A biting satire about the downfall of a businessman-polygamist who assumes the role of the colonialist in French-speaking Africa.

    Realising that she and Ryan are strongly attracted to each other, he at first relishes the simple challenge of stealing her from his rival; but after the discovery that Esther possesses a reasonable sum of money, he sets in motion a plan that is ruthlessly calculated to destroy her.

    . . London was good. Is good. I love London. But . . .” 1994 The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . . London Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley. South Africa A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.

    His only link to the outside world is a telephone that will not dial out. During the occasional calls he receives, usually wrong numbers, the narrator remembers his former life growing up in Injury, Alaska with his Mother, an often unemployed single parent, and his older brother, Charlie, a sometime boxer, sometime actor. Throughout the course of this extraordinary novel, the unwilling captive draws his life-story in stickfigures on the walls. From the difficulty of his birth, to his sickly childhood, to adventures with his brother, the narrator depicts his crazy life, which is at once fascinating and heartbreaking. The one memory that haunts him is that of watching a movie about slaves on television and how that one slave, the one for whom Kamby Bolongo Mean River meant freedom, would never relinquish the idea of returning home.

    The characters on the 'Ship of Fools' - a ship that's going nowhere very fast - bicker and struggle for attention: telling tales that bounce off one another to form a compendium of interrelated stories.

    Among the effects of a dead passenger, they come across a set of notebooks that tell of his life. As the boy reads the story to his elderly companion, this story and their own develop in tandem. Written in 1992, Mia Couto’s first novel is a powerful indictment of the suffering war brings.

    On impulse, she travels from Detroit to the place where Ella tragically died four years before—Nigeria. She retraces her sister's steps, all the while navigating the chaotic landscape of a major African country on the brink of democracy careening toward a coup d'état.At the center of this quest is a love affair that upends everything Angie thought she knew about herself. Against a backdrop of Nigeria's infamous go-slow—traffic as wild and surprising as a Fela lyric—Angie begins to unravel the mysteries of the past, and opens herself up to love and life after Ella.

    It provides an account of the exploitation of women in Africa and Europe, and tells of an immigrant who, having travelled to Germany to find a paradise, finds she has been betrayed by her husband and is forced into prostitution.

    Bedford, who herself survived leaving Nigeria behind for England, turns her heroine's passage through the labyrinth of race and culture into a bittersweet but triumphant odyssey.

    The search for a means to an end to apartheid erupts into conflict between a black township youth and his "old-fashioned" black teacher.

    Arrested along with hundreds of others and sentenced to six months hard labor in prison, Jezile returns home to find her child dying of starvation. When her husband is arrested for stealing milk to save the child, Jezile must fight to ensure her family’s survival.

    They have only one desire: to make a fortune by exploiting the mineral wealths of the country. They work during the day in mining concession and, as soon as night falls, they go out to get drunk, dance, eat and abandon themselves in Tram 83, the only night-club of the city, the den of all the outlaws: ex children-soldiers, prostitutes, blank students, unmarried mothers, sorcerers' apprentices …Lucien, a professional writer, fleeing the exactions and the censorship, finds refuge in the city thanks to Requiem, a youth friend. Requiem lives mainly on theft and on swindle while Lucien only thinks of writing and living honestly. Around them gravitate gangsters and young girls, retired or runaway men, profit-seeking tourists and federal agents of a non-existent State.Tram 83 plunges the reader into the atmosphere of a gold rush as cynical as, sometimes, comic and colorfully exotic. It's an observation of human relationships in a world that has become a global village. It could be described as an African-rap or rhapsody novel or puzzle-novel hammered by rhythms of jazz.

    Then her father, activist Ken Saro-Wiwa, was murdered there, and she didn't return for 10 years.Recently, she decided to rediscover and come to terms with the country her father loved. She travelled from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the empty Transwonderland Amusement Park—Nigeria's decrepit and deserted answer to Disneyland. She explored Nigerian christianity, delved into its history of slavery, examined the corrupting effect of oil, investigated Nollywood. She found the country as exasperating as ever, and frequently despaired at the corruption and inefficiency she encountered.But she also discovered that it was far more beautiful and varied than she had ever imagined, and she was seduced by its thick tropical rainforest and ancient palaces and monuments. Most engagingly of all, she introduces us to the people she meets and gives us hilarious insights into the Nigerian character: its passion, wit, and ingenuity.

    Single and feeling there is nothing left for her in small-town England, Anna embarks on an adventure as a volunteer with the Medical Missionaries of Mary to teach the leper children in Africa. Life as Anna has known it, is forever changed as she learns the culture that would banish its sick, disfigured, and crippled to the jungles. Babies are left to die on roadsides, children are chased away to live by whatever means they can find. The aged are abandoned. Anna’s daily life is an adventure as she travels from one village to another across a hostile land with few passable roads, rickety bridges threatening to fall apart and cast its occupants on the jagged rocks far below, and weather that turns a calm river into a roiling death trap. In spite of the trials, Anna also manages to find love and family in this godforsaken land. Follow this adventure through disease, weather, strife, death and determination to turn a few acres of land into a loving home for the outcast lepers of Nigeria.

    But the random car-bombings, daily carnage and the mutilations endemic to Algiers - to say nothing of escalating threats to his own life - have a way of getting under one's skin...Racy and fast-moving, Khadra's cop is a masterpiece of mocking disenchantment, recalling Raymond Chandler's Marlowe.