Terry brings to the reader a wry take on everyday life, mixed with a self-deprecating humour, as he describes his whole life, both personal and professional.

    Intimacy and access make rebellion very dangerous.”In The Problem With Rich Women, Gloria Steinem explores how and why feminism failed to reach women in powerful families, and provides an urgent and persuasive argument for rebellion among upper-class women.The Problem With Rich Women was originally published in Ms., June 1986. Cover design by Adil Dara.

    To tell the story of the twentieth century without reference to this drug and its contribution is to miss a vital and fascinating strand of social history. Streatfeild examines the story of cocaine from its first medical uses to the worldwide chaos it causes today. His research takes him from the arcane reaches of the British Library to the isolation cells of America's most secure prisons; from the crackhouses of New York to the jungles of Bolivia and Colombia.

    Sociologist Orna Donath dispels the silence around this profoundly taboo subject in a powerful work that draws from her years of research interviewing women who wish they had never become mothers.Donath treats regret as a feminist issue: as regret marks the road not taken, we need to consider whether alternative paths for women may currently be blocked off. Donath asks that we pay attention to what is forbidden by our contemporary rules governing motherhood, time, and emotion, including the cultural assumption that motherhood is a “natural” role for women—for the sake of all women, not just those who regret becoming mothers. Donath finds that the women in her study became mothers for a wide variety of reasons: some did so to avoid divorce, exclusion from their family, or alienation from their friends; others did not think about it at all, but accepted it as the “next step” of what society considers to be a normal and natural life course. Others experienced regret despite initially having an strong desire to become mothers. Though they may love their children, these women each describe the agonizing guilt and suffering they have experienced as a result of becoming mothers, and consider the different ways they have each come to recognize and deal with these conflicts.

    Now, George Monbiot shows us how to put it right. Provocative, brave and beautifully argued, ‘The Age of Consent’ is nothing less than a manifesto for a new world order.‘Our task is not to overthrow globalisation, but to capture it, and to use it as a vehicle for humanity's first global democratic revolution.’All over our planet, the rich get richer while the poor are overtaken by debt and disaster. The world is run not by its people but by a handful of unelected or underelected executives who make the decisions on which everyone else depends: concerning war, peace, debt, development and the balance of trade. Without democracy at the global level, the rest of us are left with no means of influencing these men but to shout abuse and hurl ourselves at the lines of police defending their gatherings and decisions. Does it have to be this way?George Monbiot knows not only that things ought to change, but also that they can change. Drawing on decades of thinking about how the world is organized and administered politically, fiscally and commercially, Monbiot has developed an interlocking set of proposals all his own, which attempts nothing less than a revolution in the way the world is run. If these proposals become popular, never again will people be able to ask of the critics of the existing world order, ‘we know what they don't want, but what do they want?’Fiercely controversial and yet utterly persuasive, the ingenious solutions Monbiot suggests for some of the planet's most pressing problems mark him as perhaps the most realistic utopian of our time and a man whose passion is infectious and whose ideas, many will surely come to agree, are becoming irresistible.

    They don’t want to be Barbie dolls but, like generations of women before them, are told they must look like them. They’re angry about the media’s treatment of women but hungrily consume the very outlets that belittle them. They mock modern culture’s absurd beauty ideal and make videos exposing Photoshopping tricks, but feel pressured to emulate the same images they criticize by posing with a "skinny arm." They understand that what they see isn’t real but still download apps to airbrush their selfies. Yet these same young women are fierce fighters for the issues they care about. They are ready to fight back against their beauty-sick culture and create a different world for themselves, but they need a way forward.In Beauty Sick, Dr. Renee Engeln, whose TEDx talk on beauty sickness has received more than 250,000 views, reveals the shocking consequences of our obsession with girls’ appearance on their emotional and physical health and their wallets and ambitions, including depression, eating disorders, disruptions in cognitive processing, and lost money and time. Combining scientific studies with the voices of real women of all ages, she makes clear that to truly fulfill their potential, we must break free from cultural forces that feed destructive desires, attitudes, and words—from fat-shaming to denigrating commentary about other women. She provides inspiration and workable solutions to help girls and women overcome negative attitudes and embrace their whole selves, to transform their lives, claim the futures they deserve, and, ultimately, change their world.Duration: 11 hr., 45 min., 39 sec.

