Nominated for the Edgar Award for best true-crime book of the year, it also marked the debut of an audaciously talented writer, James St. James, who himself had been a club kid and close friend and confidant of Michael Alig, the young man convicted of killing the drug dealer known as Angel. Now the book has been brought to the screen as Party Monster, with Macaulay Culkin playing killer Michael Alig and Seth Green as author/celebutante James St. James.

    Book by

    When she stumbles across information on Corbin Lagos, she recognizes the chance of a lifetime.One blizzard and a car accident later, she wakes up in gorgeous Corbin’s bed. She doesn’t know how he’ll react if he discovers that the woman he rescued intends to haul him in. She also can’t fight her attraction to him.He’s nothing like the men she typically seduces and discards. He’s dominant. He’s dangerous. And he’s going to explode her life into a million tiny pieces.

    Miranda is, too, one who'll find her femme persona as intriguing and fuckable as she is in boy drag. Jack thinks she's hot no matter what she looks like, and after "introducing" her to a few of his friends, decides to keep her on. This is San Francisco's notorious SOMA/South of Market, a neighborhood colonized by leatherfolk long before the dot-commers and ravers arrived. From dark alleys to tastefully-appointed dungeons, from hotel penthouses to tranny bars, Randy/Miranda embraces her heart's, mind's, and body's desires with an assortment of sexes, genders, and sexual orientations. With Jack and others--all denizens of San Francisco's sexual fringes--she creates her own queer version of family. Mistress of sexual storytelling Carol Queen offers a fresh look at sexual lifestyles and choices that are misinterpreted and repudiated by the mainstream. Her perceptive and knowledgeable treatment inserts a new viewpoint into the carefully developed relationships of power play, destroying stereotypes and modeling open communication. A 1999 Firecracker Alternative Book Award-winner in the original edition (Cleis Press, 1998).

    But after a PR disaster, Reggie is off the list for a lunar mission. To rehabilitate her reputation with NASA, she agrees to a different kind of assignment: astronaut “training” with a Hollywood action hero.Jon Leo is a charmer. With credits that include an underperforming sitcom and a campy action flick called Space Dude, his upcoming role in a prestigious movie could prove he’s a star. But Jon isn’t just big muscles and an otherworldly smile—he’s also a total space nerd. He’s pumped about his own personal space camp…until he meets ice-cold Reggie.Although Reggie and Jon are polar opposites, their mutual attraction is undeniable, and it only takes a few weeks in close quarters for them to give in to its magnetic force. Jon is set on convincing Reggie this is a match made in the heavens, but her future is in space, and his is among stars of the Hollywood kind. The odds of successfully launching a real relationship outside the confines of the training base are anything but optimal.Reggie, content with keeping things casual, is forced by a sudden turn of events to confront the possibility of losing Jon forever. Now, she’ll do whatever it takes to win both the man and the moon.

    The latest bet is the boldest of all: each must sleep with whomever the others have chosen and return with every juicy detail. For divorcee Abby it's a pair of sexy veterinarians who are fulfilling their own desire. For heartbreaker Blaire it's the one man she never had the courage to bed. For sensible Callie it's an irresistible stranger. For readers, it's an erotic fantasy come true.

    In his 1992 book, The Playboy, he explored his personal history with pornography. His bestselling 2003 graphic novel, Louis Riel, was a biographical examination of an extreme political figure. The book won wide acclaim and cemented Brown's reputation as a true innovator.Paying for It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but a vocal proponent of one of the world's most hot-button topics—prostitution. While this may appear overly sensational and just plain implausible to some, Brown's story stands for itself. Paying for It offers an entirely contemporary exploration of sex work—from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps.Complete with a surprise ending, Paying for It provides endless debate and conversation about sex work and will be the most talkedabout graphic novel of 2011.

    The twenty-five-year-old unhappy lover to a fat dungeon mistress, affectionately nicknamed "Little Failure" by his high-achieving mother, Vladimir toils his days away as a lowly clerk at the bureaucratic Emma Lazarus Immigrant Absorption Society. When a wealthy but psychotic old Russian war hero appears, Vladimir embarks on an adventure of unrelenting lunacy that takes us from New York's Lower East Side to the hip frontier wilderness of Prava--the Eastern European Paris of the nineties. With the help of a murderous but fun-loving Russian mafioso, Vladimir infiltrates the Prava expat community and launches a scheme as ridiculous as it is brilliant.Bursting with wit, humor, and rare insight, The Russian Debutante's Handbook is both a highly imaginative romp and a serious exploration of what it means to be an immigrant in America.

