history. A murderer’s tale is not always shrouded in darkness, trauma and failure to perform as a normal person. Some killers are just as successful in life as those around them or even more so. They are able to function as any regular human being and charm their communities and victims into believing that they are of a good, pure nature. Ted Bundy was a handsome, charming and ambitious man who carried his hatred deeper and more hidden than any other murderers do. He was able to lead a life that included normal friendships and relationships, and he even got far as both a student and a politician. But the hatred was there…it was always there… Bundy ended the lives of over thirty young women, ensuring that their final moments were ugly and violent. His torture methods were cruel, and there was no mercy shown to each female as he bludgeoned, strangled or cut them. Ted Bundy - The Campus Killer - a name of nightmares. This is his story.

    But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny.Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters, detailed maps and hundreds of images that bring the sinister case to life.

    Ed Burdick, a wealthy manufacturer known for his kindness and generosity, and his wife Alice had a life few could imagine. The couple had three lovely daughters, a beautiful home, and they were fixtures in the elite Elmwood Avenue set. Despite rumors of trouble in the Burdick marriage, few believed it until Ed ordered his wife out of their home and filed for divorce. The whispers about their separation abruptly ended when Ed Burdick was found murdered in his den while his family slept upstairs. The police found a mosaic of conflicting clues at the crime scene. The investigation uncovered shocking information about the Buffalo tycoon’s life, and no shortage of suspects with a motive for murder.The murder of Ed Burdick is the true story of the great unsolved mystery of turn of the century Buffalo and a terrible wrong that was never put right.

    The crime scene suggested a ferocious struggle, and police initially assumed it was a burglary gone awry. Before her death, Sherri had confided to her parents that an ex-girlfriend of John's, a Los Angeles police officer, had threatened her. The Rasmussens urged the LAPD to investigate the ex-girlfriend, but the original detectives only pursued burglary suspects, and the case went cold.DNA analysis did not exist when Sherri was murdered. Decades later, a swab from a bite mark on Sherri's arm revealed her killer was in fact female, not male. A DNA match led to the arrest and conviction of veteran LAPD Detective Stephanie Lazarus, John's onetime girlfriend.The Lazarus Files delivers the visceral experience of being inside a real-life murder mystery. McGough reconstructs the lives of Sherri, John and Stephanie; the love triangle that led to Sherri's murder; and the homicide investigation that followed. Was Stephanie protected by her fellow officers? What did the LAPD know, and when did they know it? Are there other LAPD cold cases with a police connection that remain unsolved?

    A man was convicted. Case closed?Body of Proof, a true crime podcast, examines the many unanswered questions surrounding the disappearance and death of Suzanne Pilley in Edinburgh in 2010 and the subsequent conviction of David Gilroy. Journalists and TV producers Darrell Brown and Sophie Ellis spent two years investigating the case and spoke exclusively to David Gilroy, who was convicted of murdering Suzanne Pilley and disposing of her body. Sentenced to life in a Scottish prison, Gilroy maintains his innocence. Although police believe they have the right man, key components of the prosecution’s case are missing: there is no body of the victim, no witnesses to the crime, and no physical evidence (no DNA, CCTV video, or murder weapon).In this gripping, step-by-step investigation, Darrell Brown and Sophie Ellis uncover startling information not heard in court that might have changed the minds of the jurors. And they shine a light on aspects of the Scottish criminal justice system that might be keeping an innocent man behind bars.A What’s the Story Films production for Audible.

    Reprint.

    During the summers, while her mother worked days in a local motel and danced most nights in the Provincetown bars, her babysitter—the kind, handsome handyman at the motel where her mother worked—took her and her sister on adventures in his truck. But there was one thing she didn’t know; their babysitter was a serial killer. Some of his victims were buried—in pieces—right there, in his garden in the woods. Though Tony Costa’s gruesome case made screaming headlines in 1969 and beyond, Liza never made the connection between her friendly babysitter and the infamous killer of numerous women, including four in Massachusetts, until decades later. Haunted by nightmares and horrified by what she learned, Liza became obsessed with the case. Now, she and cowriter Jennifer Jordan reveal the chilling and unforgettable true story of a charming but brutal psychopath through the eyes of a young girl who once called him her friend.

     She came from a tiny village in Kentucky. The State moved her as a child into a foster home in a town so small it had one stoplight. New to her own beauty and a little awkward, Katie had the biggest smile on her high school cheerleading squad. In September 2002, she matriculated as a freshman at Western Kentucky University in Bowling Green. She majored in the dental program, but as it was for many college students her age, partying was of equal priority. She worked days at the smoothie shop, nights at the local strip club, and fell in love with a football player who wouldn't date her. Five feet two in heels and without a bad word to say about anyone, Katie Autry was sweet, kind, and utterly naïve. She was making the clumsy strides of a newborn colt, discovering what the world was like and learning to be her own person. And on the morning of May 4, 2003, Katie Autry was raped, stabbed, sprayed with hairspray, and set on fire in her own dormitory room. In telling the true story of this shocking crime, Bluegrass describes the devastation of not one but three families. Two young men, whose lives seem preordained to intertwine, are jailed for the crime: DNA evidence places Stephen Soules, an unemployed, mixed-race high school dropout, atthe scene, and Lucas Goodrum, a twenty-one-year-old pot dealer with an ex-wife, a girlfriend still in high school, and an inauspicious history of domestic abuse, is held by an ever-changing confession. The friends of the suspects and the foster and birth families of the victim form complex and warring social nets that are cast across town. And a small southern community, populated by eccentrics of every socioeconomic class, from dirt-poor to millionaire, responds to the horror. Like Midnight in the Garden of Good and Evil, this tale is redolent with atmosphere, dark tension, and lush landscapes. With the keen eye of a talented young journalist returning to his southern roots, Van Meter paints a vivid portrait of the town, the characters who fill it, and the simmering class conflicts that made an injustice like this not only possible, but inevitable.

