Weirdsville U.S.A. charts Lynch’s work from his experimental art school years and the midnight movie hit Eraserhead, the mainstream success of The Elephant Man and the commercial failure of Dune, the birth of Weird Americana with Blue Velvet and Twin Peaks and the neo-noir mystery Lost Highway, to the present day and the film The Straight Story and TV series Mulholland Drive.

    But behind the kindly, serene front Rutherford presented to the world lay a life of trauma and repeated nervous breakdown - the legacy of the legacy of family tragedy that saw her father murder her grandfather during a bout of mental illness and her depressive mother later kill herself. Andy Merriman's acclaimed biography intrigued and shocked readers with these revelations when it was published in hardback. Now out in paperback, it is also a portrait of one of our most individual actresses. Rutherford appeared in such thoroughly English classics as Blithe Spirit, The importance of Being Earnest, Passport to Pimlico and I'm All Right, Jack! But above all she was Miss Marple, in four films - and entirely created for the screen the role of Agatha Christie's elderly and fearless private detective that subsequent actresses like Joan Hickson and Geraldine McEwan have continued. Rutherford first played Miss Marple at the age of 70, and insisted on wearing her own clothes to feel right in the part. Above all, this was a vulnerable woman whom no-one failed to like and respect, notable again and again for quiet acts of kindness, whose life story has great appeal to everyone who appreciates both classic English comedy and simple human decency.

    He relates his story via flashbacks to a reporter visiting him on death row. Based on the original screenplay for the upcoming Universal Studios film, starring Kevin Spacey, Laura Linney, and Kate Winslet, set for release in December. Original.

    Uncle Remus. Song of the South. Racist?Disney thinks so. And that's why it has forbidden the theatrical re-release of its classic film Song of the South since 1986.But is the film racist? Are its themes, its characters, even its music so abominable that Disney has done us a favor by burying the movie in its infamous Vault, where the Company claims it will remain for all time?Disney historian Jim Korkis does not think so.In his newest book, Who's Afraid of the Song of the South?, Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project. Through interviews with many of the artists and animators who created Song of the South, and through his own extensive research, Korkis delivers both the definitive behind-the-scenes history of the film and a balanced analysis of its cultural impact.What else would Disney prefer you did not know? Plenty.Korkis also pulls back the curtain on such dubious chapters in Disney history as:Disney's cinematic attack on venereal disease Ward Kimball's obsession with UFOs Tim Burton's depressed stint at the Disney Studios Walt Disney's nightmares about his stomping an owl to death Wally Wood's Disneyland Memorial Orgy poster J. Edgar Hoover's hefty FBI file on Walt Disney Little Black Sunflower's animated extinction Plus 10 more forbidden tales that Disney wishes would go away.Whether you're a film buff, an armchair academic, or a Disney fan eager to peek behind Disney's magical (and tightly controlled) curtain, you'll discover lots you never knew about Disney.With a foreword by Disney Legend Floyd Norman, Who's Afraid of the Song of the South? is both authoritative and entertaining.Jim Korkis is the best-selling author of Vault of Walt, and has been researching and writing about Disney for over three decades. The Disney Company itself uses his expertise for special projects. Korkis resides in Orlando, Florida.

    Music, comedy, and politics all play a part in the surprisingly complex history of the ’80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.From a late ’70s Hollywood influx to an early ’90s indie scene that gave youth cinema a timely reboot, film expert James King highlights the personal struggles, the social changes, and the boardroom shake-ups that produced an iconic time in movie history.

    A striking, design-led reference book, A-Z Great Film Directors features Andy Tuohy's portraits of 52 directors significant for their contribution to cinema including kings of world cinema Wong Kar-Wai and Akira Kurosawa, arthouse pioneers Fritz Lang and David Lynch as well as the often under-appreciated female directors Kathryn Bigelow and Jane Campion.With text by film journalist Matt Glasby, each director's entry will also have a summary of the essential things you need to know about them, why they're important, a list of their must-see films, and a surprising fact or two about them, as well as images of their key films throughout.So whether you're already a film afficionado, or looking for a helpful cheat to pass convincingly as an arthouse fan, you'll love this guide to international directors, past and present.

