When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse.Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades.With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself.'A drama-filled page turner' - Ita Buttrose AO OBE'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter

    The Civil War is over and the South lies in ruins. But for some, the former slaveholders have not been punished enough. A cabal of powerful men, led by Charles A. Dana, the Assistant Secretary of War, plot to break the spirit of the South once and for all--by convicting General Robert E. Lee of treason and hanging him like a common criminal. To this end, they have convened a secret military tribunal in Lee's former home in Arlington, Virginia. Jeremiah O'Brien of The New York Tribune, a long-time protege of Dana's, is the only reporter allowed to attend the trial. His exclusive reports on this momentous event, and the book he intends to write, will surely make his fortune. Yet as the trial proceeds, pitting the general against his accusers, O'Brien finds himself torn between his loyalty to Dana, his love for a beautiful Confederate spy, and his growing respect and compassion for Lee himself. The young reporter is supposed to be only an observer, but, in the end, it is O'Brien who must evaluate the evidence . . . and determine the true meaning of honor.Written by acclaimed author and historian Thomas Fleming, The Secret Trial of Robert E. Lee brings to life a fascinating chapter in American history that might well have happened--and perhaps truly did.

    

    Wilderness is the story of Abel, now an old and ailing man, and his heroic final journey over the snowbound Olympic Mountains. It's a quest he has little hope of completing but still must undertake to settle matters of the heart that predate even the horrors of the war.As Abel makes his way into the foothills, the violence he endures at the hands of two thugs after his dog is cross cut with his memories of the horrors of the war, the friends he lost, and the savagery he took part in and witnessed. And yet, darkness is cut by light, especially in the people who have touched his life-from Jane Dao-Ming Poole, the daughter of murdered Chinese immigrants, to Hypatia, an escaped slave who nursed him back to life, and finally the unbearable memory of the wife and child he lost as a young man. Haunted by tragedy, loss, and unspeakable brutality, Abel has somehow managed to hold on to his humanity, finding weigh stations of kindness along his tortured and ultimately redemptive path.In its contrasts of light and dark, wild and tame, brutal and tender, and its attempts to reconcile a horrific war with the great evil it ended, Wilderness not only tells the moving tale of an unforgettable character, but a story about who we are as human beings, a people, and a nation. Lance Weller's immensely impressive debut immediately places him among our most talented writers.

    But as Carol Reardon notes, the Civil War saw many other daring assaults and stout defenses. Why, then, is it Pickett's Charge at Gettysburg--and not, for example, Richardson's Charge at Antietam or Humphreys's Assault at Fredericksburg--that looms so large in the popular imagination? As this innovative study reveals, by examining the events of 3 July 1863 through the selective and evocative lens of 'memory' we can learn much about why Pickett's Charge endures so strongly in the American imagination. Over the years, soldiers, journalists, veterans, politicians, orators, artists, poets, and educators, Northerners and Southerners alike, shaped, revised, and even sacrificed the 'history' of the charge to create 'memories' that met ever-shifting needs and deeply felt values. Reardon shows that the story told today of Pickett's Charge is really an amalgam of history and memory. The evolution of that mix, she concludes, tells us much about how we come to understand our nation's past.A fresh look at the disastrous assault.--New YorkerA splendidly lively study of the manipulation, not necessarily deliberate or malign, of public opinion.--Atlantic MonthlyExceptionally lucid. . . . This fine book provides vivid evidence of just how far we will go to alchemize fantasy into fact.--Jonathan Yardley, Washington PostWell-written and meticulously researched, Pickett's Charge in History and Memory utilizes first-rate scholarship to tell a fascinating story. . . . Should win a wide audience among general readers.--Civil War HistoryAssessing the myths and facts surrounding Pickett's Charge, Carol Reardon explores why this event endures so strongly in the American imagination. She demonstrates that the story told today of the charge is really an amalgam of history and memory and that the evolution of that mix tells us much about how we come to understand our nation's past.

    Renovating the home, Dock stumbles upon a treasure trove of Civil War memorabilia squirreled away in an old root cellar, including pictures and possibly even a recording of Abraham Lincoln at Gettysburg. As he's forced to defend his new find from the onslaught of collectors, history buffs, and media hounds, Dock discovers that, much like Honest Abe himself, he's the right man for the fight--independent, funny, loyal, and stubborn as a Missouri mule. When the scallywags and opportunists--including an easy-on-the-eyes television reporter with one hell of an attitude--start crawling out of the woodwork, he'll need all of that and a bit more.

    In 1970, Stephen B. Oates wrote what has come to be recognized as the definitive biography of Brown, a balanced assessment that captures the man in all his complexity. The book is now back in print in an updated edition with a new prologue by the author.

    Originally published in the 1930s, and out of print sincer the 50s, this book received rave reviews from the NY Times Book Review, and was a main selection of the Literary Guild. It is the account of the Battle of Gettysburg, as viewed by a pacifist who comes to accept the nasty necessity of combat, and lives an intense and skewed romance along the way.

    Woulfe compares this training exercise with other schemes in other branches of service.

