Born and raised in a small town, they enjoy a close relationship, though each has her own tastes and personality. But the Hensels also share a body. Their two heads sit side-by-side on a single torso, with two arms and two legs. They have not only survived, but have developed into athletic, graceful young women. And that, writes Mark S. Blumberg, opens an extraordinary window onto human development and evolution.In Freaks of Nature, Blumberg turns a scientist's eye on the oddities of nature, showing how a subject once relegated to the sideshow can help explain some of the deepest complexities of biology. Why, for example, does a two-headed human so resemble a two-headed minnow? What we need to understand, Blumberg argues, is that anomalies are the natural products of development, and it is through developmental mechanisms that evolution works. Freaks of Nature induces a kind of intellectual vertigo as it upends our intuitive understanding of biology. What really is an anomaly? Why is a limbless human a freak, but a limbless reptile-a snake-a successful variation?What we see as deformities, Blumberg writes, are merely alternative paths for development, which challenge both the creature itself and our ability to fit it into our familiar categories. Rather than mere dead-ends, many anomalies prove surprisingly survivable-as in the case of the goat without forelimbs that learned to walk upright. Blumberg explains how such variations occur, and points to the success of the Hensel sisters and the goat as examples of the extraordinary flexibility inherent in individual development.In taking seriously a subject that has often been shunned as discomfiting and embarrassing, Mark Blumberg sheds new light on how individuals-and entire species-develop, survive, and evolve.

    The first and only authorized book about the band, The Phish Book is an extraordinary verbal and visual chronicle of a year in the life of Phish, featuring extensive interviews with the four band members--Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell--conducted by writer Richard Gehr, who also serves as guide to the history, mythology, musical context, and unique audience-band relationship in which the Vermont quartet flourishes.        While it contains many of the trappings of other lavish rock monuments--including more than two hundred pieces of previously unpublished art and photography from the band's private archive--The Phish Book elevates the form by means of an innovative roundtable-style discussion format. Richard Gehr and Phish use the events of 1997 as a jumping-off point from which the band members free-associate about themselves, their music, and the dedicated and colorful community that springs up wherever they perform.        Beginning with the backstage scene at Boston's Fleet Center on New Year's Eve, 1996, The Phish Book explores the band's earliest days in Burlington, Vermont; their musical influences, which include James Brown, Frank Zappa, and the Grateful Dead; their legendary Halloween shows; the two European and two American tours the group undertook in 1997; the stories behind their 1996 studio album, Billy Breathes, and the following year's live Slip Stitch and Pass; life onstage and off; the sixty-thousand-fan Maine campout and art project known as the Great Went; and the experimental recording and performing techniques that informed the band's most recent studio album, The Story of the Ghost.        More than a retrospective journal of the group's evolution, The Phish Book is a glorious snapshot of a band much bigger than its parts and at the height of its collective power.

    It has an algebra and trigonometry prerequisite, but calculus is preferred.

     John Rydell was 4000 miles away when he got the phone call from his wife, 'John there's someone in the house.' By the time he was home, tragedy had struck. A tragedy that threatened to engulf him, bringing back long forgotten and repressed memories of his days at university. Now some of his old friends are dying, one by one. They are found gutted, disembowelled, ruined. There were twelve of them back in university, and there were twelve of them for a reason.

    When Mike Bishop arrives in Muleshoe seeking a legendary cache of rare gold coins, he enlists the aid of local Sheriff Laura Moss. The Sheriff cautiously joins Bishop’s search and together they discover a link between the gold and an unexplained series of grisly murders spanning more than a century. But others are racing to recover the treasure as well. The line between good and evil blurs as Bishop and Laura struggle to survive a murderous local legend … a legend that promises to turn the Kansas prairie black with blood.

    For even as she sets out to determine how big “really big” may be, Levin gives us an intimate look at the day-to-day life of a globe-trotting physicist, complete with jet lag and romantic disturbances.Nimbly synthesizing geometry, topology, chaos and string theories, Levin shows how the pattern of hot and cold spots left over from the big bang may one day reveal the size and shape of the cosmos. She does so with such originality, lucidity—and even poetry—that How the Universe Got Its Spots becomes a thrilling and deeply personal communication between a scientist and the lay reader.

    His rapidly inflated premiums immediately before his death stand to make his young widow a very rich lady! Once there, Kemp discovers that Salton’s political ambitions had made him a lot of enemies, and local tensions around a forthcoming election are already spilling over into protest and violence on the streets. Salton also had friends in unexpected places, including the impossibly beautiful Leotta Tomsson, to whom there is much more than meets the eye. Kemp realises that Salton’s death and the local unrest are a deliberate smokescreen for an altogether more ambitious plot by an enemy in their midst, and as the island comes under siege, even Kemp’s army training seems feeble in the face of such a determined foe.Unseen for more than 40 years and believed lost, Domino Island was accepted for publication in 1972 but then replaced by a different novel to coincide with the release of The Mackintosh Man, the Paul Newman film based on Bagley’s earlier novel The Freedom Trap. It is a classic Bagley tour de force with an all-action finale.

