An unsettling look at the Sconce family from the acclaimed true crime author of Deadly Lessons.   For sixty years, families in Southern California trusted the Sconce Family Funeral Home with their loved ones’ remains. That trust was betrayed in an extraordinary, horrifying fashion, as it was discovered that the family, seeing an opportunity, had been stealing gold fillings and harvesting the organs of the newly deceased, hiding the evidence by burning the bodies in their crematorium.   When the shocking acts came to light, a trial brought every gruesome detail to the forefront, and Ken Englade has—with even-handed, clear-eyed reporting—chronicled every chilling detail.

    GET D!RTYNext time you’re traveling or just chattin’ in Spanish with your friends, drop the textbook formality and bust out with expressions they never teach you in school, including:•Cool slang•Funny insults•Explicit sex terms•Raw swear wordsDirty Spanish teaches the casual expressions heard every day on the streets of Spain and Latin America:•What's up?¿Qué tal?•I'm wastedEstoy fumigado.•Your mom's a ten.Tu vieja es un cuero.•I gotta take a piss.Necesito mear.•I wanna nail that ass.Quiero clavar ese culo.•What a sunnuvabitch!¡Qué 'jueputa!•Goooooaaalll!¡Gooooooolllll!

    This otherwise daunting task is made easier by the use of techniques based on the psychology of leaning and memory. key principles include the use of visual imagery, the visualization of short "stories," and the systematic building up of more complicated characters from basic building blocks.Although Learning Chinese Characters is primarily a book for serious learners of Mandarin Chinese, it can be used by anyone with an interest in Chinese characters, without any prior knowledge of Chinese. It can be used alongside (or after, or even before) a course in the Chinese language. All characters are simplified (as in mainland China) but traditional characters are also given, when available.Key features:-Specially designed pictures and stories are used in a structured way to make the learning process more enjoyable and effective, reducing the need for rote learning to the absolute minimum.-The emphasis throughout is on learning and remembering the meanings and pronunciations of the characters. Tips are also included on learning techniques and how to avoid common problems.-Characters are introduced in a logical sequence, which also gives priority to learning the most common characters first.-Modern simplified characters are used, with pronunciations given in pinyin. Key information is given for each character, including radical, stroke—count, traditional form, compounds, and guidance on writing the character.This is a practical guide with a clear, concise and appealing layout, and it is well—indexed with easy look—up methods. The 800 Chinese characters and 1,033 compounds specified for the original HSK Level A proficiency test are covered.

     With her husband Terry, Susie sets off for a holiday touring the game reserves, but what she finds far exceeds her expectations. In this, her seventh, travelogue, she takes readers from five star hotels to luxury tents in the wilderness, and to poverty in Nairobi's slums, describing a journey of joy, excitement, discovery, nostalgia, of new friendships and encounters of the very close kind with Kenya’s majestic wildlife. Forgotten memories come flooding back as she revisits the scenes of her childhood and adolescence, so movingly portrayed in her popular memoir I Wish I Could Say I Was Sorry, many of them changed beyond recognition. Written in her characteristic laid back style, this is a travel tale that will appeal to all those readers who have enjoyed Susie's previous books, as well as anybody who has lived in or dreams of visiting Kenya, the magical land Susie still thinks of as ‘home’. 'Vivid, moving, entertaining. Anybody thinking of taking a safari holiday in Kenya, or who would like to take an armchair safari to Kenya, should read this book.' "Hemingway wrote: 'I never knew of a morning in Africa when I woke up that I was not happy.' That is how I feel about Kenya. You feel at once insignificant and amazing, just for being here. This magnificent, beautiful country, birthplace of mankind, owner of my heart." Susie Kelly, 2017 WHAT READERS ARE SAYING: 'I’ve just been on a wonderful safari trip to Kenya! At least that’s how it felt. As a lover of all wildlife this was a trip that I could only ever dream about, but this book more than satisfied my curiosity and thirst for knowledge about African wildlife.' MRS BLOGGS BOOKS 'A wonderful & poignant African safari. Being an animal fanatic I enjoyed learning so much about African wildlife from this book and also the incredible people who care for, and protect it' SUSAN KEEFE 'Susie is a great ambassador for Kenya. It’s the best safari experience you are likely to get, without going on safari!' FRENCH VILLAGE DIARIES 'I consider myself rather knowledgeable about wildlife, yet I still found plenty here that was new to me about the animals and the Masai Mara in particular.' ANDREW IVES 'Susie Kelly's books are always a delight to read. The descriptions were informative, insightful and at times hilarious.' 'Wonderful read. I have avidly read each of Susie's previously published books.' 'One of my best reads ever. Cannot recommend this book enough - beautifully written (as always) and having lived in Kenya myself during the same period empathise totally with every word she writes.' 'Personal, Funny, Informative and Memorable! It's so very well-written, so easy to read, so funny and entertaining, so informative and educational.' 'I'm a big fan of Susie Kelly and her travels. Susie - where you going next? I'll be in my armchair right there with you!' 'What a fabulous trip. Delightful.' 'Thoroughly enjoyable as well as being informative. Certainly made me look forward to such a journey some day!' 'Susie Kelly has a wonderful way with words and descriptions and a fantastic sense of humour.' 'More than your average safari. I pre-ordered the book, received it on 6th June and read it the same day...phone off the hook and cup of tea at hand.