    At my home, the mailman would walk up towards the front porch, and I saw it just as clear as if he's standing beside me—I see his blue jacket and the blue cap and the leather mailbag. Here he goes up to the house, but he doesn’t turn. He goes right up the front steps. This happened so fast, probably a matter of seconds, but the first thing that came to mind, that's the way my folks would find out what happened to me. The next thing I know, I kind of come to, and I'm in the push-up mode. I'm half up out of the underwater depression, and I'm trying to figure out what the hell happened to those prone figures on the beach, and all of a sudden, I realized I'm in amongst those bodies!” —Army demolition engineer, Omaha Beach, D-Day Dying for freedom isn’t the worst that could happen. Being forgotten is. — “My last mission was the Bastogne mission. We were being towed, we're approaching Bastogne, and I see a cloud of flak, anti-aircraft fire. I said to myself, ‘I'm not going to make it.’ There were a couple of groups ahead of us, so now the anti-aircraft batteries are zeroing in. Every time a new group came over, they kept zeroing in. My outfit had, I think, 95% casualties.” —Glider pilot, D-Day and beyond Maybe our veterans did not volunteer to tell us their stories; perhaps we were too busy with our own lives to ask. But they opened up to a younger generation, when a history teacher taught his students to engage. — “I was fighting in the hedgerows for five days; it was murder. But psychologically, we were the best troops in the world. There was nobody like us; I had all the training that they could give us, but nothing prepares you for some things. You know, in my platoon, the assistant platoon leader got shot right through the head, right through the helmet, dead, right there in front of me. That affects you, doesn’t it?” ” —Paratrooper, D-Day and beyond As we forge ahead as a nation, do we owe it to ourselves to become reacquainted with a generation that is fast leaving us, who asked for nothing but gave everything, to attune ourselves as Americans to a broader appreciation of what we stand for? This is the fifth book in the masterful WWII oral history series, but you can read them in any order. — “Somebody asked me once, what was the hardest part for you in the war? And I thought about a young boy who came in as a replacement; the first thing he said was, ‘How long will it be before I'm a veteran?’ I said, ‘If I'm talking to you the day after you're in combat, you're a veteran.’ He replaced one of the gunners who had been killed on the back of the half-track. Now, all of a sudden, the Germans were pouring this fire in on us. He was working on the track and when he jumped off, he went down, called my name. I ran over to him and he was bleeding in the mouth… From my experience before, all I could do was hold that kid’s hand and tell him it’s going to be all right. ‘You'll be all right.

    This groundbreaking work includes the most accurate account ever written of the 1863 Lawrence, Kansas massacre (the greatest atrocity of the Civil War), when Quantrill and 450 raiders torched the Unionist town and executed roughly 200 unarmed, unresisting men and teenage boys. It also details the postwar outlaw careers of those who rode with him — Frank and Jesse James, and Cole Younger. No other history so fully penetrates the myth of a cardboard-cutout psychopath to expose Quantrill in all his brutality and human complexity.

    Marty was a professional writer, and considered himself a writer first, and an actor second. Feldman created a number of immensely successful and influential shows such as Marty, The Frost Report and sketches for Monty Python. He was one of the most essential creative forces in British comedy embodied also by his close friends and creative partners from Beyond the Fringe (especially Peter Cook and Dudley Moore) and Monty Python (especially John Cleese, Graham Chapman and Eric Idle).Marty played the fool, often very happily and with tremendous talent and volcanic, anarchic energy, for his entire life. His face is what many people most immediately remember. It was a face that David Frost, one of his bosses, characterised as 'too grotesque' for television - see what Feldman has to say about Frost, and Francis Bacon, and John Lennon...Marty Feldman finished, and set aside eYE Marty soon before travelling to Mexico to shoot his final film. He did not know that he would die there, although he certainly felt he might die soon, and was haunted by the notion. The book is exactly as Feldman wrote it: Mark Flanagan had it transcribed, with even the photos inserted where Feldman had noted they should go. Hilarious, deeply charming, aphoristic, ironic, charged throughout with lust for life and filled with scenes of great vanished eras and and portraits of other performers and friends, eYE Marty is the amazing discovery of the story of a man who was at the heart of the British comedy revolution.

    Lee, the brilliant soldier bound by marriage to George Washington's family but turned by war against Washington's crowning achievement, the Union.On the eve of the Civil War, one soldier embodied the legacy of George Washington and the hopes of leaders across a divided land. Both North and South knew Robert E. Lee as the son of Washington's most famous eulogist and the son-in-law of Washington's adopted child. Each side sought his service for high command. Lee could choose only one.In The Man Who Would Not Be Washington, former White House speechwriter Jonathan Horn reveals how the officer most associated with Washington went to war against the union that Washington had forged. This extensively researched and gracefully written biography follows Lee through married life, military glory, and misfortune. The story that emerges is more complicated, more tragic, and more illuminating than the familiar tale. More complicated because the unresolved question of slavery--the driver of disunion--was among the personal legacies that Lee inherited from Washington. More tragic because the Civil War destroyed the people and places connecting Lee to Washington in agonizing and astonishing ways. More illuminating because the battle for Washington's legacy shaped the nation that America is today. As Washington was the man who would not be king, Lee was the man who would not be Washington. The choice was Lee's. The story is America's.A must-read for those passionate about history, The Man Who Would Not Be Washington introduces Jonathan Horn as a masterly voice in the field.

    It shines a spotlight and shares new details about the admiral's leadership of the mission to recapture the port of New Orleans from the Confederacy - a campaign historians consider one of the most daring in military history.Farragut is perhaps best known for his order to “Damn the torpedoes.... Full speed ahead." during the Battle of Mobile Bay, which has become a touchstone and rallying cry for the United States Navy.A sweeping and riveting telling of Farragut's career and campaigns, Lincoln's Admiral offers fascinating insights into the strategy and decisions of one of the greatest military leaders on the Civil War - and of all time.

    These are tales handed down over the years that have their basis in the horrors of the Civil War.