On her way, she hits a deer, but when she gets out of her car to look for it, the deer is nowhere to be found. Eager to get home and out of the oncoming snowstorm, Nan is forced to leave her car at the bottom of her snowy driveway to wait out the longest night of the year—and the lowest point of her life…The next morning, Nan is woken up by a police officer at her door with terrible news—one of her students, Leia Dawson, was killed in a hit-and-run on River Road the night before. And because of the damage to her car, Nan is a suspect. In the days following the accident, Nan finds herself shunned by the same community that rallied around her when her own daughter was killed in an eerily similar accident six years prior. When Nan begins finding disturbing tokens that recall the death of Nan’s own daughter, Nan suspects that the two accidents are connected.As she begins to dig further, she discovers that everyone around her, including Leia, is hiding secrets. But can she uncover them, clear her name, and figure out who really killed Leia before her reputation is destroyed for good?

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    Led by veteran Gil Grissom, the remarkable team assigned to the Criminalistics Bureau's graveyard shift -- including Catherine Willows, Warrick Brown, Nick Stokes, and Sara Sidle -- must combine cutting-edge scientific methods and old-fashioned savvy as they work to untangle the evidence behind the yellow police tape. While Nick and Catherine investigate a newly discovered fifteen-year-old murder, Grissom and the rest of the team must uncover the indentity of a cold-blooded killer -- one whose execution-style, "double-tap" signature has provoked the interest of FBI agent Rick Culpepper.

    . . until her father runs into trouble with the law. His only recourse is to testify against his former accomplices in exchange for his family's placement in the Witness Protection Program. But one of them gets cold feet. In a flash, everything Kate can count on is gone.Now, a year later, her worst fears have happened: Her father has disappeared—into what the WITSEC agency calls "the blue zone"—and someone close to him is found brutally murdered. With her family under surveillance, the FBI untrustworthy, and her father's menacing "friends" circling with increasing intensity, Kate sets off to find her father—and uncover the secrets someone will kill to keep buried.

    Struggling to escape her kidnapper.Despite all her years determining the fates of families, veteran family court judge Hope Willis couldn't save her own. Now she's frantically grasping at any hope for Krissy's rescue. Her husband dead–set against it, she calls Casey Woods and her team of renegade investigators,Forensic Instincts.A behaviorist.A techno–wizard.An intuitive.A former Navy SEAL. Unconventional operatives.All with unique talents and personal reasons for being part of Casey's group, they'll do whatever it takes.Able to accurately read people after the briefest of encounters, Casey leads her crew to Krissy's home. There, she picks up the signs of a nervous spouse, a guilty conscience, a nanny that hides on her cell. She watches as secrets beg to creep into the open.Forensic Instincts will dig through each tiny clue and eliminate the clutter. But time is running out, and even working around the clock, the authorities are bound by the legal system. Not so Casey's team. For they know that the difference between Krissy coming back alive and disappearing forever could be as small as a suspect's rapid breathing, or as deep as Hope's dark family history.

    He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    He's a man at the top of his game with the life he's always dreamed of, complete with a devoted wife, who remains patient with his long hours and high-stakes cases, and the love of a beautiful young daughter. At his father's funeral, Alex meets Michael Ohlig—a mysterious and nearly mythic figure in Miller family history—who presents Alex with a surprising request: to represent him in a high-profile criminal investigation . . . an alleged brokerage scam that has lost hundreds of millions of dollars for investors. Wealthy beyond words, Ohlig insists he's done nothing wrong, and Alex, who's experienced enough to know that clients always lie, uncharacteristically believes him. As the facts come out, shocking secrets are revealed that threaten everything Alex believes in–about the law, his family, and himself. Yet Alex's desperate need for the truth propels him to unscrupulous depths, and to confront a past defined by deception and a future in jeopardy . . . with the realization that one false step could destroy everything Alex holds dear. In an electrifying debut the likes of which legal thriller fans have not seen since Scott Turow's pulse-pounding thriller Presumed Innocent, Adam Mitzner tells a shocking story of suspense that heralds a bold new voice in fiction.

    The killer, dubbed Hitchcock, appears to have filmed the butchery, as evidenced by traces of a tripod stand in the victims' blood.The trail naturally leads into the seamy world of snuff films, but the big break comes from a burglar who noticed some blood-stained clothing in an apartment he broke into.

    As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog back. . . .

    She spends her solitary life among the dead, preparing their last baths and bidding them farewell with a bouquet from her own garden. Her carefully structured life shifts when she discovers a neglected little girl, Trecie, playing in the funeral parlor, desperate for a friend.It changes even more when Detective Mike Sullivan starts questioning her again about a body she prepared three years ago, an unidentified girl found murdered in a nearby strip of woods. Unclaimed by family, the community christened her Precious Doe. When Clara and Mike learn Trecie may be involved with the same people who killed Precious Doe, Clara must choose between the steadfast existence of loneliness and the perils of binding one’s life to another.

    It has also led defense attorney Luke Garrison to suspect something far more disturbing than an open-and-shut case of abduction and murder. As a myriad of secrets and lies unfold, as the fine line between guilt and innocence, and good and evil, is erased, a suspected killer is getting closer to his freedom. And Emma's parents are beginning to fear the worst.

    The vicious murder of a young child provides rookie journalist Paddy Meehan with her first big break when the suspect turns out to be her fiance's 11-year old cousin. Launching her own investigation into the horrific crime, Paddy uncovers lines of deception deep in Glasgow's past, with more horrific crimes in the future if she fails to solve the mystery. Infused with Mina's unique blend of dark humor, personal insights and social injustice, the story grips the reader while challenging our perceptions of childhood innocence, crime and punishment, and right or wrong.

    Then, suddenly, she receives an invitation from First Lady Vanessa Merritt for an off-the-record conversation. Barrie's reporter's instincts are instantly aroused. During a furtive, emotionally charged meeting, Barrie sees that the President's beautiful wife is stunned by grief after the crib death of her infant son. Vanessa's motive for meeting Barrie seems to be to share her heartache with another woman. What Barrie overlooks in her excitement at hearing the confidences of the First Lady are the questions she should be asking: Why would Vanessa Merritt call her? And why would the President's wife hint to an unknown reporter that her child may have been murdered? Blind to everything but getting her exclusive, Barrie is determined to investigate the death of the President's child. But she soon realizes that getting her story will test her ethics and her patriotism. Would she expose information that could topple the presidency? She confronts this problem when she tracks down Gray Bondurant, a former presidential aide and war hero who shunned the politics of Washington in favor of life on a remote Wyoming ranch. And when they both begin to follow a trail of lies and intrigue right to the White House door, Barrie's exclusive puts at least three people on the firing line: the First Lady, Gray, and herself - as crimes and ambitions combine to endanger their lives and the future of the nation.

    Following her marriage to an elite businessman, her post-police career as an art historian has skyrocketed her to fame and fortune. Her life is perfect, until a young woman is murdered and a close friend of Kate's becomes the prime suspect. Kate's old police instincts naturally reemerge as she delves into the case. Soon, two other murders related to the New York art world occur, and Kate finds that the killer -- now known as "the Death Artist" -- is communicating with her, leaving clues such as Polaroids and jumbled pieces of artwork. Somehow, Jacques-Louis David's famous painting The Death of Marat is at the heart of the murder spree, but how so?There are so many suspects among the large cast of characters, you'll never see the complex twists of plot coming in this intense first novel, which moves so quickly you might suffer friction burns turning the pages to keep up. Tom Piccirilli