contemporary life. Medieval Christianity began telling a beautiful story about the good life, but it was silenced in mid-sentence. The Reformation rescued truth, but its modern grandchildren have often ignored the importance of a medieval grasp of the good life. This book sketches a vision of "medieval Protestantism," a personal and cultural vision that embraces the fullness of Christian truth, beauty, and goodness."This volume is a breath of fresh air in our polluted religious environment. Hopefully many readers will breathe deeply of its contents and be energized." -The Presbyterian Witness"[A] delightful apologetic for a Protestant cultural vision. . . . before you write off these two as mere obscurantist Reformed types, take care. I found that some of my objections were, on the surface, more modern than biblical." -Gregory Alan Thornbury, Carl F. Henry Center for Christian Leadership"[T]his book cries out against the bland, purely spiritualized Christianity to which so many of us have become accustomed. . . . I highly recommend it." -David Kind, Pilgrimage, Concordia Theological Seminary

    In a political atmosphere where language and even meaning itself are continually under threat, poetry has a critical role to play. And our poets have been responding--in the streets and at their desks, demanding a full accounting from themselves and from their nation. Majmudar's elegant introduction to these vital poems reminds us that "false stories take a lot of killing because they are made of language. Because they are made of language, though, they can be killed." From Solmaz Sharif and Eileen Myles to Kevin Young and Juan Felipe Herrera, American poets of diverse styles and strategies have contributed their truths: scenes from the front lines of resistance, and from the interior of our collective conscience. A final cento by Majmudar--a poem including at least one line or phrase from each of the poems in the volume--celebrates the robust multiplicity of voices in this book and in America now.

    Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us.Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav.  Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found.  Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.

    Winner of the Nobel Prize in LiteratureFrom Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realmsBound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.

    Now, the new Second Edition offers these highlights.This landmark anthology includes the work of 120 writers over two centuries, from the earliest known work by an African American, Lucy Terry's poem "Bars Fight, " to the fiction of the Nobel Laureate Toni Morrison and the poems of the U.S. Poet Laureate, Rita Dove.

    Book of poems and short stories on Love, Joy, Peace, Faith and much much more

    Combining the thoughts and beliefs from a diverse range of essayists, this collection highlights the current ecological crisis and articulates a much-needed spiritual response to it. Perspectives from Buddhism, Sufism, Christianity, and Native American beliefs as well as physics, deep psychology, and other environmental disciplines, make this a well-rounded contribution. The complete list of contributors are Oren Lyons, Thomas Berry, Thich Nhat Hanh, Chief Tamale Bwoya, Joanna Macy, Sandra Ingerman, Richard Rohr, Wendell Berry, Mary Evelyn Tucker, Sister Miriam MacGillis, Satish Kumar, Vandana Shiva, Pir Zia Inayat-Kahn, Winona LaDuke, John Stanley, John Newall, Bill Plotkin, Geneen Marie Haugen, Jules Cashford, and Llewellyn Vaughan-Lee.