The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    A collection of eight cases, contains examples -The Bruce Partington Plans-The Dying Detective, Wisteria Lodge & The devils Foot

    With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

    Césaire’s rich and insightful adaptation of The Tempest draws on contemporary Caribbean society, the African-American experience and African mythology to raise questions about colonialism, racism and their lasting effects.

    Writing at a time when Athens was undergoing a crisis in its social attitudes, Aristophanes was undergoing a crisis in its social attitudes, Aristophanes was an eloquent opponent of the demagogue and the sophist, and his comedy reveals a deep sympathy and longing for the return of a peaceful and honest way of life.

    He was a performer who held true to his religious and cultural heritage, yet he is still awarded the status of world rock star. Renowned poet and scholar Kwame Dawes analyses in detail what his actual verses and lyrics meant when matched against the social and political climate of the time and what it meant to be a black man in the modern world.

    Searching for work, sex and big-city life is Ted Owen, who quickly finds himself swept into the complicated lives of the young and the jaded, people who thrive in a strange world of hip fashion and surreal night-clubs.

    The tale unfolds amid a fanciful version of Japanese society, in which a wandering minstrel has the misfortune to fall in love with the beautiful ward of the Lord High Executioner of Titipu.The sparkling lyrics and witty dialogue of this comic masterpiece are as much a delight to read as they are to hear with musical accompaniment. The complete libretto is reprinted in this edition from the standard performance text of The Mikado, complete with nine charming illustrations drawn by W. S. Gilbert himself.

    Aneirin's poem is a universal celebration of the undying theme of the ideal hero. O'Grady's belief that what Aneirin wrote of his war is true of all wars informs the purpose of his version, which is to give a `reading' of the poem as one way in which it might have been written today. With magnificent brush drawings by Louis Le Brocquy.

    What happens while waiting...Poem here:http://gravitando.wordpress.com/2009/...Artwork here:https://neverwear.net/products/saucer...

    The basic medieval idea of an ordered Chain of Being is studied by Prof. Tillyard in the process of its various transformations by the dynamic spirit of the Renaissance. Among his topics are: Angels; the Stars & Fortunes; the Analogy between Macrocosm & Microcosm; the Four Elements; the Four Humours; Sympathies; Correspondences; & the Cosmic Dance--ideas & symbols which inspirited the minds & imaginations not only of the Elizabethans but of all of the Renaissance.PrefaceIntroductoryOrderSinThe Chain of BeingThe Links in the ChainThe Corresponding PlanesThe CorrespondencesThe Cosmic DanceEpilogueNotesIndex

    The Hands of Time: When a young American woman vanishes without a trace from a quaint fishing village on the coast of England only one person knows the truth, but he remains silent, safe in the knowledge that she will never be found. Meanwhile, Valerie Crane finds herself transported to the year 1605. Terrified and confused, she turns for help to the Whitfield brothers, who take her in and offer her a home. Both Alexander and Finlay Whitfield fall in love with the mysterious woman who shows up on their doorstep, creating a love triangle that threatens to consume them all. Valerie must make her choice, deciding between the brother who will lead her down the path of destruction and one who will give her the love she couldn’t find in her own time. A Leap of Faith: Alone and bereft, Valerie’s sister, Louisa, makes the fateful decision to follow her sister into the seventeenth century. But, the best laid plans often go awry, and she finds herself on the wrong continent, and in the wrong year. Louisa must cross the Atlantic to get to Virginia, hoping that Valerie is still there in 1620, and face the uncertainty of her situation as she makes the dangerous journey to the New World. Will the two sisters reunite, or will they pass like ships in the night, never knowing how close they came to finding each other? A World Apart: Reunited with her sister at last, Louisa settles in colonial Virginia, but an unexpected visitor throws life into turmoil once again by offering Valerie and Louisa an opportunity to return to the future. Before the sisters have a chance to make a decision, the unthinkable happens; ripping the family apart, and scattering them over continents and time itself. No one is spared as child is torn from parents, sister is parted from sister, and a devastating famine threatens the colony. The Whitfields and Sheridans must fight for survival and face challenges they never imagined as they are cast a world apart. A Game of Shadows: It’s 1624, and the Whitfields finally arrive in England, eager to spend time with Louisa and Kit, but their visit is not the happy reunion they’d hoped for. In the meantime in 1777, Abbie and Finn go behind enemy lines to spy for the Revolution, putting themselves in grave danger. The slightest mistake can mean the difference between life and death, and tear them apart forever. Even Finn’s knowledge of what’s to come is not enough to keep them safe from their own carelessness. Unexpected revelations, long-buried secrets, and unforeseen reunions threaten to destroy everything the Whitfields and Sheridans hold dear, throwing their lives into turmoil once again. Shattered Moments: Murder, blackmail, long buried secrets, and a tender new romance take center stage in Shattered Moments, the final installment of The Hands of Time Series as the Whitfields and Sheridans face their toughest challenges yet.

    Kommer man någonsin över sitt barns död? Lästid 8 min.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers.       In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear.      Written in what the author describes as “a shadow tongue”—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster’s world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.