    But is it now as bland and unthreatening as any new town? Sukhdev Sandhu journeys across the city to find out whether the London night really has been rendered neutral by street lighting and CCTV cameras. His nocturnal forays see him prospecting in the London night with the people who drive its pulse, from the avian police to security guards, urban fox hunters and exorcists. He wades through the sewers, hangs out with pirate DJs, and accompanies the marine patrol looking for midnight corpses. Beautifully written, Night Haunts seeks to reclaim the mystery and romance of the city—to revitalize the great myth of London for a new century.

    Finally, David Howarth was sent to prison for abusing Stuart's young sisters. Nobody knew the truth about Stuart's abuse until one fateful day when his father tried it again and Stuart fought back in the only way he knew how.Stuart Howarth spent the first 30 years of his life in mental and physical hell. After years of emotional torment and despair, at the age of 32, Stuart felt an overwhelming urge to see his father (who he now knows was actually his stepfather), then living in Wales. Seeking reconciliation, Stuart was only to be met by the same old abusive man.The rage, pain and confusion boiled over in Stuart and he fought back, killing his stepfather. When Stuart's story came to light in the courtroom, it was so terrible that he received the minimum possible sentence for his crime and only served 13 months in Strangeways prison in Manchester.But while in prison, the cruel system compounded the crimes of his evil abuser, and he suffered at the hands of the prison guards. What happened to him during those months led to him suing the Home Office and Strangeways on his release and winning his case. This is the story of a sweet-natured boy who grew into a brave young man and refused to allow himself to be a victim any longer.

    Even scarier, they are also leading the charge to send it to its grave. Across North America, women head anti-feminist PR campaigns; they support anti-feminist politicians; they're behind lawsuits to silence the victims of campus rape; they participated in Gamergate, the violent, vitriolic anti-women-in-technology movement; and they're on the frontlines of the fight to end abortion rights. Everywhere we turn there's evidence an anti-feminist bomb has exploded, sometimes detonated by the unlikeliest suspects. Between women who say they don't need feminism and women who can't agree on what feminism should be, the challenges of fighting for gender equality have never been greater.F-Bomb takes readers on a witty, insightful, and deeply fascinating journey into today's anti-feminist universe. Through a series of dispatches from the frontlines of the new gender wars, Lauren McKeon explores generational attitudes, debates over inclusiveness, and differing views on the intersection of race, class, and gender. She asks the uncomfortable question: if women aren't connecting with feminism, what's wrong with it? And she confronts the uncomfortable truth: for gender equality to prevail, we first need to understand where feminism has gone wrong and where it can go from here.

    How do we define violence? How do we discuss and experience sex? Who gets to tell stories of sexual assault, and who gets to be heard? How impoverished is our language for describing the intersection of power, desire, and violence? What is the relationship between individual struggles and collective protest? What do we do with the abusers? In short, this moment has recalled a much older question: how do we get free?In this collection of new and previously published writings, leading activists, feminists, scholars, and writers describe the shape of the problem, chart the forms refusal has taken, and outline possible solutions. Importantly, they also describe the longer histories of organizing against sexual violence that the #MeToo moment obscures—among working women, women of color, undocumented women, imprisoned women, poor women, among those who don’t conform to traditional gender roles—and discern from these practices a freedom that is more than notional, but embodied and uncompromising.Contributors include Tarana Burke and Elizabeth Adetiba, Lauren Berlant, Tithi Bhattacharya, Stephanie Coontz and Hope Reese, Estelle Freedman, Melissa Gira Grant, Linda Gordon, Jessie Kindig, Laura Kipnis, Victoria Law, Maricruz Ladino and Gabriel Thompson, Magally A. Miranda Alcázar, Liz Mason-Deese, Danielle McGuire, Larissa Pham, Alex N. Press, Jane Ward, and Terrion L. Williamson.

    But the man is not the victim, the caller says. The woman is. She's being held by a group of faith-healing fanatics who are trying to cure her depression with violent exorcisms. Then the detective gets an even more ominous message: Children in the church have been dying mysteriously for years, and now several more are in immediate peril.The caller, a church insider, risks everything to work with detectives and prosecutors to stop faith-based child abuse, joined by a mother who'd suffered a faith-healing tragedy herself and dedicated her life to saving others from it. Masterfully written by Cameron Stauth, In the Name of God is the true story of the heroic mission that exposed the darkest secret of American fundamentalism, and the political deals that let thousands of children die at the hands of their own parents--legally.Faith-healing abuse still continues around the country, but the victory in Oregon has lit the path to a better future, in which no child need die because of a parent's beliefs.

