Parvana’s father — a history teacher until his school was bombed and his health destroyed — works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for having forbidden books, and the family is left without someone who can earn money or even shop for food.As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner.Readers will want to linger over this powerful graphic novel with its striking art and inspiring story.

     When the marines -- or "jarheads," as they call themselves -- were sent in 1990 to Saudi Arabia to fight the Iraqis, Swofford was there, with a hundred-pound pack on his shoulders and a sniper's rifle in his hands. It was one misery upon another. He lived in sand for six months, his girlfriend back home betrayed him for a scrawny hotel clerk, he was punished by boredom and fear, he considered suicide, he pulled a gun on one of his fellow marines, and he was shot at by both Iraqis and Americans. At the end of the war, Swofford hiked for miles through a landscape of incinerated Iraqi soldiers and later was nearly killed in a booby-trapped Iraqi bunker. Swofford weaves this experience of war with vivid accounts of boot camp (which included physical abuse by his drill instructor), reflections on the mythos of the marines, and remembrances of battles with lovers and family. As engagement with the Iraqis draws closer, he is forced to consider what it is to be an American, a soldier, a son of a soldier, and a man. Unlike the real-time print and television coverage of the Gulf War, which was highly scripted by the Pentagon, Swofford's account subverts the conventional wisdom that U.S. military interventions are now merely surgical insertions of superior forces that result in few American casualties. Jarhead insists we remember the Americans who are in fact wounded or killed, the fields of smoking enemy corpses left behind, and the continuing difficulty that American soldiers have reentering civilian life. A harrowing yet inspiring portrait of a tormented consciousness struggling for inner peace, Jarhead will elbow for room on that short shelf of American war classics that includes Philip Caputo's A Rumor of War and Tim O'Brien's The Things They Carried, and be admired not only for the raw beauty of its prose but also for the depth of its pained heart.

    In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl. Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

    She’s suffering from obsessive-compulsive disorder (OCD) and fighting violent urges to harm other people. But that’s not who she really wants to be. Nao has dreams. She wants to quiet her unruly mind; she wants to get her design and illustration career off the ground; and she wants to find love, perfect love. Nao’s life continues to seesaw. Her boyfriend dumps her; a toy deal falls through. But she also meets Gregory, an interesting washing-machine repairman, and Ray, an art teacher at the Buddhist Center. She begins to draw and meditate to ease her mind and open her heart—and in doing so comes to a big realization: Life isn’t black-and-white after all . . . it’s much more like brown.

    He haunts lookalike fussy, silly, coffee shops, listens to old Joni Mitchell albums too loudly, and stares at his navel in the hope that he will find it in there. But it isn’t until he learns to speak from the heart that he begins to find authentic human connections and is let in—to the worlds of the people he meets. Nick’s journey occurs alongside the beginnings of a relationship with Wren, a wry, spirited oncologist at a nearby hospital, whose work and life becomes painfully tangled with Nick’s. Illustrated in both color and black-and-white in McPhail’s instantly recognizable style, In elevates the graphic novel genre; it captures his trademark humor and compassion with a semi-autobiographical tale that is equal parts hilarious and heart-wrenching—uncannily appropriate for our isolated times.

    An entertaining and informative illustrated guide  that makes world history accessible, appealing,  and funny.

    Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

    on the morning of October 3, 2009, Combat Outpost Keating was viciously attacked by Taliban insurgents. The 53 U.S. troops, having been stationed at the bottom of three steep mountains, were severely outmanned by nearly 400 Taliban fighters. Though the Americans ultimately prevailed, their casualties made it one of the war's deadliest battles for U.S. forces. And after more than three years in that dangerous and vulnerable valley a mere 14 miles from the Pakistan border, the U.S. abandoned and bombed the camp. A Pentagon investigation later concluded that there was no reason for Outpost Keating to have been there in the first place.The Outpost is a tour de force of investigative journalism. Jake Tapper exposes the origins of this tragic and confounding story, exploring the history of the camp and detailing the stories of soldiers heroic and doomed, shadowed by the recklessness of their commanders in Washington, D.C. and a war built on constantly shifting sands.

    Cate and Richard felt an immediate and undeniable spark, but Richard also felt the weight of the world more deeply than most. As the three matured, he receded further and further into darkness until he disappeared altogether. Now, four years after Richard’s passing, Cate is let go from her teaching job and can’t pay the rent on the London flat she shares with her and Richard’s son, Leo. She packs the two of them up and ventures to Richard’s grandfather’s old Victorian museum in the small town of Crouch-on-Sea, where the dusty staff quarters await her. Despite growing pains and a grouchy caretaker, Cate falls in love with the quirky taxidermy exhibits and sprawling grounds and makes it her mission to revive them. When the museum is faced with closure because of a lack of visitors, Cate stages a grand reopening, but threats from both inside and outside the museum derail her plans and send her spiraling into self-doubt. As Cate becomes more invested in Hatters, she must finally confront the reality of Richard’s death—and the role she played in it—in order to reimagine her future. Perfect for fans of Evvie Drake Starts Over, The Museum of Forgotten Memories masterfully weaves life with death, past with present, and grief with hope.

