Eloquence is only a grasping in the space of ineffable air. There are few words or phrases that do justice to the soul singing its own revelations. That place is where Last Psalm at Sea Level lives, where it is as solid as gold burning itself into light. --Afaa Michael Weaver

    In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over two hundred poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimilies of Whitman's original manuscripts, contemporary-- and generally blistering-- reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-Leaves of Grass poems that return us to the physical Whitman, rejoicing-- sometimes graphically-- in homoerotic love.Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass, this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between 1853 and 1860. These poems are faithfully presented as Whitman first gave them to the world-- fearless, explicit, and uncompromised-- before he transformed himself into America's respectable, mainstream Good Gray Poet through thirty years of revision, self-censorship, and suppression.Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation's first great poet.

    While he sees poetry in the public eye as a good thing, Berry asks us to recognize the private life of the poem. These Sabbath poems were written "in silence, in solitude, and mainly out of doors," and tell us about "moments when heart and mind are open and aware."Many years of writing have won Wendell Berry the affection of a broad public. He is beloved for his quiet, steady explorations of nature, his emphasis on finding good work to do in the world, and his faith in the solace of family, memory, and community. His poetry is assured and unceasingly spiritual; its power lies in the strength of the truths revealed.

    As soon as he was able, he left the community and moved as far away as he could. But through a remarkable turn of events, he reluctantly returned and found himself not only back in Englewood but also serving as a pastor ("Pastah J") and community leader. In Church Forsaken, Brooks challenges local churches to rediscover that loving our neighbors means loving our neighborhoods. Unpacking the themes of Jeremiah 29, he shows how Christians can be fully present in local communities, building homes and planting gardens for the common good. His holistic vision and practical work offers good news for forgotten people and places. And community stakeholders and civic leaders will rediscover that churches are viable partners in community transformation in ways that they may never have considered. God has always been at work in neglected neighborhoods. Join Pastah J on this journey and discover new hope for your community.

    By the time she was twelve, the war had begun. Abandoned by her father when he realized the price of being associated with a Jewish wife and family, Anita and her mother were ultimately left to fend for themselves. Anita's teenage years are spent desperately fighting for survival yet learning to trust in the One she discovered would not leave her ...

    Pretending Jesus is less than He is resulted in someone I wasn't compelled to worship. So I began a journey to discover the whole Jesus--including the seemingly rough and wild parts--revealed in the Bible. And I found Him to be bigger and better than I ever dreamed.--Lisa HarperThrough a powerful blend of storytelling and biblical insights, Lisa Harper invites you to engage with the Jesus of the gospels, a person so provocative that no one left an encounter with Him unchanged. Pharisees fumed, paralytics turned cartwheels, and pariahs found love and acceptance.Come meet the Jesus who is both safe and strong--and learn how this radical Redeemer can liberate you to live and love with abandon.Includes questions for group discussion or personal reflection.

    Where the world stresses the importance of success, Bird invites readers to embrace nine specific failures in the areas of our personal lives, our relationships, and the church. Why? Because what human wisdom deems indispensable is so often an impediment to our spiritual growth, and what it deems insignificant is so often essential to it.With compelling examples from the Bible and today, Bird paints an enticing picture of the counterintuitive, countercultural life that God wants for us. He helps readers delight in all of the ways that Jesus turned the world upside-down, allowing us to experience true freedom, not from our weaknesses but in the midst of them.

    Those painful repetitions often keep us from speaking up, standing up for what's right, being loved, pursuing our dreams, and growing closer to God.Spoken word poet Amena Brown's broken records played messages about how she wasn't worthy to be loved. But after years of playing those destructive rhythms over and over, How to Fix a Broken Record chronicles her journey of healing as she's allowed the music of God's love to play on repeat instead.From bad dates to marriage lessons at Waffle House, from learning to love her hair to learning to love an unexpected season of life, from discovering the power of saying no and the freedom to say yes, Amena offers keep-it-real stories your soul can relate to. Along the way, you'll discover how to . . .Recognize the negative messages that play on repeat in your mindReplace them with the truth that you are a beloved child of GodAnd find new joy in the beautiful music of your life.

    These poems bear witness to survival in the face of brutality, while also elegizing two brothers haunted by shame, two lovers hounded by death, and an America wounded by war and numbered by religion. Brown summons myth, fable, and fairytale not to merely revise the Bible—more so to write the kind of lyric poetry we find at the source of redemption—for the profane and for the sacred.

    It's a word we all love to hear, but do we really know what it means? Without it, our lives are dry and dusty, but when grace comes, it transforms our lives into something rich and beautiful.

    The poems in One Times One have as their theme "oneness and the means (one times one) whereby that oneness is achieved—love," in the words of Cummings's biographer Richard S. Kennedy. Besides new expressions of universal concerns, Cummings writes here in a lyric and optimistic mode, drawing portraits of people dear to him in New Hampshire and New York City's Greenwich Village. This new edition joins other individual uniform Liveright paperback volumes drawn from the Complete Poems, most recently Etcetera and 22 and 50 Poems.

    This book by Jamie Smith is a small field guide to Taylor's genealogy of the secular, making it accessible to a wide array of readers. Smith's How (Not) to Be Secular is also, however, a philosophical guidebook for practitioners a kind of how-to manual that ultimately offers guidance on how to live in a secular age. It's an adventure in self-understanding and a way to get our bearings in postmodernity. Whether one is proclaiming faith to the secularized or is puzzled that there continue to be people of faith in this day and age, this is a philosophical story meant to help us locate where we are and what's at stake.

    A worldwide bestseller published in countless sizes and bindings, translations and languages. Sworn by in court, fought over by religious people, quoted in arguments. The Bible is clearly no ordinary book. How can you begin to read and understand it as a whole? In this excellent overview, Vaughan Roberts gives you the big picture—showing how the different parts of the Bible fit together under the theme of the kingdom of God. He provides both the encouragement and the tools to help you read the Bible with confidence and understanding. And he points you to the Bible's supreme subject, Jesus Christ, and the salvation God offers through him.

    

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.