What would you do if you were invited to the princess’s tenth birthday party but didn’t have money for a gift? Well, clever Jack decides to bake the princess a cake.Now he just has to get it to the castle in one piece. What could possibly go wrong?Candace Fleming and G. Brian Karas, creators of the bestselling picture book Muncha! Muncha! Muncha!, have teamed up again to bring us a modern fairy tale starring a determined boy and a story-loving princess with a good sense of humor. While girls will fall for a story featuring a princess’s birthday party, Jack’s adventures with trolls, bears, and gypsies make this the perfect read for young boys as well—and ideal for storytime.

    It comes as no surprise that a wolf is able to blow down the first two pigs' houses. When the wolf can't blow down the third pig's brick house, everyone comes together and the fun begins. The first two pigs give him potato chips and sody-pop, and the third pig makes everyone a healthy meal. Since only one pig has a house left, the other two pigs and the wolf move in with her. The somewhat bad wolf is no longer hungry.

    Now brought luminously to life by K. Y. Craft's lavish paintings, this new edition of a timeless favorite is sure to enchant readers both young and old. Fairy tale lovers have been eagerly awaiting Craft's next magical romance since the release of her Cinderella. With illustrations inspired by the magnificent style of Baroque painters, the sumptuous color and exquisite detail of this breathtaking interpretation make it a dream come true.

    Moon never turns her back on her friend (literally: she's always facing Earth with the same side!). These two will stick together forever. With characteristic humor and charm, Stacy McAnulty channels the voice of Moon in this next celestial "autobiography" in the Our Universe series. Rich with kid-friendly facts and beautifully brought to life by Stevie Lewis, this is an equally charming and irresistible companion to Earth! My First 4.54 Billion Years and Sun! One in a Billion.

    But she was just a little girl for a while--and this is her story. Minty, short for Araminta, was a feisty and headstrong young slave, whose rebellious spirit often got her into trouble. She told stories to her doll, released animals from traps, and, above all, dreamed of running away. And when her father began to teach her the skills necessary for escape, she listened carefully, and learned. . . .*Rich with melodrama, suspense, pathos, and, of course, a powerful vision of freedom. This exquisitely crafted book resonates well beyond its few pages.--Kirkus Reviews, starred reviewWinner of the Coretta Scott King AwardAn ALA Notable Book

    For the young protagonist of this lyrical and hopeful picture book, that landing is something that inspires her to make one giant step toward all of the possibilities that life has to offer. Caldecott Honor– winning painter Jerry Pinkney and the poetic Dianna Hutts Aston create a moving tribute to the historic Apollo 11 Mission, just in time to commemorate its upcoming fortieth anniversary.

    Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

    And on that swervy-curvy car ride back home Max smiles as the moon tags along, thinking of Grandpa. But when the sky darkens and the moon disappears behind clouds, Max worries that it did not follow him home after all. Yet when the clouds part and light streams through his window, he realizes that Grandpa was right—the moon was with him all along.Floyd Cooper received the Coretta Scott King Award for The Blacker the Berry, two Coretta Scott King Honors for Honey in Broomwheat Tea and I Have Heard of a Land, and an NAACP image award. His books have also been named to numerous best books list and been given many Parents Choice Awards.  In Max and the Tag-Along Moon, his lush paintings perfectly capture the wonder of the moon, the love between grandfather and grandson, and that feeling of magic every child experiences when the moon follows him home.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    "Executed with chromatic splendor--a unique combination of brilliance and restraint".--The Horn Book. Full-color illustrations.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    I'm famous for falling off a wall.(You may have heard about it.)But that's only half the story...Because I decided to get back up.And when I did, something amazing happened.This story is about my life...AFTER THE FALL.Inspiring and unforgettable, this epilogue to the beloved classic nursery rhyme will encourage even the most afraid to overcome their fears, learn to get back up--and reach new heights.(front flap)

    Living in homes built out of tumbleweeds and saguaro ribs (from the fallen giant cacti), the first two javelinas are soon running from the hungry coyote, who had hoped to eat them with red chile sauce. And where do they go for shelter? Why, to their wise sister's house, made strong with adobe bricks. This clever and humorous tale is sure to delight children of all ages, especially those familiar with the Southwest. Dressed in cowboy duds and prepared for life in the rugged desert, these characters are more than any coyote bargained for.

    With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    Step back into ancient India as Marcia Williams brings her inviting comic-book style to eight animal folktales that continue to enchant children today.Have you heard about the elephant and the dog who became not just unlikely companions, but the best of friends? Or the traveler whose greed for gold lures him straight into the scrawny tiger’s trap? How about the talkative tortoise who can’t keep his mouth closed to save his life? Drawing from three books of best-loved Indian folktales — Hitopadesha Tales, Jataka Tales, and Panchantra Tales — this graphic storybook collection, alive with kid-friendly illustrations, is infused with humor and warmth.