Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, "Hick," as she's known to her friends and admirers, is not quite instantly charmed by the idealistic, patrician Eleanor. But then, as her connection with the future first lady deepens into intimacy, what begins as a powerful passion matures into a lasting love, and a life that Hick never expected to have.She moves into the White House, where her status as "first friend" is an open secret, as are FDR's own lovers. After she takes a job in the Roosevelt administration, promoting and protecting both Roosevelts, she comes to know Franklin not only as a great president but as a complicated rival and an irresistible friend, capable of changing lives even after his death. Through it all, even as Hick's bond with Eleanor is tested by forces both extraordinary and common, and as she grows as a woman and a writer, she never loses sight of the love of her life.From Washington, D.C. to Hyde Park, from a little white house on Long Island to an apartment on Manhattan's Washington Square, Amy Bloom's new novel moves elegantly through fascinating places and times, written in compelling prose and with emotional depth, wit, and acuity.

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women-of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    . . until Astrid's father dies and she moves into his house. She discovers that for many years her father had been accessing the magic that flowed, literally, in a blue stream beneath the earth, leaking into his house. When she starts to use the liquid "vitagua" to enchant everyday items, the results seem innocent enough: a "'chanted" watch becomes a charm that means you're always in the right place at the right time; a "'chanted" pendant enables the wearer to convince anyone of anything . . .But as events in Indigo Springs unfold and the true potential of vitagua is revealed, Astrid and her friends unwittingly embark on a journey fraught with power, change, and a future too devastating to contemplate. Friends become enemies and enemies become friends as Astrid discovers secrets from her shrouded childhood that will lead her to a destiny stranger than she could have imagined . . .

    Delicious.”—Maxine Hong Kingston The story of two women whose lives intersect in late-nineteenth-century Japan, The Teahouse Fire is also a portrait of one of the most fascinating places and times in all of history—Japan as it opens its doors to the West. It was a period when wearing a different color kimono could make a political statement, when women stopped blackening their teeth to profess an allegiance to Western ideas, and when Japan’s most mysterious rite—the tea ceremony—became not just a sacramental meal, but a ritual battlefield. We see it all through the eyes of Aurelia, an American orphan adopted by the Shin family, proprietors of a tea ceremony school, after their daughter, Yukako, finds her hiding on their grounds. Aurelia becomes Yukako’s closest companion, and they, the Shin family, and all of Japan face a time of great challenges and uncertainty. Told in an enchanting and unforgettable voice, The Teahouse Fire is a lively, provocative, and lushly detailed historical novel of epic scope and compulsive readability.

    One roots for Lily as one does for Huck Finn. This beautifully written debut novel explores the fragile links between a girl’s growing awareness of her sexuality and the far-reaching effects this has upon her family.”—Pamela Ball, author of Lava and The Floating City"Lu Vickers is an exquisite writer. Her work can be, at once, poetic, sharp, hilarious, and relentlessly moving. In Breathing Underwater, she investigates, with keen insight, the legacies of guilt, the intricacies of the mother-daughter relationship, and the complexities of budding sexuality. A stunning, rich, and haunting debut." --Julianna Baggott, best-selling author of Girl Talk, The Madam, and Lizzie Borden in LoveIn 1970s Chattahoochee, Florida, where the main employer is a mental institution, it’s sink or swim for Lily. When her mama, a former beauty queen who once dreamt of being Miss Florida, takes Lily and her siblings fishing one morning, Lily nearly drowns while her mother looks on, “weighing her gains against her losses.” Lily proves to be a survivor, which she will need to prove again and again, as she struggles to stay afloat amidst her mother’s slow mental deterioration, her first love, and her quest to come to terms with who she is and what she wants from this crazy world. With lyrical prose, Lu Vickers gives voice to Lily’s inner soul, and in turn reveals how universal our needs and desires are.

    Bear Bergman, Butch Is a Noun picks up where gender theory leaves off. It makes butchness accessible to those who are new to the concept, and makes gender outlaws of all stripes feel as though they have come home--if home is a place where everyone understands you and approves of your haircut. From girls' clothes to men's underwear and what lies beyond, Butch Is a Noun chronicles the pleasures and dangers of living life outside the gender binary.

    Sixteen-year-old Heavenly Faith (H.F.) discovers she has a crush on a local college professor's daughter, and embarks on a search for her missing mother.

    She doesn’t believe in the supernatural, but by the end of her first day, she knows something is wrong. The house has a disturbing habit of changing dimensions—and not just physical ones. Rooms go missing, doors close on their own, and time has a strange tendency to disappear. Emily is joined by other scholars, among them the beautiful art historian, Juniper Friend. Together they begin to research the history of the house, refusing to abandon their work despite the appearance of a mysterious, frightening presence. Spurred on by their desire to uncover the mysteries of Gnarled Hollow and its ghostly inhabitant, they’re determined to uncover the truth, even if it means risking their own lives.Cover Artist: Sheri HalalGenres: Crime & Mystery / Paranormal & Urban Fantasy / Romance

    Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew. Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of nine and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone. Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss Violetta smile, and to have the finest adventure of all time. If she makes Terrible Men angry and wins the hand of a lovely lady in the process? Those are just added bonuses. Author’s Note: Sometimes I write villains who are subtle and nuanced. This is not one of those times. The Terrible Nephew is terrible, and terrible things happen to him. Sometime villains really are bad and wrong, and sometimes, we want them to suffer a lot of consequences.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    Choral music and the prospect of divinity thrill him. Desperate to keep his voice from changing, he tries unsuccessfully to castrate himself, and then convinces a clinic to treat him as a transsexual. Berry begins a series of hormone pills, which keep his voice from deepening but also cause him to grow breasts. When his parents and friends discover the truth about him, Berry faces a world of unexpected gender issues that push him into a universe far more complex than anything he has experienced.Abounding with bewitching religious symbolism, self-mutilation, bizarre suburban torture, drugs, class-based violence, and hidden meanings, Choir Boy is a wildly inventive and charming story about an outcast who refuses to grow up gracefully.