Socially awkward and perpetually ill at ease, he spends his evenings quietly drinking and surreptitiously observing Adele Bedeau, the sullen but alluring waitress at a drab bistro in the unremarkable small French town of Saint-Louis. One day, she simply vanishes into thin air and Georges Gorski, a detective haunted by his failure to solve one of his first murder cases, is called in to investigate the girl's disappearance. He sets his sights on Manfred. As Manfred cowers beneath Gorski's watchful eye, the dark secrets of his past begin to catch up with him and his carefully crafted veneer of normalcy begins to crack. Graeme Macrae Burnet's masterful play on literary form featuring an unreliable narrator makes for a grimly entertaining psychological thriller that questions if it is possible--or even desirable--to know another man's mind.

    The Dutch uncle in the book is an actual Dutchman whose cocaine and untimely demise set a small swarm of crooks and cops in motion. Harry Healy is the sort-of hero, a likable, small-time criminal, just out of jail, who has a hard time making good decisions. But he's just one player in a memorably quirky cast that includes a dim ex-jock snorting his way through his inheritance; a ditzy babe whose constant nakedness is annoying everyone; a short, chunky detective who struggles with his sensitivity training; and the braces-wearing Latina colleague he might just be made for. Pavia, coauthor of The Other Hollywood, an "oral history" of the porn industry, redraws the hard-boiled boundaries of the Hard Case Crime line a bit to include this offbeat diversion in the style of Leonard, Carl Hiaasen, and Charles Willeford's Hoke Moseley books

    A time of shadows, secret societies, and dens filled with opium addicts. Into this world comes the most fantastic emissary of evil society has ever known… Dr. Fu-Manchu. Denis Nayland Smith pursues his quarry across continents and through the back alleys of London. As victim after victim disappears at the hands of the Devil Doctor, Smith must unravel his murderous plot before it is too late.  Includes a special feature by Leslie S. Kilnger

    Robert Forester, a depressed but fundamentally decent man, liked to watch Jenny through her kitchen window, a harmless palliative, as he saw it, to his lonely life and failed marriage. As he is drawn into her life, however, the recriminations of his simple pleasure shatter the deceptive calm of this small Pennsylvania town. With striking clarity and horrible inevitability, Forester is caught up in a series of deaths in which he is the innocent bystander, presumed guilty. Highsmith has once again, as Graham Greene wrote "created a world of her own, a world claustrophobic and irrational which we enter each time with a sense of personal danger". And that sense of danger grows from the first page to the sinister and chilling conclusion.

    The vicious murder of a young child provides rookie journalist Paddy Meehan with her first big break when the suspect turns out to be her fiance's 11-year old cousin. Launching her own investigation into the horrific crime, Paddy uncovers lines of deception deep in Glasgow's past, with more horrific crimes in the future if she fails to solve the mystery. Infused with Mina's unique blend of dark humor, personal insights and social injustice, the story grips the reader while challenging our perceptions of childhood innocence, crime and punishment, and right or wrong.

    It's the chief of police calling—Felicity Dill worked for him; she was a homicide detective. Dill is there that night, the beginning of his dogged search for her killer. What he finds is no surprise to him, because Benjamin Dill is never surprised at what awful things people will do—but it's a real surprise to the reader. As Newsday said when the novel was first published, "One sure thing about Ross Thomas's novels: A reader won't get bored waiting for the action to start."

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    Now, after finally getting promoted at work, she is forced to return home and face her past.River Rock is where she’d been abandoned by her two older sisters to suffer alone, and in silence, the unspeakable abuses of her family. It’s also where Sawyer’s best friend disappeared and two teenage girls were murdered. Three cold cases dead and buried with the rest of the town’s secrets.When another girl is slain in a familiar grisly fashion, Sawyer is determined to put an end to the crimes. Pulled back into the horrors of her family history, Sawyer must reconcile with her estranged sisters, who both have shattering memories of their own. As Sawyer’s investigation leads to River Rock’s darkest corners, what will prove more dangerous—what she knows of the past or what she has yet to discover?