    and ultimately walk the streets of Hollywood as an alcoholic prostitute. But, as she says throughout, she is not ashamed of her life. She achieved rare success in the Hollywood system and went down in an archconservative era, when McCarthy threatened the country's free speech and Hollywood producers ran terrified of even a whiff of scandal. When Payton's boyfriend, actor Tom Neal, pounded a concussion into his effete romantic rival Franchot Tone, the whole incident went public and made Payton the Hollywood bad girl - too bad, as it turned out, for Warner Brothers to handle. Describing her downfall, Payton also talks about her relationships with Cagney, Sinatra, Peck and other big names. Lost for decades after its original 1963 release, I Am Not Ashamed leapt back into the limelight when Jack Nicholson lent it to Jessica Lange to help her prepare for her part in The Postman Always Rings Twice. Now Holloway House Publications has finally released this classic Hollywood tell-all.

    His book is as frank as it is revealing. Vadim tells the story of his life with Brigitte Bardot, Catherine Deveuve, and Jane Fonda - three superstars whose private lives he changed as radically as he did their careers. His life (and theirs) reads like the best kind of romance novel, beginning with his love affair with the adolescent, bourgeoise Bardot, who threatened suicide if they couldn't be together... And he tells it all their tempestuous marriage, the making of their famous movie "And God Created Woman", Bridget becoming a celebrity, and their amiable divorce. And then Catherine Deneuve, described by the press as "the most beautiful woman in the world". Vadim observed and describes her transformation from adolescent to goddess: "With me she was docile. But I did notice that she wasted no time in getting her own way...She took her profession very seriously". And in private we see Deneuve the woman, pregnant with Vadim's baby and as she became an international star with "The Umbrellas of Cherbourg", the end. Through Vadim's eyes we watch Jane Fonda's journey from the insecure child of Hollywood movie aristocracy to the mature woman she became. He tells us of their decision to have a baby - when Jane asked if the house wouldn't be too crowded with the two children already in residence Vadim pointed out, "We have five cats, six dogs and four Italians already". Of their "open marriage", "Jane and I were the guinea pigs of an unstable era and we did not know it". And finally of the breakup: "Jane wasn't leaving me for another man but for herself. I much preferred to see her taking off on the chariot of politics to her leaving me for another man. I found this to be loftier as well as much easier on my ego". It's all here, a memoir at once gossipy, explicit, and deeply moving, starring the three most beautiful and fascinating women in the world.

    He’s also a former professor of American Studies who writes in-depth profiles about film and music legends who changed our culture.Few film actors had the lasting popularity of John Wayne, especially in westerns. During his lifetime, Wayne was a top-ten box office star for twenty-four years. Three decades after his death, a 2012 Harris poll continued to place him among the top 5 most-liked film actors. In this comprehensive essay, award-winner David Morrell analyzes Wayne’s career in westerns and explores his fascinating personality, including his Latin studies in high school and his skills as a chess player. Even Wayne’s most knowledgeable fans will be surprised by this insightful study.Morrell’s fascination with Wayne motivated him to use this iconic actor as the inspiration for the main character of a historical novel LAST REVEILLE, which dramatizes America’s 1916 invasion of Mexico, supposedly to pursue the Mexican bandit, Pancho Villa, but actually to practice military exercises for America’s entry into World War I.Critical reaction:“John Wayne: the name still conjures political reaction and cinematic fascination. In this excellent e-essay, author David Morrell (First Blood) presents a thorough and evenhanded consideration of Wayne and his Westerns, from THE BIG TRAIL (1930) to THE SHOOTIST (1976). He’s precise about the narrative problems in THE SEARCHERS, insightful regarding the remarkable emotional range Wayne demonstrates in THE MAN WHO SHOT LIBERTY VALANCE, and mystified at the meaning critics find in RIO BRAVO. While also examining Wayne’s drinking (16 martinis before a Thanksgiving dinner), smoking (five packs a day on THE ALAMO) and expertise as a chess player, Morrell allows us to appreciate and understand how Wayne, ‘an undeniable phenomenon,’ helped create that unique film category: John Wayne Westerns.”—Tom Clagett, ROUNDUP MAGAZINE (WESTERN WRITERS OF AMERICA)David Morrell is the award-winning author of First Blood, the novel in which Rambo was created. A former professor of American literature at the University of Iowa, he has written numerous New York Times bestsellers, including the classic Brotherhood of the Rose spy trilogy. The main character in Morrell’s western novel, Last Reveille, was inspired by Wayne’s career. “David Morrell is, to me, the finest thriller writer living today, bar none.”—Steve Berry, New York Times bestselling author of The Columbus Affair“Morrell, an absolute master of the thriller, plays by his on rules and leaves you dazzled.”—Dean Koontz, New York Times bestselling author of 77 Shadow Street

