But from the first time GK (as he was nicknamed by Elvis) heard this kid sing, he knew that Elvis Presley was someone extraordinary. During Elvis’s rise to fame and throughout the wild swirl of his remarkable life, Klein was a steady presence and one of Elvis’s closest and most loyal friends until his untimely death in 1977. In Elvis: My Best Man, a heartfelt, entertaining, and long-awaited contribution to our understanding of Elvis Presley and the early days of rock ’n’ roll, George Klein writes with great affection for the friend he knew—about who the King of Rock ’n’ Roll really was and how he acted when the stage lights were off. This fascinating chronicle of boundary-breaking and music-making through one of the most intriguing and dynamic stretches of American history overflows with insights and anecdotes from someone who was in the middle of it all. From the good times at Graceland to hanging out with Hollywood stars to butting heads with Elvis’s iron-handed manager, Colonel Tom Parker, to making sure that Elvis’s legacy is fittingly honored, GK was a true friend of the King and a trailblazer in the music industry in his own right.

    As Sweet shows us in this brilliant study, many of the concepts that strike us as terrifically new - political spin-doctoring, extravagant publicity stunts, hardcore pornography, anxieties about the impact of popular culture upon children - are Victorian inventions. Most of the pleasures that we imagine to be our own, the Victorians enjoyed first: the theme park, the shopping mall, the movies, the amusement arcade, the crime novel and the sensational newspaper report. They were engaged in a well-nigh continuous search for bigger and better thrills. If Queen Victoria wasn't amused, then she was in a very small minority . . .Matthew Sweet's book is an attempt to re-imagine the Victorians; to suggest new ways of looking at received ideas about their culture; to distinguish myth from reality; to generate the possibility of a new relationship between the lives of nineteenth-century people and our own.

    Sometimes wacky, sometimes profound, the title is always entertaining, with the odd bit of sleaze.

    As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office—so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers—Dylan himself included—have said is wrong.With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan's meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he 'goes electric' at Newport in 1965; his subsequent controversial world tour with a rock 'n' roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different.Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.

    It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    Still, though I followed their season closely, I never fully understood their impact."—Allen Barra, The New York SunIn 1947, major league baseball experienced its first measure of integration when the Brooklyn Dodgers brought Jackie Robinson to the National League. While Robinson's breakthrough opened the gates of opportunity for African Americans and other minority players, the process of integration proved slow and uneven. It was not until the 1960s that a handful of major league teams began to boast more than a few Black and Latino players. But the 1971 World Championship team enjoyed a full and complete level of integration, with half of its twenty-five-man roster comprised of players of African American and Latino descent. That team was the Pittsburgh Pirates, managed by an old-time Irishman.In The Team That Changed Baseball: Roberto Clemente and the 1971 Pittsburgh Pirates, veteran baseball writer Bruce Markusen tells the story of one of the most likable and significant teams in the history of professional sports. In addition to the fact that they fielded the first all-minority lineup in major league history, the 1971 Pirates are noteworthy for the team's inspiring individual performances, including those of future Hall of Famers Roberto Clemente, Willie Stargell, and Bill Mazeroski, and their remarkable World Series victory over the heavily favored Baltimore Orioles. But perhaps their greatest legacy is the team's influence on the future of baseball, inspiring later championship teams such as the New York Yankees and Oakland Athletics to open their doors fully to all talented players, regardless of race, particularly in the new era of free agency.

    Erich Auerbach, the Jewish philologist who fled Hitler's Germany and wrote his classic study of Western literature, Mimesis, in Istanbul... François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus--a veiled critique of the Sun King and the best-selling book in Europe for one hundred years--resulted in his banishment... and the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home.Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn's struggles to write two of his own books--a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father--that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.