    It will inspire the necessary and difficult conversations we all need to have with loved ones as it illuminates a path to a better way of death.Like so many of us, award-winning writer Katy Butler always assumed her aging parents would experience healthy, active retire­ments before dying peacefully at home. Then her father suffered a stroke that left him incapable of easily finishing a sentence or showering without assistance. Her mother was thrust into full-time caregiving, and Katy became one of the 24 mil­lion Americans who help care for aging parents. In an effort to correct a minor and non–life threatening heart arrhythmia, doctors outfitted her father with a pacemaker. The device kept his heart beating but did nothing to prevent his slide into dementia, incontinence, near-muteness, and misery. After several years, he asked his wife for help, telling her, "I am living too long." Mother and daughter faced a series of wrench­ing moral questions: When does death cease being a curse and become a blessing? Where is the line between saving life and prolonging a dying? When is the right time to say to a doctor, "Let my loved one go"? When doctors refused to disable the pace­maker, sentencing her father to a protracted and agonizing death, Katy set out to understand why. Her quest had barely begun when her mother faced her own illness, rebelled against her doctors, refused open-heart surgery, and instead met death head-on. Knocking on Heaven's Door, a revolution­ary blend of memoir and investigative reporting, is the fruit of the Butler family's journey. With a reporter's skill, a poet's eye, and a daughter's love, Butler explores what happens when our terror of death collides with the tech­nological imperatives of modern medicine. Her provocative thesis is that advanced medicine, in its single-minded pursuit of maximum longevity, often creates more suffering than it prevents. Butler lays bare the tangled web of technology, medicine, and commerce that modern dying has become and chronicles the rise of Slow Medicine - a growing movement that promotes care over cure. Knocking on Heaven's Door is a visionary map through the labyrinth of a broken and morally adrift medical system. It will inspire the necessary and difficult conversations we all need to have with loved ones as it illuminates a path to a better way of death.

    D. James embarked on an endeavor unlike any other in her distinguished career: she decided to write a personal memoir in the form of a diary. Over the course of a year she set down not only the events and impressions of her extraordinarily active life, but also the memories, joys, discoveries, and crises of a lifetime. This enchantingly original volume is the result. Time to Be in Earnest offers an intimate portrait of one of most accomplished women of our time. Here are vivid, revealing accounts of her school days in Cambridge in the 1920s and '30s, her happy marriage and the tragedy of her husband's mental illness, and the thrill of publishing her first novel, Cover Her Face, in 1962. As she recounts the decades of her exceptional life, James holds forth with wit and candor on such diverse subjects as the evolution of the detective novel, her deep love of the English countryside, her views of author tours and television adaptations, and her life-long obsession with Jane Austen. Wise and frank, engaging and graceful, this "fragment of autobiography" will delight and surprise P. D. James's admirers the world over.

    Democracy is in trouble--but who is really to blame?In Our Own Worst Enemy, Tom Nichols challenges the current depictions of the rise of illiberal and anti-democratic movements in the United States and elsewhere as the result of the deprivations of globalization or the malign decisions of elites. Rather, he places the blame for the rise ofilliberalism on the people themselves. Nichols traces the illiberalism of the 21st century to the growth of unchecked narcissism, rising standards of living, global peace, and a resistance to change. Ordinary citizens, laden with grievances, have joined forces with political entrepreneurs who thriveon the creation of rage rather than on the encouragement of civic virtue and democratic cooperation. While it will be difficult, Nichols argues that we need to defend democracy by resurrecting the virtues of altruism, compromise, stoicism, and cooperation--and by recognizing how good we've actuallyhad it in the modern world.Trenchant, contrarian, and highly engaging, Our Own Worst Enemy reframes the debate about how democracies have ended up in this dire state of affairs and what to do about it.

    It chronicles a renaissance of feminist theory through the so-called third wave of the present day, which follows significant "waves" of earlier periods: the fifteenth through early eighteenth centuries as well as the more widely recognized nineteenth century; and the 1960s through the 80s.