    Starting with the island's founder Henry Flagler, and updated for Kindle, "Palm Beach Babylon" chronicles the Kennedys, the Trumps, the Dodges, Helmsleys, Pulitzers, Vanderbilts, Mizners and Madoffs, and many more "Titans of Industry" and "Royalty." "The history is solid, the writing stylish," wrote renowned author Pete Hamill. "Riveting," exclaimed Nicholas Pileggi, author of "Wiseguy" and "Casino." The New York Times declared "Palm Beach Babylon" the best book ever written on the storied tropical island, where the "Rich and Famous" flock every winter to indulge in a world that only money can pierce. "Murray Weiss and Bill Hoffmann have . . . produced an intriguing account of the wagers of too much wealth and too much leisure time," wrote Dominick Dunne, the best selling novelist and true-crime expert. And as one reader posted along with 5-Stars: A REAL PAGE TURNER: I loved this book because it had all the allure of great fiction, yet it was about real people who, although they live in a real place (Palm Beach, FL), seem more like Great Gatsby characters than anything else! It also provides a fascinating historical perspective of the glamorous Palm Beach, how it was built, the man who built it, and the wealthy who flocked to it.

    Imagine your two-year-old asking for more niunai at dinner—a Mandarin word for milk that even you don’t know yet. Imagine finding out that you’re unexpectedly pregnant while living in war-torn Beirut. With vivid and evocative language, Christine Gilbert takes us along with her into foreign lands, showing us what it’s like to make a life in an unfamiliar world—and in an unfamiliar tongue. Gilbert was a young mother when she boldly uprooted her family to move around the world, studying Mandarin in China, Arabic in Lebanon, and Spanish in Mexico, with her toddler son and all-American husband along for the ride. Their story takes us from Beijing to Beirut, from Cyprus to Chiang Mai—and also explores recent breakthroughs in bilingual brain mapping and the controversial debates happening in linguistics right now. Gilbert’s adventures abroad prove just how much language influences culture (and vice versa), and lead her to results she never expected. Mother Tongue is a fascinating and uplifting story about taking big risks for bigger rewards and trying to find meaning and happiness through tireless pursuit—no matter what hurdles may arise. It’s a treat for language enthusiasts and armchair travelers alike.

    And if that’s too much to ask, remember the sage advice from the staff of a Taipei hotel: “If there is anything we can do to assist and help you, please do not contact us.”

    It uses techniques that can easily be incorporated into your daily life, while making use of whatever resources you have available. Whether you are starting out with your first foreign language or wishing to add to your repetoire, you'll find a wealth of easy-to-follow advice and achievable goals. Discover how to:-Speak with greater confidence and accuracy-Effectively learn vocabulary and grammar -Use time on the internet and social media to learn a language-Read real books, websites and articles in a foreign language-Pass exams that certify your language skills

