Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    Learn how God blesses the promises you keep to Him, why you should follow your heart to find your hope, and how not to miss your moment with God. Read on your own or study with a group using the provided faith-building questions. You'll enjoy the journey with Maxwell as he imagines what it would be like to visit heaven and meet giants of the faith who had their lives transformed by God. You'll gain insights from: Ruth...for when you must make a decision but don't know what to do. Sarah...for when you can't understand God and impatience threatens to overwhelm you. Mary...for when God asks you to do something outside of your comfort zone.The women who influenced Maxwell inspired this book, and he includes the perspectives of those closest to him in this volume. They and the giants of the faith who continue to inspire them will encourage you to fulfill your destiny and leave a lasting, positive impression on your family and the world.

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    They are the poems of a worker and fighter, filled with courage, who loved life and hated oppression.

    He offers wisdom to help people avoid sexual temptation and to keep the trophy of purity intact in order to present it to their spouses on their honeymoon.

    There was a woman.There was a cross. But in factthey have hung him too high to be touched.—from "A Woman Wipes the Face of Jesus"

    In his sixth book of poems, James Galvin writes from a deep, philosophical engagement with the landscape and faces a "vertigo of solitude" with his marriage dissolved, his only daughter grown and gone, and the log house he built by hand abandoned. "What did I love that made me believe it would last?" he asks.Something has to be true enough to beTaken for granted.In the hospital I sawAn old manCaressing the face of an old woman.This same man, young, caressed her faceIn just that way.That’s the stillnessAt the center of change—A sadness worth dying for, I swear—There is no other.—from "Dying into What I’ve Done""James Galvin has a voice and a world, perhaps the two most difficult things to achieve in poetry."—The Nation"In James Galvin we have a superior poet."—American Book Review"Galvin’s poems have the virtues of precise observation and original language, yes, but what he also brings to the table is a rigor of mind and firmness of phrasing which make the slightest of his poems an architectural pleasure."—Harvard ReviewJames Galvin has published five collections of poetry, most recently Resurrection Update: Collected Poems 1975–1997, which was a finalist for the Los Angeles Times Book Award and the Lenore Marshall/The Nation Prize. He is also the author of the critically acclaimed prose book, The Meadow and a novel, Fencing the Sky. He lives in Laramie, Wyoming, where he works as a rancher part of each year, and in Iowa City, where he is a member of the permanent faculty of the University of Iowa Writers’ Workshop.

    Huidobro is considered one of the most significant poets of our century and is recognized as one of the seminal figures in modern Spanish-language poetry.

    

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    In understanding this we discover our true identity and can live more fully. Callouts and discussion questions help readers understand and apply the material.

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    It focuses on walking in the divine as a lifestyle, shaping one's attitudes and worldview.

    --Publishers WeeklyEvery day, millions of people lament the loss of civility, respect, and hope, and they wonder if it's possible to cultivate a love big enough to overthrow hate and heal our hurts. With courage, authenticity, and relevance, Jacqueline A. Bussie proclaims, Yes! It's possible! and urges readers to widen love's wingspan and to love as God loves--without limits or exceptions.In Love Without Limits, Bussie imparts practical solutions for people of faith who yearn to love across division and difference in these troubled times. Through poignant personal memoir, engaging theological reflection, inspiring true stories of boundary-busting friendships, creative readings of scripture, and surprising shout-outs to some of love's unsung heroes, Bussie challenges readers to answer God's call to practice a love so deep, it subverts the social order; so radical, it scandalizes the powerful; so vast, it excludes no one.