    Nixon a pardon on September 8, 1974, one month after Nixon resigned from office in disgrace. Effectively removed from the reach of prosecutors, Nixon returned to California, uncontrite and unconvicted, convinced that time would exonerate him of any wrongdoing and certain that history would remember his great accomplishments—the opening of China and the winding down of the Vietnam War—and forget his “mistake,” the “pipsqueak thing” called Watergate.In 1977, three years after his resignation, Nixon agreed to a series of interviews with television personality David Frost. Conducted over twelve days, they resulted in twenty-eight hours of taped material, which were aired on prime-time television and watched by more than 50 million people worldwide. Nixon, a skilled lawyer by training, was paid $1 million for the interviews, confident that this exposure would launch him back into public life. Instead, they sealed his fate as a political pariah.James Reston, Jr., was David Frost’s Watergate advisor for the interiews, and The Conviction of Richard Nixon is his intimate, behind-the-scenes account of his involvement. Originally written in 1977 and published now for the first time, this book helped inspire Peter Morgan’s hit play Frost/Nixon. Reston doggedly researched the voluminous Watergate record and worked closely with Frost to develop the interrogation strategy. Even at the time, Reston recognized the historical importance of the Frost/Nixon interviews; they would result either in Nixon’s de facto conviction and vindication for the American people, or in his exoneration and public rehabilitation in the hands of a lightweight. Focused, driven, and committed to exposing the truth, Reston worked tirelessly to arm Frost with the information he needed to force Nixon to admit his culpability. In The Conviction of Richard Nixon, Reston provides a fascinating, fly-on-the-wall account of his involvement in the Nixon interviews as David Frost’s Watergate adviser. Written in 1977 immediately following these celebrated television interviews and published now for the first time, The Conviction of Richard Nixon explains how a British journalist of waning consequence drove the famously wily and formidable Richard Nixon to say, in an apparent personal epiphany, “I have impeached myself.”From the Hardcover edition.

    Dewey is the central figure in this pantheon of pragmatists, but he treats as well such varied mid-century representatives of the tradition as Sidney Hook, C. Wright Mills, DuBois, Niebuhr & Trilling. West’s genealogy is a personal work, for it's imbued throughout with the author’s conviction that a thoro reexamination of American pragmatism may help inspire & instruct contemporary efforts to remake & reform American society & culture. "West...may well be the pre-eminent African American intellectual of our generation."—The Nation "The American Evasion of Philosophy is a highly intelligent & provocative book. Cornel West gives us illuminating readings of the political thought of Emerson & James; provides a penetrating critical assessment of Dewey, his central figure; & offers a brilliant interpretation—appreciative yet far from uncritical—of the contemporary philosopher & neo-pragmatist Richard Rorty...What shines thru, throughout the work, is West's firm commitment to a radical vision of a philosophic discourse as inextricably linked to cultural criticism & political engagement."—Paul S. Boyer, professor emeritus of history, University of Wisconsin–MadisonAcknowledgmentsIntroduction1 The Emersonian prehistory of American pragmatism. Emerson on power & tradition; Emerson on provocation & the market; Emerson on personality & race; Emerson as organic intellectual2 The historic emergence of American pragmatism. Peirce on scientific method, community & Christian love; James on individuality, reconciliation & heroic energies3 The coming-of-age of American pragmatism: John Dewey. Dewey on historical consciousness, critical intelligence & creative democracy4 The dilemma of the mid-century pragmatic intellectual. Sidney Hook: the Deweyan political intellectual; C. Wright Mills: the neo-Deweyan radical social critic; W.E.B. Du Bois: the Jamesian organic intellectual; Reinhold Niebuhr: the Jamesian cultural critic; Lionel Trilling: the pragmatist as Arnoldian literary critic; The decline & resurgence of American pragmatism: Quine & Richard Rorty5 Prophetic pragmatism: cultural criticism & political engagement. Roberto Unger & 3rd-Wave Left romanticism; The challenge of Michel Foucault; Tragedy, tradition & political praxis; Prophetic pragmatism & postmodernityNotesIndex

    Whether he was profiling the rich and famous or creating indelible word-pictures of events and places near and far, Capote's eye for detail and dazzling style made his reportage and commentary undeniable triumphs of the form. "Portraits and Observations" is the first volume devoted solely to all the essays ever published by this most beloved of writers. From his travel sketches of Brooklyn, New Orleans, and Hollywood, written when he was twenty-two, to meditations about fame, fortune, and the writer's art at the peak of his career, to the brief works penned during the isolated denouement of his life, these essays provide an essential window into mid-twentieth-century America as offered by one of its canniest observers. Included are such celebrated masterpieces of narrative nonfiction as "The Muses Are Heard" and the short nonfiction novel "Handcarved Coffins," as well as many long-out-of-print essays, including portraits of Isak Dinesen, Mae West, Marcel Duchamp, Humphrey Bogart, and Marilyn Monroe. Among the highlights are "Ghosts in Sunlight: The Filming of In Cold Blood, "Preface to Music for Chameleons, in which Capote candidly recounts the highs and lows of his long career, and a playful self-portrait in the form of an imaginary self-interview. The book concludes with the author's last written words, composed the day before his death in 1984, the recently discovered"Remembering Willa Cather," Capote's touching recollection of his encounter with the author when he was a young man at the dawn of his career. "Portraits and Observations" puts on display the full spectrum of Truman Capote's brilliance. Certainly, Capote was, as Somerset Maugham famously called him, "a stylist of the first quality." But as the pieces gathered here remind us, he was also an artist of remarkable substance.