    At the height of his career, Sturges had not only won an Academy Award but was also one of the most highly paid executives in the country.The only account of his life in his own words, Preston Sturges by Preston Sturges unveils the source of his extraordinary creativity: a life that was every bit as antic and unconventional as his movies.

    The sadistic killer with the flame-charred face. The knife-blade claws. The razor-sharp wit. Freddy...But you've never seen him like this. Unflinching. Uncensored. Unmasked.Meet Robert Englund, the award-winning actor best known for his role as Freddy Krueger -- the legendary horror icon featured on the American Film Institute's "100 Greatest Heroes and Villains" roster -- a character as unforgettable and enduring as Bela Lugosi's Dracula and Boris Karloff's Frankenstein. Now, for the first time, the man behind the latex mask tells his story in this captivating new memoir, published to celebrate the twenty-fifth anniversary of the first A Nightmare on Elm Street film.You see, Robert Englund is no monster at all, but a deeply funny, charming Hollywood veteran. Packed with Robert's hilarious stories, playful self-deprecation, and a generous helping of never-before-revealed A Nightmare on Elm Street trivia, Hollywood Monster offers an unparalleled look at the beloved film icon. With insider savvy and gallows humor, Robert recounts his audition for Wes Craven, the inspiration for Freddy's character, the grueling makeup sessions, his soon-to-be-famous costars, the often disastrous on-set blunders, and the wave of popularity that propelled this humble California surfer kid all the way to the top.Of course, fame and fortune as Freddy came years after the young actor shared a trailer with screen legend Henry Fonda, was punched in the face by Richard Gere, took down Burt Reynolds, and muscled his way between Arnold Schwarzenegger, Sally Field, and Jeff Bridges.But soon after his high-profile stint in the groundbreaking TV miniseries V, Robert Englund took on the most celebrated role of his career -- the macabre and wisecracking killer who quickly became a household name. From the moment Freddy Krueger dragged his claws across a rusty pipe in the opening dream sequence, a legend had been unleashed -- and a star was born. This is his story.

    He also made comedies, musical fantasies, detective films, and documentaries. He was an exceptionally versatile artist who won almost every major prize in cinema, including a lifetime achievement Oscar in 1992. This is the best-known biography of the film giant, based on extensive interviews with Ray himself, his actors, collaborators, and a deep knowledge of Bengali culture. This second edition contains extensive new material covering Ray's final three films made in 1989-1991, a discussion of his artistic legacy, and the most comprehensive bibliography of Ray's own writings.

    Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

    Yet the man who could be accessible and charming on screen retreated to a deeply private world he created behind closed doors.    Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media—from film to television to radio—and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances.     This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life. Included are exclusive interviews with family, friends, and professional associates, and snippets from the Ford family collection of diaries, letters, audiotapes, unpublished interviews, and rare candid photos. This biography tells a cautionary tale of Glenn Ford’s relentless infidelities and long, slow fade-out, but it also embraces his talent-driven career. The result is an authentic Hollywood story that isn’t afraid to reveal the truth.Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers

    Shot on a shoe-string budget of $175,000 in black-and-white 16mm, the film was made with Spike Lee's persistence and talent plus the help of family and friends. It grossed $8 million at the box office and proved to be a major hit with both critics and audiences. Now Spike Lee reveals how he did it, mapping out the entire creative and production processes-from early notebook jottings to film festival awards. Spike Lee's Gotta Have It is a unique document in film literature - it's funny, absorbing, and fresh as the hit film itself.