Apples From the Desert brings together Liebrecht’s most vivid and affecting work and makes it available in English for the first time.With a precision and a subtle ferocity reminiscent of the work of Nadine Gordimer, Liebrecht’s stories reveal the impact of larger social and political conflicts within the private worlds of home and family. She depicts the personal tragedies—and the small acts of courage and reconciliation—that grow from the deep-rooted conflict between Arabs and Jews, women and men, and older and younger generations in present-day Israel. These stories create a finely nuanced portrait of contemporary Israel; at the same time, they reach toward truths that know no national boundaries. As Lily Rattok writes in her introduction, “Liebrecht’s skill as a writer, combined with her perceptiveness, her compassion, and her deep humanity, create a body of work that is a testament to the healing power of storytelling.”

    . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.”–The New York Times Book Review“At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.”–Entertainment Weekly“SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.”–Los Angeles Times“MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.”–Chicago Tribune“A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.”–The New York Observer

    A month later the second Palestinian Intifada erupted. For the next three years she worked with Palestinians in Ramallah by day and spent her time with Israelis in Tel Aviv. This is her story.

    Amy Dockser Marcus, however, demonstrates that the bloody struggle for power actually started much earlier, when Jerusalem was still part of the Ottoman Empire and the rise of Zionism and Arab nationalism laid the groundwork for the battles that would continue to rage nearly a century later. Nineteen thirteen was the crucial year for these conflicts—the year that the Palestinians held the First Arab Congress and the first time that secret peace talks were held between Zionists and Palestinians. World War I, however, interrupted these peace efforts. Dockser Marcus traces these dramatic times through the lives of a handful of the city’s leading citizens as they struggle to survive. A current events must read in our ongoing efforts to understand the Arab-Israeli conflict.

    This account of his early life reveals how it influenced his books Orientalism and Culture and Imperialism. Edward Said was born in Jerusalem and brought up in Cairo, spending every summer in the Lebanese mountain village of Dhour el Shweir, until he was 'banished' to America in 1951. This work is a mixture of emotional archaeology and memory, exploring an essentially irrecoverable past. As ill health sets him thinking about endings, Edward Said returns to his beginnings in this personal memoir of his ferociously demanding 'Victorian' father and his adored, inspiring, yet ambivalent mother.

    "They carry the military identity for life, not just through service in the reserves until age forty-nine . . . but through lifelong expectations of loyalty and secrecy." The military is the country to a great extent, and peace will only come, Tyler argues, when Israel's military elite adopt it as the national strategy.Fortress Israel is an epic portrayal of Israel's martial culture—of Sparta presenting itself as Athens. From Israel's founding in 1948, we see a leadership class engaged in an intense ideological struggle over whether to become the "light unto nations," as envisioned by the early Zionists, or to embrace an ideology of state militarism with the objective of expanding borders and exploiting the weaknesses of the Arabs. In his first decade as prime minister, David Ben-Gurion conceived of a militarized society, dominated by a powerful defense establishment and capable of defeating the Arabs in serial warfare over many decades. Bound by self-reliance and a stern resolve never to forget the Holocaust, Israel's military elite has prevailed in war but has also at times overpowered Israel's democracy. Tyler takes us inside the military culture of Moshe Dayan, Yitzhak Rabin, Ariel Sharon, and Benjamin Netanyahu, introducing us to generals who make decisions that trump those of elected leaders and who disdain diplomacy as appeasement or surrender.Fortress Israel shows us how this martial culture envelops every family. Israeli youth go through three years of compulsory military service after high school, and acceptance into elite commando units or air force squadrons brings lasting prestige and a network for life. So ingrained is the martial outlook and identity, Tyler argues, that Israelis are missing opportunities to make peace even when it is possible to do so. "The Zionist movement had survived the onslaught of world wars, the Holocaust, and clashes of ideology," writes Tyler, "but in the modern era of statehood, Israel seemed incapable of fielding a generation of leaders who could adapt to the times, who were dedicated to ending . . . [Israel's] isolation, or to changing the paradigm of military preeminence."Based on a vast array of sources, declassified documents, personal archives, and interviews across the spectrum of Israel's ruling class, Fortress Israel is a remarkable story of character, rivalry, conflict, and the competing impulses for war and for peace in the Middle East.

    His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents.In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy.With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come.

    When the Harows are targeted by a terror cell in hot pursuit of technology not yet found in any country's arsenal, Dara finds herself at the center of a hierarchy of terror that threatens her life and the lives of those she loves. The Gilboa Iris is a blazing tale of romance, deceit and international intrigue. Its rich characters and explosive plot take readers from Israel's Gilboa Mountains to the streets of New York, to Germany's Zehlendorf Forest, and back to Israel amid seminal events that rocked the world between 1983 and 2002.