    How do we come to be who we are sexually? How do we cope with the forces of desire? How can we understand the relationship between the transcendent and the physical, between the wish for love and the anarchy of the erotic? Daniel Bergner looks for answers in the stories of four people whose unusual desires raise fascinating questions about the erotic differences between men and women and the nature of ecstasy itself.

    His parents bestowed it on him as some kind of sick joke when he was born, and his life has gone downhill from there, one embarrassing incident after another. Entering his senior year of high school, Shakespeare has never had a girlfriend, his younger brother is cooler than he is, and his best friend's favorite topic of conversation is his bowel movements. But Shakespeare will have the last laugh. He is chronicling every mortifying detail in his memoir, the writing project each senior at Shakespeare's high school must complete. And he is doing it brilliantly. And, just maybe, a prize-winning memoir will bring him respect, admiration, and a girlfriend . . . or at least a prom date.

    Ian Minot is an aspiring writer who labors over short stories that seem destined to remain unread. His beautiful Romanian girlfriend, Anya Petrescu, finds success more easily—and leaves Ian for Blade Markham, a bloviating ex-gangbanger whose “so-called memoir” is a best-seller. When Ian is approached by ex-editor Jed Roth, who wants Ian to publish Jed’s pulpy tale of book theft and murder as a memoir, then renounce it, it’s a chance for both of them to get revenge: Jed on his former employer, and Ian on the world. Although Langer may be too cute for some (he employs made-up slang in which a penis is a portnoy), he does an engaging job with the hall-of-mirrors plot. And if readers can predict that the book they’re reading is the one that Ian ends up writing, they’ll never guess the ending. Just when you want a surprising twist, Langer delivers several.

    He is hard at work on his autobiography, The Fermata, which proves in the telling to be a very provocative, very funny and altogether morally confused piece of work.Hilarious and totally original, Nicholson Baker's new novel is a triumphant comedy about sexual fantasy and fantastic sexuality.

    But when the sun went down, her life was an endless, faceless whirl of bars and beds and men she'd never seen before and wouldn't see again. If she couldn't find love, she took chances on men who were better than no men at all. And learned, with each new night and each new nightmare, that finding her man was only the beginning.

    He feels that Appalachian pull in his blood, but that hasn’t tamed his wild side. A youth full of pranks left him with the nickname Stunt and a preference for danger in and out of bed. Other than a few contrary moonshiners who hate him for philosophical reasons since he’s a forestry technician and federal employee, he doesn’t have a problem in the world. Then one day he runs into Alex Soto, a man out for revenge.Just out of prison, Alex knows firsthand that the justice system doesn’t treat poor and rich equally, so he’ll have to go outside the law to avenge his brother’s death. When an innocent man lands in the middle of his plans, he doesn't know what to do… other than take him hostage. Unfortunately, he never planned on having to deal with Stunt or with the twisted logic that passes for reasonable in Stunt’s mountain home.

     Reviewing White Shadow, the Associated Press wrote, "It is as gritty as James Ellroy's L.A. Confidential. And yet, the prose is as lyrical as James Lee Burke's Crusader's Cross. With White Shadow, Atkins has found his true voice." And with Wicked City, it is even truer. In 1955, Look magazine called Phenix City, Alabama, "The Wickedest City in America," but even that may have been an understatement. It was a stew of organized crime and corruption, run by a machine that dealt with complaints forcefully and with dispatch. No one dared cross them-no one even tried. And then the machine killed the wrong man. When crime-fighting attorney Albert Patterson is gunned down in a Phenix City alley in the spring of 1954, the entire town seems to pause just for a moment- and when it starts up again, there is something different about it. A small group of men meet and decide that they have had enough, but what that means and where it will take them is something they could not have foreseen. Over the course of the next several months, lives will change, people will die, and unexpected heroes will emerge-like "a Randolph Scott western," one of them remarks, "played out not with horses and Winchesters but with Chevys and .38s and switchblades." Peopled by an extraordinary cast of characters, both real and fictional, Wicked City is a novel of uncommon intensity-rich with atmosphere and filled with sensuality and surprise.