He also talked a fair amount about mayonnaise. The interview was conducted by Mara Altman, the author of four bestselling Kindle Singles including “Baby Steps” and “Bearded Lady.” Altman has worked as a staff writer for The Village Voice, and has also written for New York Magazine and The New York Times. In 2009, HarperCollins published Altman's first book, “Thanks For Coming: A Young Woman's Quest for an Orgasm,” which was optioned as a comedy series by HBO. Cover design by Adil Dara Kim.

    He seeks conversions, not just votes. This Spotlight Story from TIME explores the Gospel of Bernie Sanders.

    Since its founding in 1997, Brevity: A Journal of Concise Literary Nonfiction has published hundreds of brief nonfiction essays by writers around the world, each within that strict word count. Over the past 20 years, Brevity has become one of the longest-running and most popular online literary publications, a journal readers regularly return to for insightful essays from skilled writers at every stage of their careers. Featuring examples of nonfiction forms such as memoir, narrative, lyric, braided, hermit crab, and hybrid, The Best of Brevity brings you 84 of the best-loved and most memorable reader favorites, collected in print for the first time. Compressed to their essence, these essays glint with drama, grief, love, and anger, as well as innumerable other lived intensities, resulting in an anthology that is as varied as it is unforgettable, leaving the reader transformed.With contributions from Krys Malcolm Belc, Jenny Boully, Brian Doyle, Roxane Gay, Daisy Hernández, Michael Martone, Ander Monson, Patricia Park, Kristen Radtke Diane Seuss, Abigail Thomas, Jia Tolentino, and so many more, The Best of Brevity offers unparalleled diversity of style, form, and perspective for those interested in reading, writing, or teaching the flash nonfiction form.

    Bad art is from no one to no one. Am I happy? Damned if I know, but give me a few minutes and I’ll tell you whether you are. Thank heaven I don’t have my friends’ problems. But sometimes I notice an expression on one of their faces that I recognize as secret gratitude. I read sad stories to inoculate myself against grief. I watch action movies to identify with the quick-witted heroes. Both the same fantasy: I’ll escape the worst of it.—from 300 ArgumentsA “Proustian minimalist on the order of Lydia Davis” (Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To read her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight.300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms. But, as in the work of David Markson, the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso’s arguments about desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature.

    

    Wright Thompson, many times included in this volume over the years, takes his turn at the helm by curating this exceptional collection. The only shared trait among these diverse pieces is the extraordinarily high caliber of writing, but collectively they tap into the pure passion that can only come from sports. And for all aspiring sports writers, says Thompson, “these selections are both road map and compass.”  The Best American Sports Writing 2015 includesDon Van Natta Jr., Chris Ballard, Katie Baker, Christopher Beam, Wells Tower, Seth Wickersham, Ariel Levyand others WRIGHT THOMPSON, guest editor, started his sports writing career as a student at the University of Missouri, where he covered sports for the Columbia Missourian. He interned at the Times-Picayune in New Orleans and worked as the LSU beat writer. He then moved to the Kansas City Star, where he covered a wide variety of sports. In 2006 he joined ESPN.com and ESPN: The Magazine as a senior writer. He lives in Oxford, Mississippi. GLENN STOUT, series editor for The Best American Sports Writing since its inception, is the author of Young Woman and the Sea and Fenway 1912. He serves as the long-form editor for SB Nation and lives in Alburgh, Vermont.

    He has chosen a diverse, very personal collection that celebrates the essay as an independent genre unlike any other. This year’s pieces embrace stylistic freedom and strong opinions and afford the reader a fascinating view of the writer’s mind as it struggles with truth, memory, and experience. Featured writers include Jamaica Kincaid, Edward Hoagland, Cynthia Ozick, Mary Gordon, Edwidge Danticat, and others.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    As we all know, true creativity comes from simple formulas and the memorization of data. This new bible makes the secrets of comedy accessible, not only to those funny few among us, but also to those who might not have the ability or talent to be funny. One no longer need worry about originality — just find the right comedy number and apply as needed... and then you're on your way to POPULARITYVILLE!© Comedy by the Numbers is a NEARLY comprehensive list of all comedy characters, bits, scenarios, sketches, skits, shtick, and much more. (We say nearly because we want to leave room for Volume 2.) Included are special hints, tips, and unboring comedy history. Comedy by the Numbers is the brainchild of Prof. Eric Hoffman (Mr. Show) and Dr. Gary Rudoren (Annoyance Theatre) — AND features loads of comedy fun facts that you can memorize and use to impress people at parties!

    Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings.

    The district attorney had boasted, "Anyone can convict a guilty person, but it takes someone really good to convict an innocent one." Did Harris apply a naked choke-hold, or did the district attorney and his forensics team set up Harris?

    In this new collection of essays, a treat for dedicated fans and new readers alike, Winik explores how she — and other women — face midlife and aging without getting tangled up in the past or the future, all with her trademark humor and insistence on the truth-the good, the bad, and the ugly.The collection is divided into five sections: "Back," about her family and her past; "Underfoot," about being a mom; "In the Mirror," about growing older; "Above us Only Sky," about a key turning point in her life, and "Ahead," about facing the future.

    Portrait Inside My Head was listed in The New Yorker’s “Books to Watch Out For” and praised by The New York Times Book Review as “riveting [and] arresting,” with “sculptured scenes worthy of fiction.” Hailed as “America’s Montaigne” by the Baltimore City Paper and compared to “Henry Roth and early Saul Bellow” by the Christian Science Monitor, Lopate has an easy, conversational style that pushes his piercing insights to new depths, celebrating the life of the mind and illuminating memories and feelings both distant and immediate. The result is a charming and spirited new book from the undisputed master of the form.

    In The Pharmacist's Mate, she writes of her father's death and her own attempts to become pregnant, weaving in excerpts from her father's World War II journal-written while he was a pharmacist's mate on the Liberty ship George E. Pickett. Fusselman creates a work both startlingly real and deeply funny-all wrapped up in writing so clever and warm it will leave you feeling that everything will be okay.

    They're so ridiculous you may think they're fiction. Like the time I went to a drive-in X-rated movie without realizing my parents were in the next car. Or the time I let my kid throw a rock through our living room window. There's the time I bought a camouflage thong in a bait shop and the time I ruined a kid's birthday party. And the other time I ruined a kid's birthday party. I can't guarantee that these stories will make you laugh, but I can guarantee that I didn't make them up.