An extraordinary retrospective covering over thirty years of work, From a leading writer of the Black Arts Movement and the American Poetry Society's 2018 Wallace Stevens Award-winner.Shake Loose My Skin is a stunning testament to the literary, sensual, and political powers of the award-winning Sonia Sanchez.

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    Rosie is very happy with her handsome husband and a fulfilling career as job counselor for the developmentally challenged. It might not be glamorous work, but Rosie is proud of the fact that she cares more about people than Prada. What more could a woman want in life? Except maybe being able to wear a sexy thong that doesn't make her behind look like a rump roast in butcher string…  But when Rosie's incredible husband turns out to be an incredible putz--sleeping with her best friend Inga--her life goes from Seventh Heaven to Jerry Springer in the blink of an eye and the tip of a wine glass.  Alone and deceived, but with her sense of humor still intact, Rosie turns to her wonderfully wacky mother to help her bounce back. Of course, Ma's recipe for mental recovery leaves much to be desired.  And after Rosie discovers a painful family secret, hidden behind years of lies, she must set out to find herself and what really matters in life.  Along the way, Rosie is surprised to find help from Mickey Hamilton, a.k.a. Ham, who is kind, generous, and has a great butt to match.  If only Rosie can overlook the fact that he's nicknamed after the meat section at the local supermarket he manages.  Milton, one of Rosie's endearing mentally challenged clients--and Ham's employee--also becomes a source of comfort along the way, always ready to defend "Miss Plow's" honor and warm her heart, even as it's breaking. And can a twenty-five-year-old punk office assistant with hair like candy corn really become Rosie's new best friend?  As she moves along the twisted road to self-discovery, Rosie finds happiness, acceptance, and even love - though none of it in the places she'd expected.   With laugh-out-loud scenes seamlessly interspersed among gut-wrenching moments of heartache, Starting Out Sideways is a unique and utterly delightful novel that will make you laugh, cry, and remember what's truly important in life.

    Juliana Spahr has lived in many places, including Chillicothe (Ohio), Buffalo (New York), Honolulu (Hawaii), and Brooklyn (New York). She has absorbed, participated in, and been transformed by the politics and ecologies of each. This book is about that process. THE TRANSFORMATION "tells a barely truthful story of the years 1997-2001," a story of flora and fauna, of continents, islands, academies, connective tissue, military and linguistic operations, and of that ever-present "we," to name only a few. At once exhilarating, challenging, and humbling, THE TRANSFORMATION is a hefty book in its honesty and scope, a must-read.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.

    Dramatic, energetic, beautiful, and true, this slim selection will delight any reader—The Red Wheelbarrow Other Poems is a book to be treasured.

    This book of all-new poems from the beloved author of Words From A Wanderer and Love In My Language is a quotable companion on the road to healing.

    This book is written for those who are searching for a little healing. Love is everywhere, but you must let go of the pain before you can feel its magic.

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

     I t's not the shoes, the scarves, or the lipstick that gives French women their allure. It's this: French women don?t give a damn. They don?t expect men to understand them. They don?t care about being liked or being like everyone else. They generally reject notions of packaged beauty. They accept the passage of time, celebrate the immediacy of pleasure, like to break rules, embrace ambiguity and imperfection, and prefer having a life to making a living. They are, in other words, completely unlike us. Ollivier goes beyond familiar ooh-la-la stereotypes about French women, challenging cherished notions about sex, love, dating, marriage, motherhood, raising children, body politics, seduction, and flirtation. Less a how-to and more a how-not-to, "What French Women Know" offers a refreshing counterpoint to the stale love dogma of our times. Peppered with anecdotes from its Franco-American author and filled with provocative ideas from French sexperts, mistresses and maidens alike, it debunks longstanding myths, presenting savvy new thinking from an old sexy culture and more realistic, life-affirming alternatives from the land that knows how to love.

    The themes in White Buildings are abstract and metaphysical, but Crane's associations and images spring from the American scene. Eugene O'Neill wrote: "Hart Crane's poems are profound and deep-seeking. In them he reveals, with a new insight and unique power, the mystic undertones of beauty which move words to express vision." "Genius is a mystery resistant to reductive analysis, whether sociobiological, psychological, or historical. Like Milton, Pope, and Tennyson, the youthful Crane was a consecrated poet before he was an adolescent."—Harold Bloom "Crane's poems are as distinct from those of other contemporary American poets as one metal from another. This man is a mystical maker: he belongs to a group of poets who create their world, rather than arrange it, and who employ the idiom of their fellows with divine arbitrariness to model the vision of themselves."—The New Republic "In single lines of arresting and luminous quality and in whole poems Mr. Crane reveals that his originality is profound."—Times Literary Supplement  "The line structure is so beautiful in itself, the images so vividly conceived, and the general aura of poetry so indelibly felt that the intelligent reader will move pleasurably among the impenetrable nuances."—New York Times

    His source materials are the U.S. government's record of the trials of the Nazi criminals before the Nuremberg Military Tribunal and the transcripts of the Eichmann trial in Jerusalem. Except for the twelve part titles, none of the words here are Reznikoff's own: instead he has created, through selection, arrangement, and the rhythms of the testimony set as verse on the page, a poem of witness by the perpetrators and the survivors of the Holocaust. He lets the terrible history unfold--in history's own words.

    . . any Ruefle poem is an occasion of resonant wit and language, subject to an exacting intelligence."—Rodney Jones, Poetry Society of America, William Carlos Williams Award citationTrances of the Blast is a major new collection from recent National Book Critics Circle Award finalist Mary Ruefle. Full of Ruefle's particular wisdom and wit, the poems deliver her imaginative take on the world's rifts—its paradoxes, failures, and loss—and help us better appreciate its redeeming strangeness.If only I'd understood that lonelinesswas just loneliness, only lonelinessand nothing more.But I was blind.Little did I know.If only I'd invented salt.I might have died happy.I wish I loved you,but you can't have everything.Mary Ruefle is the author of many books of prose, poetry, and erasures. She is the recipient of the William Carlos Williams Award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. Her book of lectures, Madness, Rack, and Honey, was named a finalist for the 2012 National Book Critics Circle Award. She lives and teaches in Vermont.

    His poems chart a course through his own highly original American dreamscape in language that is fresh, accessible, and remarkably precise. This debut collection has received extraordinary acclaim from readers and reviewers alike and is quickly becoming a cult classic. As Pulitzer Prize-winning poet James Tate said, "These poems are beautiful, strange, intelligent, and funny. . . . It's a book for everyone."