The Islamic Revolution is just around the corner, as is a massive solar eclipse. In this epic novel set in the small Iranian city of Naishapur, a retired judge and his wife, Bibi, grow apples, plums, peaches, and sour cherries, as well as manage several generations of family members. The days here are marked by long, elaborate lunches on the terrace and arguments about the corrupt monarchy in Iran and the rise of Islamic fundamentalism. And yet life in the orchard continues. An uncle develops into a powerful cleric. A young nephew goes to university, hoping to lead the fight for a new Iran and marry his childhood sweetheart. Another nephew surrenders to opium, while his widowed father dreams of a life in the West. Told through a host of vivid, unforgettable characters that range from servants to elderly friends of the family, To Keep the Sun Alive is the kind of rich, compelling story that not only informs the past, but raises questions about political and religious extremism today.

    1935. With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilize his strongest men before the Italians invade.Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers? The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

    Parisian seamstress Estella Bissette is forced to flee France as the Germans advance. She is bound for Manhattan with a few francs, one suitcase, her sewing machine, and a dream: to have her own atelier.2015. Australian curator Fabienne Bissette journeys to the annual Met Gala for an exhibition of her beloved grandmother's work - one of the world's leading designers of ready-to-wear. But as Fabienne learns more about her grandmother's past, she uncovers a story of tragedy, heartbreak and secrets - and the sacrifices made for love.Crossing generations, society's boundaries and international turmoil, The Paris Seamstress is the beguiling, transporting story of the special relationship between a grandmother and her granddaughter as they attempt to heal the heartache of the past.

    Link has won an ardent following for her ability to take readers deep into an unforgettable, brilliantly constructed fictional universe with each new story. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll. Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids...These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded in sly humor and an innate generosity of feeling for the frailty--and the hidden strengths--of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.

    She sees an unsettled life for Alia and her children; she also sees travel, and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.   Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities.   Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand—one that asks us to confront that most devastating of all truths: you can’t go home again.

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

    She lost her mother some years before, and her beloved grandmother has just passed away. And now her father has left town to work on a top-secret military project at Oak Ridge during the final months of World War II. Helen is wise beyond her years, but a ten-year-old cannot be left on her own to fend for herself. Her father arranges a summer guardian, Flora, her late mother's twenty-two-year-old first cousin who cries at the drop of a hat. A fiercely imaginative child, Helen is desperate to keep her house intact, with all its ghosts and stories. Flora is the good-hearted, modest cousin who wants to do her best for Helen. Their relationship and its fallout, played out against a backdrop of a lost America, will haunt Helen for the rest of her life.

    Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labor, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyan is testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience.

    Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to this protective bubble, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation.When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricable coming-of-age stories. In lush prose, Rojas Contreras sheds light on the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

    Henry-prize winner Swamy's debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In "Earthly Pleasures," Radika, a young painter living alone in San Francisco, begins a secret romance with one of India's biggest celebrities. In "A Simple Composition," a husband's moment of crisis leads to his wife's discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade's edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

    Together, they have ten children. At last, she can pass on the stories she has heard—magical tales of men from the sea—and her warrior’s courage, along with her wonderful kueh (cakes).But the cultural shift towards the West has begun. Chye Hoon finds herself afraid of losing the heritage she so prizes as her children move more and more into the modernising Western world.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape . . . A company outsources grief for profit, their tagline: "Don't feel like having a bad day? Let someone else have it for you."

    Aidan and Martha Connor now spend alternate months of the year working at an energy site up north to support their children, Cora and Finn. But soon the family fears they’ll have to leave Big Running for good. And as the months go on, plagued by romantic temptations new and old, the emotional distance between the once blissful Aidan and Martha only widens.Between his accordion lessons and reading up on Big Running’s local flora and fauna, eleven-year-old Finn Connor develops an obsession with solving the mystery of the missing fish. Aided by his reclusive music instructor Mrs. Callaghan, Finn thinks he may have discovered a way to find the fish, and in turn, save the only home he’s ever known. While Finn schemes, his sister Cora spends her days decorating the abandoned houses in Big Running with global flair—the baker’s home becomes Italy; the mailman’s, Britain. But it’s clear she’s desperate for a bigger life beyond the shores of her small town. As the streets of Big Running continue to empty Cora takes matters—and her family’s shared destinies—into her own hands.In Our Homesick Songs, Emma Hooper paints a gorgeous portrait of the Connor family, brilliantly weaving together four different stories and two generations of Connors, full of wonder and hope. Told in Hooper’s signature ethereal style, each page of this incandescent novel glows with mythical, musical wonder.

    Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.