    288) discussion of the strange but dinkum (p. 289) pedigree (p. 224) of the naughty (p. 202), nice (p. 212), and, sometimes, obscene (p. 217) English language. We live in a torrent of words — from radio and television, books and newspapers, and now from the internet. But, as Julian Burnside reminds us in this new edition of the bestselling Wordwatching, words are a source both of pleasure and power, and can be deployed for good or for ill. Some of these essays explore curiosities in odd corners of the language simply to remind us of the extraordinary richness of the English language. Other pieces use small matters of language to illustrate larger processes of cultural borrowing and change. Burnside’s musings remind us that we should not be alarmed at the instability of the language; rather, we should see its wanton borrowings as a source of its strength and vitality. Wordwatching also reminds us of the need to be aware of the misuse of language in the service of sinister purposes — whether political, ideological, social, or personal. An ear well-tuned to the nuances of vocabulary inoculates the hearer against this epidemic of deception. With nine new essays, dealing with subjects as diverse as deadlines, fancy words, the problems with "issue," odd sounds, oxymorons, and the fallacy of "wading in," this revised and expanded edition of Wordwatching is a fascinating demonstration of the power and the pleasure of the English language.

    A great vocabulary can enhance your speaking, writing, and even thinking skills. This course will boost your vocabulary, whether you want to enhance your personal lexicon, write or speak more articulately in professional settings, or advance your knowledge of the English language. For anyone who has ever grasped for the perfect word at a particular moment, this course provides a research-based and enjoyable method for improving your vocabulary. Building a Better Vocabulary offers an intriguing look at the nuts and bolts of English, teaches you the etymology and morphology - or the history and structure - of words, and delves into the cognitive science behind committing new words to long-term memory. By the end of the 36 enjoyable lectures, you will have a practical framework for continuing to build your vocabulary by discovering new words and fully mastering the nuances of familiar ones. If you are an avid reader, you may have previously encountered some of the words in this course. But even the most voracious reader will be surprised and delighted by these eye-opening lectures, which delve into the building blocks of the English language and reveal intriguing new nuances to words you thought you knew well. These lectures will kindle a passion for the process by which words are created and for the beauty of the words you read, speak, and hear every day.

     Maybe you start, but can’t find the time to continue. Or you’re frustrated with the writing process. And when you seek advice, people tell you, “It’s all about discipline”, or they talk about what writing software to use. But that doesn’t help you actually write your book. So you never finish your book, the world never gets the benefit of your wisdom, and you never get the benefits of being an author. Isn’t there an easier way? Now there is. In The Book In A Box Method, Tucker Max and Zach Obront show you the exact steps you can follow to go from idea to finished manuscript, in an easy, quick way -- even if you’re not a writer. Using the same methods, processes, and templates that they use for their authors at their company, Tucker and Zach show you exactly how to: Crystallize your book idea Create your book outline Create all the content for your book Edit that content into a great manuscript With The Book In A Box Method, you’ll be able to write a better book - in less time - than you ever thought possible.

    Short, clear presentations and lots of opportunity for practice give students the confidence to use new vocabulary. 80 units at each level mean they cover a huge range of topics and everyday situations. Extra practice and interactive activities on CD-ROM.

    There are very few recent books that tackle the subject, and in this new effort, written with the scholar and orator in mind, Farnsworth collects and discusses the great masters of English prose Lincoln and Churchill, Dickens and Melville, Burke and Paine and, using their own words, proceeds to organize, illustrate, and analyze the most frequently used rhetorical devices with clarity and detail.The way we use our language to convince and cajole is based on timeless principles on repetition and variety, suspense and relief, expectation and satisfaction that have been employed by writers and speakers since the Golden Age of Greece. They can be applied with effect to the construction of simple sentences and paragraphs, or entire compositions. Here, distilled from the best examples in our language, we see those principles in actual use: for the general reader it is an indispensable guide, a highly useful reference, and a rewarding (and even entertaining) source of instruction.

