In it, Hélène Cixous and Catherine Clément put forward the concept of écriture feminine, exploring the ways women’s sexuality and unconscious shape their imagination, their language, and their writing. Through their readings of historical, literary, and psychoanalytic accounts, Cixous and Clément explore what is hidden and repressed in culture, revealing the unconscious of history.

    Ruth, a middle-aged woman accustomed to tragedy in her own life, cares for the young and changing boarders of her house as a mother and guide.First published by Doubleday and reprinted by The Naiad Press, The Young in One Another’s Arms is about communities and the differences between people that allow them to come together. Race, gender, sexuality and politics are reappearing themes among the characters. Young defectors from the American war gather in the house, barely able to articulate their bewilderment at life’s challenges. In Rule’s sparse but generous prose, the players dance around each others’ lives, moving fluidly, loving, maturing, finding solace or heartbreak, each one touching the lives of all the others. The author’s passion for life and stoic sensibility are evident on every page. It’s a warm, sophisticated novel celebrating life in all its diversity.The novel, one of the first ever to depict lesbians in a positive light, won the Canadian Authors Association Best Novel of the Year Award in 1978.With an introduction by novelist Katherine V. Forrest, author of Curious Wine and Daughters of a Coral Dawn.Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

    Josh Moore lives with his family on the 'wrong side' of Hamilton, a gritty industrial city in southwestern Ontario. As a young boy, Josh plots an escape for a better life far from the steel mills that lined the bay. But fate has other plans and Josh discovers his adult life in Toronto is just as fraught with as many insecurities and missteps as his youth and he soon learns that no matter how far away he might run, he will never be able to leave his hometown behind.

    Xena Worrier Princess) answers anonymous queries from lesbian, bisexual, and queer women and people of marginalized genders.Illustrated by comics artist Kelsey Wroten and based on Court's viral zine of the same name, this book features never-before-published letters and responses about first loves, heartbreak, coming out, and queer friendship—all answered with the warmth and honesty of the gay big sister you wish you had.• BY QUEERS, FOR QUEERS: This book was written by and for queer women and people of marginalized genders. The questions reflect real experiences that aren't often represented in the media, and the answers offer an important reminder that loving ourselves takes patience, effort, and the support of our friends and communities.• EXCITING DEBUT AUTHOR: In 2018, Maddy Court made the leap from creating niche lesbian memes on Instagram to writing and distributing a series of zines. Never preachy or dismissive, Court offers advice that is sympathetic and straightforward—it's equal parts refreshing vulnerability and remarkable wisdom.• GORGEOUS ILLUSTRATION: Kelsey Wroten's art brings the letters to life, immersing the reader in all the joys and disappointments of the contributors who wrote in from all over the world. In addition to the traditional illustrations, each chapter features a paneled mini-comic that speaks to the different themes.• AMAZING GUEST EXPERTS: Because one queer cannot possible hold all the answers, The Ex-Girlfriend of My Ex-Girlfriend Is My Girlfriend also includes advice from an incredible roster of guest experts. Author and comedian Samantha Irby; musicians JD Samson and Ellen Kempner; and writers and activists Tyler Ford, Kalyn Heffernan, Lola Pellegrino, and Mey Rude all tackle questions on long-distance breakups, jealousy, love triangles, making friends, and more.Perfect for:• Lesbian, bisexual, and queer women and people of marginalized genders with questions about dating, friendship, and life• Fans of the Ex-Girlfriend zine series and followers of @Xenaworrierprincess• Fans of Kelsey Wroten's graphic novels and art

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    His goth look usually includes black nail polish and a little mascara.When he discovers Debbie Harry, the lead singer of Blondie, he not only likes her music but realizes that he kind of, sort of, wants to BE her. He’d like to be cool and tough and beautiful like her. He’d like to dress like her. He’s not gay, at least he doesn’t think so. So what does it mean? And what should he tell his amazing new girlfriend?This wise, hip novel introduces shades of gray into the black-and-white ideas of sexuality and gender. Anyone who has ever wished they could be a little bit tough and a little bit glamorous will recognize themselves in Johnny.

    Shalimar, her wife, wishes Adijan would spend more time at home. Their landlord wishes Adijan would pay the rent. Adijan's brother-in-law wishes she would get trampled by a herd of camels so that he could marry his sister Shalimar to someone affluent and influential. And of all the wishes in the world, Adijan wishes the genie she's saddled with would grant her wishes instead of treating her with disdain. Be careful what you wish for in a world of genies, sorcerers, and flying carpets.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

    Her nuanced analysis of intersecting systems of oppression goes deep to reveal the complicated truths of a multiply-marginalized experience. McKenzie tackles the hardest questions of our time with clarity and courage, in language that is accessible to non-academics and academics alike. She is both fearless and vulnerable, demanding and accountable. Hers is a voice like no other. "One of the most provocative and insightful writers of our generation." -Aura Bogado, Colorlines "A fierce voice among a generation of queer and trans folk of color." -Janet Mock, New York Times Bestselling Author of "Redefining Realness" "Tough-love activism at its best-straightforward, challenging, whip-smart, and uncompromising." -Andi Zeisler, Bitch Magazine

    Incisive, moving, and lyrical, it opens up a larger space for the exploration of feelings that can be difficult to express.

    Stephansson Award for PoetryWith a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.

    I want to make bumper stickers for politicians and gay rights advocates. They'll read "My other pro-tolerance message is also condescending." I want to destroy something.I'm tired of the moral high ground. We've already got more than our share of gay Gandhis. We need a General Patton.No poor bastard ever won a war by dying for his country. I feel the way bank robbers must feel just before they go out on that last big job that ends up getting them all killed. That is to say, optimistic.

    Traveling to Northern Ontario and across the Great Lakes, Passage is a poetic voyage through divorce, family violence, legacy of colonization, and the affirmation of a new sexuality and gender. Previously published as a man, Passage is the poet's first collection written as a transwoman. Striking and raw in sparse lines, the collection showcases a vital Two Spirited identity that transects borders of race, gender, and experience. In Passage, the poet seeks to reconcile herself to the land, the history of her ancestors, and her separation from her partner and family by invoking the beauty and power of her ancestral waterways. Building on the legacy of other ground-breaking Indigenous poets like Gregory Scofield and Queer poets like Tim Dlugos, Benaway's work is deeply personal and devastating in sharp, clear lines. Passage is a book burning with a beautiful intensity and reveals Benaway as one of the most powerful emerging poets writing in Indigenous poetics today.

    It is the best and worst day of his life. Determined to impress Tara, Peyton sets out to win her love by mastering the drums and basketball. He takes on Tara’s small-minded mother, the bully at school, and the prejudices within his conservative hometown. In the end, Peyton must accept and stand up for who he is or lose the woman he loves.“A classic love story! Wood gets all the details of a trans individual coming-of-age into this novel. From the feelings about clothes, to the relationships with parents to the negotiations of life at school, this story rings true. Wood takes care with her setting and makes life, as painful and joyful as it can be, realistic. This novel is a great examination of what it means to come to terms with who you are and what it means to be true to yourself.” – Alex Myers, author of Revolutionary