I wanted not a tract, but a tapestry in which making is seen in the context of the other processes—sexuality, mortality—inseparable from it.""Bidart has patiently amassed as profound and original a body of work as any now being written in this country. He has given form for our age to what is most urgent and most private in the human soul: the ordeals of solitude and mortality and hunger and, recently, that action through which being speaks: the drive to make or create. Bidart’s poems sound like no one else’s; they look like no one else’s. . . . He is, in the feeling of our jury, one of the great poets of our time."—Louise Glück, jury chair, 2001 Wallace Stevens Award The Academy of American PoetsThe inaugural edition in Sarabande's Quarternote Chapbook Series which will feature a select group of poets by invitation onlyFrank Bidart's collections of poetry include Desire (1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

    Written in the splendid bareness of her late style, these pages are Marguerite Duras's theory of literature: comparing a dying fly to the work of style; remembering the trance and incurable disarray of writing; recreating the last moments of a British pilot shot during World War II and buried next to her house; or else letting out a magisterial, so what? To question six decades of storytelling, all the essays together operate as a deceitful, yet indispensable confession.

    His most celebrated work, Six Characters in Search of an Author, embodies the Nobel Prize-winning playwright's innovations by presenting an open-ended drama on a stage without sets.First performed in 1923, this intellectual comedy introduces six individuals to a stage where a company of actors has assembled for a rehearsal. Claiming to be the incomplete, unused creations of an author's imagination, they demand lines for a story that will explain the details of their lives. In ensuing scenes, these "real-life characters," all professing to be part of an extended family, produce a drama of sorts — punctuated by disagreements, interruptions, and arguments. In the end they are dismissed by the irate manager, their dilemma unsolved and the "truth" a matter of individual viewpoints.A tour de force exploring the many faces of reality, this classic is now available in an inexpensive edition that will be welcomed by amateur theatrical groups as well as by students of drama.

     even when our days are darker than ever we hold on to hope knowing that time will heal our wounds. -time heals all things

    His familiar alter ego, Mr. Cogito, is the subject of a third of the poems in this collection, and these easily stand up as well as the Cogito poems we are familiar with from the earlier eponymous collection. The rest, often on classical subjects (Damastes, the Anabasis, Babylon, Beethoven), are an excellent contrast and complement. Herbert is on the top of his form in these poems which were largely written after Poland was again put under martial law. His concerns are always broad, though they are more politically oriented here. Herbert's precise moral vision is well conveyed in his verses, and it is certainly a voice worth paying attention to. The collection is highly recommended

    Collectively, these nineteen stories are representative of Machado's unique style and world view, and this translation doubles the number of his stories previously available in English.The stories in this volume reflect Machado's post-1880 emphasis on social satire and experimentation in psychological realism. If he had continued to produce the moralistic love stories and parlor intrigues of his earlier fiction, Machado's legacy would have been an entertaining but inconsequent body of work. However, by 1880 he had begun a devastating satirical assault on society through his fiction. In spite of his ruthlessness, Machado does at times reveal an ironic sympathy for his characters. He is not indifferent to human conflict but uses humor and irony to stress the absurdity of these conflicts, acted out against the backdrop of an indifferent universe. Such a spectacle creates a sense of helplessness that can only inspire wistful amusement.In his technical mastery of the short story. Machado was decades ahead of his contemporaries and can still be considered more modern than most of the modernists themselves. That his stories elicit such strong and diverse reactions today is a tribute to their richness, complexity, and significance.

    P. Cavafy (1863 - 1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

    No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Groenloh, the highly successful director of the Holland-Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.Contents:The freeloaderWhen we were titansThe writing on the wallOut along the IJLittle poetFrom an unfinished novelThe valley of obligationsThe endInsula dei

    

    M. W. Turner’s celebrated poem “Slavers Throwing Overboard the Dead and Dying.” Dabydeen’s poem focuses on what is hidden in Turner’s painting, the submerged head of the drowning African. In inventing a biography and the drowned man’s unspoken desires, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner’s painting.