    I write poetry... I believe poetry is a primal impulse within all of us. I believe we are all capable of it and furthermore that a small, often ignored corner of us positively yearns to try it. —Stephen Fry, The Ode Less Travelled Stephen Fry believes that if one can speak and read English, one can write poetry. Many of us have never been taught to read or write poetry and think of it as a mysterious and intimidating form. Or, if we have been taught, we remember uncomfortable silence when an English teacher invited the class to "respond" to a poem. In The Ode Less Travelled, Fry sets out to correct this problem by giving aspiring poets the tools and confidence they need to write poetry for pleasure. Fry is a wonderfully engaging teacher and writer of poetry himself, and he explains the various elements of poetry in simple terms, without condescension. His enjoyable exercises and witty insights introduce the concepts of Metre, Rhyme, Form, Diction, and Poetics. Aspiring poets will learn to write a sonnet, on ode, a villanelle, a ballad, and a haiku, among others. Along the way, he introduces us to poets we've heard of, but never read. The Ode Less Travelled is a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try. BACKCOVER: Advanced Praise: “Delightfully erudite, charming and soundly pedagogical guide to poetic form… Fry has created an invaluable and highly enjoyable reference book.” —Publishers Weekly “A smart, sane and entertaining return to the basics… If you like Fry’s comic manner… this book has a lot of charm… People entirely fresh to the subject could do worse than stick with his cheerful leadership.” —The Telegraph (UK) “…intelligent and informative, a worthy enterprise well executed.” —Observer (UK) "If you learn how to write a sonnet, and Fry shows you how, you may or may not make a poem. But you will unlock the stored wisdom of the form itself." —Grey Gowrie, The Spectator (UK) “…intelligent and informative, a worthy enterprise well executed.” —Observer (UK)

    Paying her aunt, Mira Lloyd, a.k.a. Elizabeth Lloyd, renowned historical romance author, a long overdue visit, she plans on spending a month on Rock-Maine Island lounging around and plotting the launch of her new life. Her ex-husband, however, has other ideas. As for her aunt… she’s gone missing. And now there’s a dead body to contend with and a murder weapon with her fingerprints on it. A mantle of suspicion hangs over Eve and everyone she encounters has a reason to want her out of the way. Unwilling to leave matters in the hands of swoon worthy Detective Jack Bradford… only because it’s her civic duty to provide a new perspective, Eve Lloyd engages the assistance of her new friend and fellow suspect, Jill Saunders. They both stumble their way through a long list of possible motives and suspects in a race to find the killer before either one turns into the next victim. Snuffed Out Eve Lloyd, a death knell? Eve refuses to believe her choice of words had something to do with inviting a killer to the island, but just to be on the safe side, she agrees to avoid all use of any and all words related to killing. However, it might already be too late… Her run in with a local artist, Reginald Bryant Burns, has put her in an awkward position. Trying to make amends, Eve resorts to bribery, but that only makes matters worse and now…She’s a prime suspect in a murder investigation. The timing couldn’t be worse. She has a date with Detective Jack Bradford and the killer is threatening to ruin it for her. All Tied Up It’s no accident. Eve Lloyd is a magnet for trouble. On the brink of settling into an uneventful existence, Eve Lloyd turns her attention to a new venture. She’s going to open an inn and she thinks she’s found the perfect house. It should all be smooth sailing from there, but she’s developed a knack for landing right in the thick of it. This time, she stumbles on a body in the least likely place and her fingerprints are all over the handcuffs found on the murder victim. As the suspects list grows, and the dream of running an inn evaporates, she becomes a target of the killer’s rage.Despite trying to keep her nose out of other people’s business, it seems the only way she can get her life back on track is if she sets a trap for the killer. The Last Bite Eve Lloyd’s childhood nemesis, Charlotte McLain, is getting married. Nothing will induce Eve to attend. Nothing except… blackmail.From the start, everything about this wedding rings alarm bells for Eve. The location, the groom, the guests. The bride. But that’s nothing unusual. The odds of everything going right are stacked in the bride’s favor. There have already been several deaths on the island. Lighting surely wouldn’t strike again…When the groom suddenly dies, all fingers of blame are pointed directly at Eve. After all, she had opportunity and plenty of motives.She’s been framed and despite trying to keep her nose out of trouble, she’s now been dragged right back into the thick of it. The list of suspects is extensive, but she’s sure she can narrow it down to… at least a half dozen people. The Final Cut “…What sort of business person would I be if I start killing off my guests?” Eve Lloyd has settled into her new life in Rock-Maine Island and is about to open up an inn - a costly venture now that she has her heart set on getting an expensive custom made stove.