    It is 1845, and Hannah Gardner Price has lived all twenty-four years of her life according to the principles of the Nantucket Quaker community in which she was raised, where simplicity and restraint are valued above all, and a woman’s path is expected to lead to marriage and motherhood. But up on the rooftop each night, Hannah pursues a very different—and elusive—goal: discovering a comet and thereby winning a gold medal awarded by the King of Denmark, something unheard of for a woman. And then she meets Isaac Martin, a young, dark-skinned whaler from the Azores who, like herself, has ambitions beyond his expected station in life. Drawn to his intellectual curiosity and honest manner, Hannah agrees to take Isaac on as a student. but when their shared interest in the stars develops into something deeper, Hannah’s standing in the community begins to unravel, challenging her most fundamental beliefs about work and love, and ultimately changing the course of her life forever. Inspired by the work of Maria Mitchell, the first professional female astronomer in America, The Movement of Stars is a richly drawn portrait of desire and ambition in the face of adversity.

    1953. Ghosts abound. In particular, the ghost of Detective Sam Hannigan—murdered in Bay City twenty-two years earlier by Addie Perl, the hired assassin who then bought a Hollywood nightclub with her blood money. Among the nightclub’s favored clientele is Sam’s widow, Elsie. Blinded by a Japanese bullet while on a USO tour in the South Pacific, Elsie has been reinvented into “Miss Know-It-All,” a Hollywood gossip columnist. But blind Elsie is haunted by the ghost of her husband, Sam, who asks her accusingly: “If Miss Know-It-All knows so much, why can’t she find Cousin Joseph, the man who had me killed?”Hollywood is haunted. Spooks abound. Agents Shoen and Kline, investigators for the House Un-American Activities Committee, manipulate the blacklisted, buxom, over-the-hill starlet-turned-hooker Lola Burns into working for them and naming the names she had once refused to betray.Hollywood is haunted. Communist screenwriters Oz McCay and Faye Bloom are noisily plotting, boozing, and laughing their way toward their impending disaster.Hollywood is haunted. As an inside joke, writer-director Annie Hannigan—Sam and Elsie’s daughter—comes up with the idea of a “Ghost Script” that may or may not exist but is rumored to expose the inside story of the Hollywood blacklist and the names of its undercover masterminds, most notably the reclusive philanthropist Lyman Murchison, a superpatriot with a dirty secret.Hollywood is haunted. Stumbling his way through this maze is private eye Archie Goldman, a tough-talking, nebbishy good guy who’s never been in a fight he didn’t lose. Archie’s single aim is to live up to the memory of the ghost who haunts him: Detective Sam Hannigan. Trail along with Archie into the middle of this muddle, as he tracks the arc of history and finds that it has rounded itself off into a circular firing squad.In this antic and brilliant assault on our past and present, Jules Feiffer shows us, once and for all, that if there’s one thing Americans hate, it’s learning from past mistakes. Every twenty years or so, a new generation must address new biases and injustices that are virtually identical to past biases and injustices. But who remembers? Exposing the tragically cyclical path of American history, Jules Feiffer pens the final installment to a noir masterpiece.

    But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart.Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. The result is an adventure into the soul of the unvanquished South, where the ghosts of the Lost Cause are resurrected through ritual and remembrance.In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.'Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and new ones 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways. Poignant and picaresque, haunting and hilarious, it speaks to anyone who has ever felt drawn to the mythic South and to the dark romance of the Civil War.

    Adapted for stage and screen, loved by millions, Victor Hugo's classic novel of love and tragedy set in 19th century France is reborn in this fantastic new manga edition!Gorgeous and expressive art brigns to life the unforgettable stories of Jean Valjean, Inspector Javert, and the tragic Fantine in this epic adaptation of Les Misérables!

    A mysterious, laconic Irish colossus known as ‘Giant’ sweats blood, along with his fellow immigrants, to build the skyscrapers of Rockefeller Center. For a while, he has not received a reply to the typewritten letters he continues to send, as well as money, to the other side of the ocean, to Mary Ann, the wife of one of his colleagues who died accidentally. Giant, who seems to be afraid of nothing, still has not found the courage to reveal to the young woman that she is a widow ... What does her silence mean? An entrancing everyday working-class tale with the majestic background of the rising skyscrapers of New York.

    Da Qin—Big Piano—and her younger sister, Xiao Qin—Little Piano—live in the city of Wuhan with their parents. For decades, China's government had kept the country separated from the rest of the world. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Da Qin and Xiao Qin soon learn that their childhood will be much different than the upbringing their parents experienced.