    This year, guest editor Denise Duhamel brings her wit and enthusiasm and her commitment to poetry in all its wide variety to bear on her choices for The Best American Poetry 2013. These acts of imagination—from known stars and exciting newcomers—testify to the vitality of an art form that continues to endure and flourish, defying dour predictions of its demise, in the digital age. This edition of the most important poetry anthology in the United States opens with David Lehman’s incisive “state of the art” essay and Denise Duhamel’s engagingly candid discussion of the seventy-five poems that made her final cut.

    From David Gerrold's "The Martian Child" (winner of the Hugo Award, Nebula Award, Locus Award, and HOMer Award) to brand new works published here for the first time by David Gerrold and Lawrence Watt-Evans to modern masterpieces by Pamela Sargent and Jay Lake to classics by E.E. "Doc Smith" and Alan E. Nourse -- we have everything a science fiction fan could want. Almost 1,500 pages of great reading!Fiction:TORQUING VACUUM, by Jay LakeCOLLECTORS, by Pamela SargentVICTORY, by Lester del ReyTHE TREE OF LIFE, by C. L. MooreYE OLDE RESIGNATION, by Rhys HughesFACE TO FACE, by Adrian ColeBEYOND THE THUNDER, by H. B. HickeyCAPTIVES OF THE THIEVE-STAR, by James H. SchmitzTHE DEEPS, by Keith RobertsMADMEN MUSTERED, by Connor Freff CochranEXILE FROM SPACE, by Judith MerrilTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: THE CHAIRMAN DANCES, by David GerroldTHE FROZEN PLANET, by Keith LaumerTHE TAIL-TIED KINGS, by Avram DavidsonTHE GRAIN KINGS, by Keith RobertsHIS MASTER'S VOICE, by Randall GarrettBACK TO JULIE, by Richard WilsonBRIGHTSIDE CROSSING, by Alan E. NourseTHE SECRET OF THE SCARAB, by Ron GoulartREINVENTING CARL HOBBS, by James GlassTHE OLD SHILL GAME, by H.B. FyfeNOTES TOWARD A NEW TRAIT AS REVEALED BY CORRELATION AMONG ITEMS OF THE MMMPI, by M. Purrzillo, U. R. A. Ferball, and C. KitirunTHE SLEEPER IS A REBEL, by Bryce WaltonTHE TEACHER FROM MARS, by Eando BinderNIF'S WORLD, by Lawrence Watt-EvansA MAN OBSESSED, by Alan E. NourseFIRST LENSMAN, by E.E. “Doc” SmithREINCARNATE, by Lester del ReyTHE MAN WHO LIVED FOREVER, by R. DeWitt Miller and Anna HungerTHE MARTIAN CHILD, by David GerroldPoetry:I’VE NEVER SEEN, by Hannes Bok (poem)THOUGHT AND SPACE, by Ray BradburyNovel Serial:FIREBIRD, by Tony Rothman (part 1 of 3)If you enjoy this MEGAPACK™, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 240+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!

    Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martin Espada, and Sherman Alexie are also included. Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety. Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http: //www.english.uiuc.edu/maps. Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format."

    He was usually credited as Camille Flammarion. He was a prolific author of more than fifty titles, including popular science works about astronomy, several notable early science fiction novels, and several works about Spiritualism and related topics. He also published the magazine L'Astronomie, starting in 1882. He maintained a private observatory at Juvisy-sur-Orge, France. He was a founder and the first president of the Socit Astronomique de France, which originally had its own independent journal, BSAF (Bulletin de la Socit Astronomique de France), first published in 1887. He was the first to suggest the names Triton and Amalthea for moons of Neptune and Jupiter, respectively, although these names were not officially adopted until many decades later. His spiritualism studies influenced also some of his science fiction. Other than that his writing about other worlds adhered fairly closely to then current ideas in evolutionary theory and astronomy. Amongst his other works are: The Atmosphere (1873), Popular Astronomy (1907), Astronomy for Amateurs (1904), Omega: The Last Days of the World and Death and its Mystery.

    Here, alongside renowned masters, are internationally celebrated poets who have rarely, if ever, been translated into English.