    The night he stopped being a cop. Now he lives an existence of solitary confinement on the edge of the Florida Everglades Then he finds the corpse of a child beside an ancient river, and Freeman's past explodes into the present. He is thrust into the centre of the search for a serial killer, distrusted as an outsider by the longtime residents of the Glades and considered a suspect by the police. And when another child goes missing, all eyes turn to Freeman, and the ex- cop, driven by his old habits and the memories of that long-ago Philadelphia midnight, knows that he has no choice but to hunt down the murderer himself.

    Nora ran off with twenty grand, a gram of coke, and his favourite leather jacket, leaving him with little more than a hangover and a Dido soundtrack. But Nora’s sights are on the two hundred grand Farrell supposedly stashed somewhere in the middle of Northumberland, and she’s enlisted the help of her old boyfriend, a former hit man, to retrieve it.Farrell hooks up with an old Army mate, the shoplifting, rotgut-swilling arsonist Jimmy Cobb and sets off after them. When this pair catch up with Nora and her ex, there’s going to be hell to pay, 'cause nobody messes with Farrell and Cobb ...WOLF TICKETS is hardcore Ray Banks – ballsy, breathless and brutal.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Then in a terrible irony her own son, Simon, is arrested and charged with a series of brutal rapes and murders. The evidence against him appears so strong that his QC advises a guilty plea, but Simon swears he is innocent and begs his mother take on his defence. There is no law against a mother representing her son, so Sarah agrees. The only other obvious suspect for the murders, however, is a man who has already been acquitted once - with Sarah acting as his defence lawyer ...Has Sarah, in her single-minded determination to create a career for herself, neglected her son so much that she no longer knows him? Since he has often lied to her in the past, how can she trust him when he says he is innocent this time? And what should she do when she herself uncovers evidence that seems to suggest his guilt?It seems that telling the whole truth must be weighed in the balance against keeping certain information well hidden ...

    Robin plans the ultimate revenge, but things go from bad to worse when the gang bungles a post office robbery, leaving carnage in their wake. Suddenly they are stalked by the police, sleazy private eyes, and a cold-blooded killer who may be the only one not looking for a cut of the money.

    . .A past encounter with an infamous killer turns deadly today . . .An ordinary man must risk his own family to find the truth.Jay Erlich's nephew has been found at the bottom of a cliff at Morrow Bay. It's all just a tragic suicide, until secrets from the past begin to rear up again. Did a notorious killer, jailed for many decades, have his hand in this?Years ago, Jay Erlich's older brother, Charlie, a wayward child of the sixties, set out for California, where he fell under the sway of a charismatic but deeply disturbed cultlike figure. Tragedy ensued and lives were destroyed, but as the decades passed, Charlie married and raised a family and lived a quiet, secluded life under the radar. Yet the demons that nearly destroyed him never completely disappeared.When Jay heads out west to help his grieving brother, he is pulled back into Charlie's past—and begins to suspect that his nephew's suicide may not have been that at all. With eyes wide open, Jay puts his own life at risk to uncover the truth, a quest that goes beyond the edge of madness and a family haunted by a secret past . . . and into the depths of evil.Drawing on two real-life experiences from his own past, Gross has crafted a richly personal, yet utterly terrifying tale of two brothers, one successful, one wayward, trying to bridge the gap of what tore them apart.

       1931— The body found in the gutter in France led the police inspector to the dead man’s beautiful daughter—and to her hot-tempered American husband.   1941— A hardboiled private eye hired to keep a movie studio’s leading lady happy uncovers the truth behind the brutal slaying of a Hollywood starlet.   1951— A desperate man pursuing his last chance at redemption finds himself with blood on his hands and the police on his trail...   Three complete novels that, taken together, tell a single epic story, about an author whose life is shattered when violence and tragedy consume the people closest to him. It is an ingenious and emotionally powerful debut performance from literary detective and former bookseller Ariel S. Winter, one that establishes this talented newcomer as a storyteller of the highest caliber.