    Pulitzer Prize-winner Humes, the first to break the story, conducted exclusive jail-cell interviews with convicted LAPD officer Bill Leasure to give an enthralling account of his chilling crimes. 8-page insert.

    Intrigue, deception, and serial homicide erupt in the latest real-life thriller by New York Times bestselling investigative journalist M. William Phelps.   In October 2014, after Chris Regan failed to arrive at his new job, his ex-girlfriend filed a missing-person report. Something was off. It was not like Chris, a devoted father, avid hiker, and all-around great guy, not to show up. When local Michigan police chief Laura Frizzo learned Chris was having an affair with Kelly Cochran, a married co-worker, suspicion fell on her husband, Jason. After a search warrant on their house revealed several suspicious items, the Cochrans abruptly moved to Indiana. As questions swirled around the case, the whereabouts of Chris Regan remained unknown.   Sixteen months later Jason Cochran died from a drug overdose. Friends and family rallied around the grieving and distraught Kelly. But when the coroner ruled Jason’s death a homicide, no one reacted more bizarrely than his widow. For months detectives tried to put Kelly’s past into focus, but the truth was buried under a patchwork of lies, contradictions, and brutally horrific revelations. As Kelly Cochran, a Purdue graduate and psychology major, played “catch me if you can,” a mesmerizing story emerged that rivals today’s bestselling fiction in its drama and fascination. In the hands of veteran investigative journalist M. William Phelps, her staggering saga of murder, revenge, and payback surpasses anything that could go wrong in a season of Fargo.   “Phelps is the Harlan Coben of real-life thrillers.” —Allison Brennan   “Anything by Phelps is an eye-opening experience.”  —Suspense Magazine   “Phelps is one of America’s finest true-crime authors.”—Vincent Bugliosi “Master of true crime . . .”  —Real Crime magazine

    It also created an enduring mystery, for no one was ever brought to trial for her brutal death, and the main suspect disappeared – never to be seen again. Beth Barnard, a popular and attractive 23-year-old, had been having an affair with a local married man. On the night of her brutal murder, a car belonging to Vivienne Cameron – wife of Beth’s lover – was found abandoned near the bridge that connects the famous tourist island to the mainland. No trace of Vivienne was ever found, and her disappearance has never been adequately explained. Nevertheless, a Coroner's Court found that Vivienne had killed her rival then jumped to her death into the waters of Westernport Bay. The case was closed but not forgotten. Ever since their first edition of The Phillip Island Murder, in 1993, Vikki Petraitis and Paul Daley have been regularly contacted by people wanting to know more; people who, like the authors, let the case get under their skin. More than three decades later the mystery, rumours and arm-chair solutions continue.

    Linda Stratmann’s dark and splendid social history reveals the nineteenth century as a gruesome battleground where poisoners went head-to-head with authorities who strove to detect poisons, control their availability, and bring the guilty to justice. She corrects many misconceptions about particular poisons and documents how the evolution of issues such as marital rights and the legal protection of children impacted poisonings. Combining archival research with a novelist’s eye, Stratmann charts the era’s inexorable rise of poison cases both shocking and sad.

    It's understood that people routinely get lost, some want to disappear but this story is about the unusual. Nobody has ever studied the archives for similarities, traits and geographical clusters of missing people, until now. A tip from a national park ranger led to this three year, 7000+ hour investigative effort into understanding the stories behind people who have vanished. The book chronicles children, adults and the elderly who disappeared, sometimes in the presence of friends and relatives. As Search and Rescue personnel exhaust leads and places to search, relatives start to believe kidnappings and abductions have occurred. The belief by the relatives is not an isolated occurrence; it replicates itself time after time, case after case across North America. The research depicts 28 clusters of missing people across the continent, something that has never been exposed and was a shocking find to researchers. Topography does play a part into the age of the victims and certain clusters have specific age and sex consistency that is baffling. This is not a phenomenon that has been occurring in just the last few decades, clusters of missing people have been identified as far back as the 1800's.

    government. You have to remember because Harvard doesn't let you forget.1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.   Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

    What really happened in 1969? In 1999, when Tom O'Neill was assigned a magazine piece about the thirtieth anniversary of the Manson murders, he worried there was nothing new to say. Weren't the facts indisputable? Charles Manson had ordered his teenage followers to commit seven brutal murders, and in his thrall, they'd gladly complied. But when O'Neill began reporting the story, he kept finding holes in the prosecutor Vincent Bugliosi's narrative, long enshrined in the best-selling Helter Skelter. Before long, O'Neill had questions about everything from the motive to the manhunt. Though he'd never considered himself a conspiracy theorist, the Manson murders swallowed the next two decades of his career. He was obsessed. Searching but never speculative, CHAOS follows O'Neill's twenty-year effort to rebut the "official" story behind Manson. Who were his real friends in Hollywood, and how far would they go to hide their ties? Why didn't law enforcement act on their many chances to stop him? And how did he turn a group of peaceful hippies into remorseless killers? O'Neill's hunt for answers leads him from reclusive celebrities to seasoned spies, from the Summer of Love to the shadowy sites of the CIA's mind-control experiments, on a trail rife with cover-ups and coincidences. Featuring hundreds of new interviews and dozens of never-before-seen documents from the LAPD, the FBI, and the CIA, CHAOS mounts an argument that could be, according to Los Angeles Deputy District Attorney Stephen Kay, strong enough to overturn the verdicts on the Manson murders. In those two dark nights in Los Angeles, O'Neill finds the story of California in the sixties: when charlatans mixed with prodigies, free love was as possible as brainwashing, and utopia-or dystopia-was just an acid trip away.