Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    So when doctors prepare to end Lauren's physical care -- which would destroy the magical bond she and Arthur cherish -- he must find a way to save her. For, after all, it is only her love that can save him."If Only It Were True" is a heartwarming love story impossible to forget, an adventure that is by turns breathtaking and hilarious -- a captivating tale that evokes the essence of romance and our boundless capacity to believe.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    Not that he has anything against humans, after all, some of his best friends were human, however, it's just not for him. Now thrown out of his own reality he has to find a way to break his bindings and find a way home. Although he is an accomplished psychic Derek realizes that perhaps this may be the wrong skill set to bring to bear on ancient magics and devilish dragons. Now he has to explore the very building blocks of magic to take control of his destiny. Unexpectedly, while he's taking control, events occur that may lead to the end of the world as we know it. Mad mages, hordes of demons and unfortunate explosions follow him as he attempts to save the world. Which begs the question, what does happen after the apocalypse?

    She barely eats, works at night as a cleaner and lives in a tiny attic room. Downstairs in a beautiful, ornate apartment, lives Philibert Marquet de la Durbellière, a shy, erudite, upper-class man with an unlikely flatmate in the shape of the foul-mouthed but talented chef, Franck. One freezing evening Philibert overcomes his excruciating reticence to rescue Camille, unconscious, from her garret and bring her into his home.As she recovers Camille learns more about Philibert; about Franck and his guilt for his beloved but fragile grandmother Paulette, who is all he has left in the world; and about herself. And slowly, this curious quartet of misfits all discover the importance of food, friendship and love.

    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    Ella would do anything for her grandmother and jumps at the chance to fulfill her dying wish. But things take a mystical turn when Ella is transported to a swinging Parisian jazz club full of alluring strangers…in the year 1927! As the clock runs out on her one night in the City of Light, Ella will attempt to rewrite the past...and perhaps her own destiny as well. What Reviewers are saying about One Night in Paris: “Fun, romantic, and magical!” “I wish that I could give this story more than five stars.” “This book is full of adventure, love, hope and a little bit of magic.” “Another fabulous book that we could not put down!” “This short story just warmed my heart!” “I keep dreaming of going to Paris with each story Juliette writes.” City of Love series: Sleeping with Paris Kissed in Paris Honeymoon in Paris A Paris Dream City of Light Series: One Night in Paris Dancing with Paris Midnight Train to Paris True Stories in the City of Love: Meet Me in Paris I Loved You in Paris Juliette Sobanet’s captivating Paris novels have reached over 500,000 readers worldwide, hitting the top 100 Bestseller Lists on Amazon US, UK, France, and Germany, becoming bestsellers in Italy and Turkey as well. Time for that romantic trip to Paris? All you have to do is grab your copy of One Night in Paris and you’ll be swept away…

    Tired of being unable to park anywhere near his cramped house in a noisy town he doesn’t like, he hatches a plan to move his wife and young son to a remote corner of the Loire Valley in search of serenity and space. Several years later, Ian finds himself up to his neck in bilingual offspring, feral cats, promiscuous horses, dysfunctional spaniels and needy hens; he’s wrestling with electric fences, a foreign language, a mountain of animal waste and a wife who collects livestock like there’s a biblical flood on the horizon, all while trying not to dirty his loafers. But despite the ups, downs and increasing demands of Ian’s showbiz career, the Moore family persevere in true Brit style to create a unique, colourful and ultimately rewarding life in their new home – à la campagne and à la mod!

    Based on the story of the third-century saint who lived on an isolated mountaintop in the Egyptian desert, it is a fantastical rendering of one night during which Anthony is besieged by carnal temptations and philosophical doubt.

    Stael, the subject of recent feminist rediscovery, weaves discreet political allusion into her romance, and upon its publication Napoleon renewed her order of exile. Sylvia Raphel's new translation preserves the natural character of the French original, while the notes and introduction place this extraordinary work of European Romanticism in its historical and political context.

    Or a curse. He thinks of them as minor psychic abilities. When Sam is hired by an attractive young nun named Camille Paradisi, he agrees to help discover the identity of a serial killer  in order to prevent Camille’s pastor from being exposed for not reporting the man after a confession – thereby allowing another murder to occur. While Sam’s psychic abilities increase as he investigates the case and gets closer to Camille, he realizes that the enigmatic nun is not revealing the complete truth.Camille shares an old journal anonymously mailed to the church, which she believes may have been authored by the killer/confessor. The journal, which begins in Argentina in the 1940’s,  purports to tell the life story of a man with mind control  and other special powers who claims to be  a descendant of the fallen angels cast out of heaven by God. As Sam  learns more about the murders, the journal author, and Camille, he begins to realize the so called “Rosslyn Ripper” case may have ancient implications beyond his imagination.

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.