When Bear’s friends discover that he is not at home in his lair, they march out into the cold to find their pal. Friends don’t let friends stay lost! Wren, Owl, and Raven take to the skies while Badger, Mole, and Mouse search on the ground. Pretty soon Bear is found, and once he’s back in his cave, he feels quite safe with his friends all around.

    Staggering onto a nearby island, they soon win over the wary townspeople with their kind, courageous ways. So well do the critters blend in that when the greedy circus owner returns to claim them, villagers of all species conspire to outsmart the bloated blowhard. With buoyant rhymes and brilliantly caricatured illustrations evoking the early nineteenth century, Chris Van Dusen presents a hugely entertaining tale about the bonds of community — and a rare hidden-pictures spread for eagle-eyed readers of all ages.

    Carolina, a biologist,  takes her to live in her Edwardian museum. Visitors flock to see Mossy, but it is Dr. Carolina's niece, Tory, who notices how sad Mossy is living in a viewing pavilion. She misses the outdoors and her friend, Scoot. Dr. Carolina finds a way to keep the spirit of Mossy alive at the museum.... Then she and Tory take Mossy home, where Scoot is waiting for her. Jan Brett fans will pore over the colorful paintings of Lilypad Pond and lush borders displaying wildflowers, ferns, butterflies and birds in contrast to elegant spreads of the museum filled with visitors in stylish Edwardian dress and exquisite borders of shells, rocks, crystals and birds' eggs.MOSSY gives readers a fascinating look at nature in the wild and on display in a natural history museum.

    The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Blackbird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.

    The first "manned" hot-air balloon is about to take off! But what are those noises coming from the basket? Based on the (POSSIBLY) true report of a day in 1783, this is the story of (PERHAPS) the bravest collection of flyers the world has ever seen, as (SORT OF) told to Marjorie Priceman.

    These pages come alive with the details of the trip and the sounds, speed, and strength of the mighty locomotives; the work that keeps them moving; and the thrill of travel from plains to mountain to ocean.

    She is convinced there is something more out there. So she sets out on a quest—a quest for color. When she finally finds what she's been looking for, it's everything she hoped for and more. But that doesn't mean she will ever stop looking.

    No one knows when he came to the farm, no one has ever seen him, but everyone knows it is the troll Tomten who walks about the lonely old farmhouse on a winter's night, talking to all the animals and reminding them of the promise of Spring.Adapted by Astrid Lindgren from a poem by Viktor Rydberg

    Cozy and sensitive watercolor illustrations from David McPhail are the perfect complement to Liza Baker's rhythmic, rhyming text. This book is sure to become a family favorite -- and an enduring classic of the genre.

    She is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly. She's puzzled by their behavior and their insistence on living in these strange concrete structures: there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?In her debut picture book, Hughes brings an uncanny humor to her painterly illustrations. Her work is awash with color, atmosphere, and a stunning visual splendor that will enchant children while indulging their wilder tendencies. Wild is a twenty-first-century answer to Maurice Sendak's children's classic—it has the same inventiveness, groundbreaking art, and unmissable quirkiness.Emily Hughes is a talented young illustrator. Her book Nana Shaped Like a Banana won second prize in the 2012 Macmillan Children's Book Awards.

    But no . . . Mama and Papa say little owls have to stay up late and play. So Little Owl spends all night jumping on his bed, playing on the jungle gym, and doing tricks on his skateboard—but he's hooting mad about it! Children who have a hard time going to bed will love this fun twist on the universal dilemma.

    Three of the eggs hatch, revealing three baby birds who fly away. But the green egg does not hatch. Why not? When the three birds return to investigate, they’re in for a big surprise! What will happen next?

    Each of the big cats has something to say about Simon not being “cat” enough. According to them, he just doesn’t measure up. He doesn’t have Lion’s mane or Cheetah’s spots. He doesn’t sleep in trees like Panther or climb mountains like Puma. He’s small and fuzzy, not big and strong. But ultimately, Simon shows the big cats that he’s just like them . . . only smaller.   A celebration of both individuality and community, I Am a Cat is a strong debut that shows we’re all more alike than we think . . . if we look closely enough.

    With his signature humor, the author gently leads children through each step in the process that will finally bring them to their emancipation from diapers. Featuring a crew of funny mice holding up signs with the text, children will be amused and inspired by this hilarious new picture book.

    . .” A boy and his family are packing up their old home, and the morning feels scary and sad. But when he arrives at his new home, an evening of good byes awaits: bye to new friends, bye to glowing fireflies, bye to climbing trees. The New York Times bestselling author Deborah Underwood's spare text and the Boston Globe–Horn Book Award winner Jonathan Bean's lush, layered illustrations perfectly capture the complex emotions of moving day. The child-centric transition from dreary morning to cheerful evening comforts young readers facing big changes of their own.