    Many have attempted to explain this singular success as a result of divine intervention. In this engaging book, David N. Myers charts the long journey of the Jews through history. At the same time, it points to two unlikely-and decidedly this-worldly--factors to explain the survival of the Jews: antisemitism and assimilation. Usually regarded as grave dangers, these two factors have continually interacted with one other to enable the persistence of the Jews. At every turn in their history, not just in the modern age, Jews have adapted to new environments, cultures, languages, and social norms. These bountiful encounters with host societies have exercised the cultural muscle of the Jews, preventing the atrophy that would have occurred if they had not interacted so extensively with the non-Jewish world. It is through these encounters--indeed, through a process of assimilation--that Jews came to develop distinct local customs, speak many different languages, and cultivate diverse musical, culinary, and intellectual traditions.Left unchecked, the Jews' well-honed ability to absorb from surrounding cultures might have led to their disappearance. And yet, the route toward full and unbridled assimilation was checked by the nearly constant presence of hatred toward the Jew. Anti-Jewish expression and actions have regularly accompanied Jews throughout history. Part of the ironic success of antisemitism is its malleability, its talent in assuming new forms and portraying the Jew in diverse and often contradictory images--for example, at once the arch-capitalist and revolutionary Communist. Antisemitism not only served to blunt further assimilation, but, in a paradoxical twist, affirmed the Jew's sense of difference from the host society. And thus together assimilation and antisemitism (at least up to a certain limit) contribute to the survival of the Jews as a highly adaptable and yet distinct group.

    Published just months after the end of the 1948 war (in which the author fought) the book as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars. An absolute must for anyone interested in Middle Eastern literature and history.

    Many scholars have documented how the Six Days War unfolded, but little has been done to explain why the conflict happened at all. As we approach its fiftieth anniversary, Guy Laron refutes the widely accepted belief that the war was merely the result of regional friction, revealing the crucial roles played by American and Soviet policies in the face of an encroaching global economic crisis, and restoring Syria’s often overlooked centrality to events leading up to the hostilities. The Six Days War effectively sowed the seeds for the downfall of Arab nationalism, the growth of Islamic extremism, and the animosity between Jews and Palestinians. In this important new work, Laron’s fresh interdisciplinary perspective and extensive archival research offers a significant reassessment of a conflict—and the trigger-happy generals behind it—that continues to shape the modern world

    It is the account of five ordinary Israelis, selected to vanish into "the cold" of espionage secrecy -- their mission to hunt down and kill the PLO terrorists responsible for the massacre of eleven Israeli athletes at the Munich Olympics in 1972. This is the account of that secret mission, as related by the leader of the group -- the first Mossad agent to come out of "deep cover" and tell the story of a heroic endeavor that was shrouded in silence and speculation for years. He reveals the long and dangerous operation whose success was bought at a terrible cost to the idealistic volunteer agents themselves. "Avner" was the leader of that team, handpicked by Golda Meir to avenge the monstrous crime of Munich. He and his young companions, cut off from any direct contact with Israel, set out systematically to find and kill the central figures of the PLO's Munich operation, tracking them down wherever they lived. The mechanics, the horror, the day-by-day suspense of what they did surpass by far anything John le Carré or Robert Ludlum could imagine, as they themselves were tracked in turn (and some killed) by PLO assassins, changing identities constantly, moving from country to country, devoting their young lives to the brutal task of vengeance. Vengeance is a profoundly human document, a real-life espionage classic that plunges the reader into the shadow world of terrorism and political murder. But it goes far beyond that, to explore firsthand the feelings of disgust and doubt that gradually came to torment each member of the Israeli team, and that in the end inexorably changed their view of the mission -- and themselves. Vengeance opens a window onto a secret world, a book that at the same time inspires and horrifies. For its subject is an act of revenge that goes to the very heart of the ancient biblical questions of good and evil.

    In this "impassioned and thoughtful book" (The New York Times), Bellow records the opinions, passions, and dreams of Israelis of varying viewpoints -- Yitzhak Rabin, Amos Oz, the editor of the largest Arab-language newspaper in Israel, a kibbutznik escaped from the Warsaw Ghetto -- and adds his own thoughts on being Jewish in the twentieth century.

    Following an Israeli geriatric army platoon, the dire consequences of ambition at a scheming tech start-up that tries to share human memories, or an elderly couple searching for a beach that doesn't exist, Iddo Gefen leads us into a world that's a step from the familiar. Each story is a foray into the human condition in all its contradictions. Whether ruminating on the stakes of familial love or pitching the reader headlong into the absurdity of success and failure, Jerusalem Beach leaves the reader intrigued throughout.Optioned for rights by Ryan Gosling, Warner Bros, and Greg Berlanti, and others to be announced soon and originally published in Israel to great acclaim, this debut collection gives a new and unique human perspective about the world in which we live.

    Tuchman, Pulitzer Prize–winning author of The Guns of August, comes history thru a wide-angle lens: a fascinating chronicle of Britain’s long relationship with Palestine & the Middle East, from the ancient world to the 20th century. Historically, the British were drawn to the Holy Land for two major reasons: first, to translate the Bible into English &, later, to control the road to India & access to Middle Eastern oil. With the lucid vividness that characterize all her work, Tuchman follows these twin spiritual & imperial motives—the Bible & the sword—to their seemingly inevitable endpoint, when Britain conquered Palestine at the conclusion of WWI. At that moment, in a gesture of significance & solemnity, the Balfour Declaration of 1917 established a British-sponsored mandate for a national home for the Jewish people. Throughout this account, Tuchman demonstrates that the seeds of conflict were planted in the Middle East long before the official founding of the modern state of Israel. “Tuchman is a wise & witty writer, a shrewd observer with a lively command of high drama.”—The Philadelphia Inquirer “In her métier as a narrative popular historical writer, Barbara Tuchman is supreme.”—Chicago Sun-Times