    Though they are separated by almost 100 years, the similarities in their experiences are striking.When Derrick Wolf left the U.S. for Vietnam in 1970 on January 6th, the day of Epiphany, little did he realize what a prophetic day it would turn out to be for him. Boys for Men is a journal of his tour of duty. Wolf tells of the grim daily routine of a tank crew near the De-militarized Zone just south of North Vietnam. From the near constant rain during monsoon to the unbearable high temperatures and humidity of the dry season, life becomes a series of long periods of boredom and hardship interrupted abruptly by deadly situations.Combined with Wolf’s stories are excerpts of the previously unpublished 1876 journal of Sylvester Waltz, an infantryman during the Great Sioux War. Waltz was a member of the Yellowstone Expedition, which culminated in the Battle of the Little Bighorn where General George Armstrong Custer was killed and his forces defeated.

    Richardson shows James struggling to achieve amid the domestic chaos and intellectual brilliance of his father, his brother Henry, and his sister Alice. There are portraits of James's early years as a student at the appallingly hidebound Harvard of the 1860s. And there are the harrowing suicidal episodes, after which James, still a young man, turns from depression to action with "a heave of will." Through impassioned scholarship, Richardson illuminates James's hugely influential works: the Varieties, Principles of Psychology, Talks to Teachers, and Pragmatism.As a longtime professor James taught courage and risk-taking. He was W.E.B. Du Bois's adviser and teacher, and he told another of his students, Gertrude Stein, to reject nothing -- that rejecting anything was the beginning of the end for an intellectual. One of the great figures in mysticism, James coined the phrase "stream of consciousness."

    Lee Radziwill offers a unique perspective of happy times -- from the Bouvier sisters' first trip to Europe to fond memories of Christmas in Palm Beach with President Kennedy, from her years in London to summer days in Conca, Lee Radziwill has enjoyed a very colorful and successful life. With anecdotes, pictures, notes, and drawings, Happy Times is a very personal look at a highly publicized life.

    Haskell, with thirty dollars in his pocket, set off west to find his fortune in the West. Over the next two years he panned and dug in search of gold in the freezing conditions of Canada and the Klondike. Two Years in the Klondike and Alaskan Gold Fields 1896-1898 is a brilliant account of the short period that Haskell risked his life for “rich dirt — enough to provide them with a comfortable amount of gold dust.” “Woven around a detailed, frequently humorous narrative of the successes and failures of the author and his partner, the book offers insights into Klondike life ranging from practical advice on the techniques of cabin and boat building to observations on the virulence of mosquitoes, tent care, the quality of Klondike ‘restaurants,’ and the wisdom of justice dispensed by Alaskan miners’ meetings in the absence of any other form of law.” Ian N. Higginson, Polar Record “His account of his months in the North has the drama and color of the bestsellers he most likely read” Charlotte Gray, Gold Diggers: Striking It Rich in the Klondike “Unlike most of the books on the Klondike, Haskell told folks how life really was in the gold camps. He didn’t bother to make exaggerated claims or paint a rosy picture. … surprisingly easy to read, and his unique observations and witty remarks help make the book a gem.” Jeremiah Wood, The Outdoor Sporting Library Two Years in the Klondike and Alaskan Gold Fields 1896-1898 formed the basis of the Discovery Channel’s mini-series Klondike directed by Simon Cellan Jones and produced by Ridley Scott. Haskell was played by Richard Madden. Haskell’s book was first published when he returned from the Klondike in 1898.

    Chapters focus on the supernatural elements of the work, as well as the author´s treatment of the physical self.