    Now, hundreds of years later, there is an accidental and shocking discovery: not only has Earth’s environment been completely restored, but someone (or something) has taken up residence on humanity’s ancient homeworld. At the same time, unidentified warships begin attacking human outposts. Are these events connected? To meet the threat, the Sarissan Union dispatches agents Frank Carr and Etta Sanchez to discover the identity of Earth’s new residents. The pair have to work fast however, because following close behind them is a Sarissan war fleet, whose actions will depend on what Carr and Sanchez uncover. Will First Contact be followed by peace or war? Meanwhile, political intrigue in the Sarissan capital threatens to rip the Union apart before Carr and Sanchez even complete their mission. The future of not only Sarissa and Earth, but of all humanity hangs in the balance. This novel can be enjoyed as a stand-alone story, but is also the first book in an upcoming space-opera series. Space battles, spies, political intrigue, and surprises abound in Starhold.

    Leonard Woolley observed that "Amongst the shadowy characters of ancient history, Abraham stands out as a living personality--whom we can know, and with whom we can sympathize...and now, alongside this living personality, we find Sarah--perhaps the most remarkable, yet mysterious woman of all time!"ABRAHAM AND SARAH is an epic love story, an engrossing page-turner for the ages, a must read for every person of faith.

    On a night when the veil between worlds is at its thinnest, all that is real and unreal meet in a nowhere place, at a nowhere time.'

    Miserable at his day job, he decided to take a leap of faith. His path to success was all or nothing, victory or death.He quit his job and dropped out of the white-collar world with all its trappings and amenities. Unemployed, he had to give up his residence. With a sleeping bag and a sackful of clothes he headed to Northwest London's Gladstone Park, settling in among the homeless, transients, dog walkers and the occasional irritated park worker. His only solace, an A4 notepad and a pen.Like the author, the main character Colossus Sosloss also quits his job, becomes homeless and sleeps in the park. Colossus observes the other homeless who reside at the park. Many of them with treatable or controllable mental illness but, in the post-Margaret Thatcher England, such individuals are human refuse. Dumped into society to fend for themselves and spiral downward amongst the neatly-trimmed hedges and glistening, manicured lawn of the sprawling public space.The character's travails are reminiscent of a Lewis Carroll-type adventure with subtle Dickensian undertones. Which include a lost parrot and an unfortunate man named Squirrel. We follow Colossus on his journey to the edge of sanity, with humorous interjections and clever idioms. A hero's quest, that inevitably ends with subterfuge, realization and reflection.Today, no longer homeless, Craig Stone is probably one of the most promising young writers to grace the indie and self-publishing world. Though at 31, Stone is a surprisingly mature author who transcends the generations. His literary work is suitable for the very young and for those who have lived an interesting life.The Squirrel That Dreamt Of Madness is an imaginative tale that can only come from a brilliant, albeit delightfully demented, mind. Stone mixes humour with the cold, stark reality of life. Everything and everyone, is a metaphor for something either sinister or truthful. Gifted students may soon find this book on their required reading list for their advanced High School contemporary literature class.The author does not have a long laundry list of writers who inspired him, though he definitely channels some Steinbeckian qualities (the novel was written during the height of the Great Recession) and J.D. Salinger's, The Catcher in the Rye.Like Hemingway who retreated to the wild and lawless pre-Castro Cuba to pen his magnum opus The Old Man and the Sea, Stone chose to immerse himself in a colder and wetter climate to experience what his character had to endure. The old adage, you write what you know, still rings resonantly true. Stone certainly writes what he knows, and writes it exceptionally well." --http://enovelreviews.com/thesquirrelt...Interview with the BBC: http://bit.ly/BBCComedyCafeInformation on the Dundee Book Prize:http://www.dundeebookprize.com/http://www.deadlinenews.co.uk/?p=51086You can find Craig Stone here:Twitter: https://twitter.com/robolollycopWebsite: www.thoughtscratchings.comA NOTE FROM THE AUTHOR...The simple truth is, I will get nowhere without your help. I need readers to read The Squirrel that Dreamt of Madness, so if you are looking for a book to read, or wanting to try a new author, please try me.It would mean the world if you did.Thank You.Craig.

    Great tips on when to find the best bargains, how to stay safe and come back alive.

    Beasley, he discovers how sinister the world can be, what true friendship means, and that being a hero in 1959 may cost him his life. Grieving from his father's disappearance and his grandfather's death, Andy is nearly hopeless. The intrigue of the secret, and his friendship with Mr. Beasley, give him a renewed sense of purpose. But when the men who used to run with the local mob discover that Andy knows about the "secret", they come out of the shadows and a hunt for the evil truth begins.Andy finds himself fighting for his life, committed to his promise, and searching for answers in a house haunted by a one-handed witch.