Reginald Harlan, M.A. Of course Archer generally didn't like people whose names started with a single syllable. Harlan hired Lew to find his sister. A respectable school mistress that has run off with a bohemian artist type. But he finds more than what he expected when he has a corpse literally dumped on him!

    At first, the townspeople accept the initial ruling of an accidental drowning, despite the fact that the boy's body wasn’t discovered when the lifeguards searched the pool earlier in the day after his sister reported him missing. However, when an autopsy reveals an unanticipated result, it sets in motion a search for a killer, in a town unaccustomed to murder. The story is told from the perspective of three members of the community: a twelve year old boy with a future he hopes to avoid; a sheriff with a past he longs to forget; and a forty year old bachelor with a secret he wants desperately to protect. Their stories all come together in a stunning and heart-stopping conclusion that helps to provide each of them a measure of redemption.Librarian please note:This is an alternate cover edition. The original ISBN numbers are:ISBN10 - 0615757588ISBN13 - 9780615757582

    She's adjusted to the Florida lifestyle, received a small raise, and is enjoying a playful romance with island cop Nick Billie. Things start to heat up when Mallie's old boyfriend, Cole, reappears and she finds herself torn between two men. But just before the annual Mango Festival which had promised to be a pleasant distraction the body of the Mango Queen is found in the mangroves. So it s back to business and Mallie is assigned to report on the case. She soon finds that the murderer isn't the only one in town to worry about, as her investigation begins digging up old secrets that many islanders prefer to remain buried. Can Mallie find the key to the Mango Queen s death before the killer plants her under the nearest tropical tree? And if she survives that, will she be able to decide whether Nick or Cole holds the key to her heart?

    Taught to shoot in the rough logging camps of the North Carolina swamps, Wes Ross remembers his lessons well. Dodging hostile gunfire with dozens of other young Marines, he storms a remote Pacific island as one of Carlson's Raiders in the first commando-style attack of World War II. He blasts several Japanese snipers from their palm-tree hideouts with buckshot before an enemy bullet sends him home. The Carolina homefront includes a new girlfriend and a new occupation, learning to be a rural lawyer in his uncle's law office, including courtroom intrigue and what goes on behind the scenes. Wes, like his uncles, is a good man, the kind who takes up for the poor and downtrodden, looking out for those who are easy prey for bullies. Frog Cutshaw is the storekeeper in the Caney Fork backwoods, a swaggering ex-moonshiner who is deadly with his ever-present .45 auto pistol. Frog's daylight rape of a married woman and the brutal killing of her husband bring on Bible Belt vigilante justice, an eye for an eye, a life for a life. Wally Avett is a retired newspaperman. He lives in North Carolina.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    

    

    Crouched next to her with his hands clamped over the knife wound in her abdomen, her husband, Daniel, screams at the couple's sister-in-law - and his ex-mistress - rooted in the doorway. Time slips away...

    

    With reminiscence and narration, a local sheriff must comb through his own humid world to unravel the truth behind the death of a local boy. But it’s not as easy as it seems, because no one is talking. The Other Side of the Bay is a remarkable portrait of the unique people in the Panhandle of Florida. The story weaves itself into the tall longleaf forests, and along the crests of the uneasy bay, telling a tale of the human spirit. This is a novel of how things aren't always as black and white as they ought to be, and how right and wrong aren't always easy to tell apart. It's an evocative tale that delivers its reader to the apricot sun rises and sepulchral storm clouds of their own bittersweet memories.