She fell for her son—deeply, instantly, completely—but as she sat at the table feeding him, her own mother was sliding eggs and bacon on her plate, feeding her.Now, four years later, Shandi is still more parented than parent. She lives with her mom, her dad pays her bills, and her best friend Walcott acts as her white knight. But Natty is no ordinary kid, and when his savant behavior catches the attention of an obsessive stranger, only Shandi sees the true menace.To protect her son, Shandi must grow up, fast, and find an answer to the question—How does a girl remake herself into a mother?

    A small collection of short stories, sold as part of the boxed set "One Hundred and Forty Five Stories in a Small Box: Hard to Admit and Harder to Escape, How the Water Feels to the Fishes, and Minor Robberies"

    So popular did Polchak become that author Tim Downs has now published five Bug Man novels. And now for the first time: the first two Bug Man novels under one cover.Shoofly PieWithin minutes of a murder, the first fly arrives at the scene. Soon there are hundreds, then thousands, and each one knows the victim's story...Thirty-year-old Kathryn Guilford turns to Dr. Nick Polchak, the Bug Man, to help her learn the truth about the apparent suicide of her longtime friend and onetime suitor. Polchak introduces her to a mysterious world of blood-seeking flies and flesh-eating beetles. But there's a problem...Kathryn Guilford has a pathological fear of insects.Now she must confront her darkest fears to unearth a decade-long conspiracy that threatens to turn her entire world upside down.Chop ShopYoung Dr. Riley McKay has worked hard toward her career in pathology. But her promising future is threatened when suspicious activities -- bungled autopsies, concealed evidence, and unexplained wounds -- incriminate her supervising pathologist at the Allegheny County Coroner's Office in Pittsburgh, Dr. Nathan Lassiter. When Riley is ignored by her seniors and threatened by Dr. Lassiter, she turns in desperation to Dr. Nick Polchak, the Bug Man, to help her uncover the truth.From a handful of tiny maggots, Nick and Riley begin to unearth the facts...The flies on the wall can talk.Forensic entomologist Nick Polchak is listening.

    Now Meloy returns with a novel even more dazzling and unexpected than her first. A Family Daughter is a brilliantly entertaining, powerfully moving novel about families, love, and the desire to reimagine one’s own history.It’s 1979, and seven-year-old Abby, the youngest member of the close-knit Santerre family, is trapped indoors with the chicken pox during a heat wave. The events set in motion that summer will span decades and continents, as the Santerres become entangled with an aging French playboy, a young Eastern European prostitute, a spoiled heiress, and her ailing jet-set mother. With elegant precision, Meloy takes us through the world of this changeable family, its values and taboos, its heartbreak and bitterness and fierce devotion.A rich, full novel about passion and desire, fear and betrayal, A Family Daughter illuminates both the joys and complications of contemporary life and the relationship between truth and fiction. For everyone who has yet to meet the Santerres, unmatched pleasure awaits.

    

    She thought she could even pinpoint the exact moment at which Iris had made up her mind to go, leaving her only child behind. Neither of them could have guessed then that they would never live together again.Spanning the second half of the last century, ‘My Former Heart’, Cressida Connolly’s mesmerising first novel, charts the lives of three generations of Iris’s family. Ruth will be deserted again, many years later, by a husband she loves, but not before she has had two children by him. She leaves London to live with her uncle, where she creates a new life for herself with another woman. And we follow the lives of her two children, trying to make a place for themselves in the world in the shadow of the family that precedes them.With its large cast of fascinating characters, this is an outstanding novel about families and their ability to adapt. It surely marks the beginning of a long career as a novelist for Cressida Connolly.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    Dutton’s sentences are as taut and controlled as her narrator’s mind, and a hint at what compels both (‘I locate my body by grounding it against the bodies of others’) betrays a fierce and feral searching. SPRAWL makes suburban landscapes thrilling again.” —The Believer Book Award, Editors’ Shortlist“SPRAWL, first published in 2010, is a stream-of-consciousness collage of domesticity and intimacy, the unwavering assertion of a suburban woman’s individuality and selfhood that never loses its sense of humor.” —Lauren Kane, The Paris Review Staff’s Favorite Books of 2018“A kind of Mrs. Dalloway in objects, a kind of performance piece melding stream-of-consciousness with commentary on photographer Laura Letinsky’s domestic still lifes, and at times one of the most philosophical accounts of contemporary suburban American existence and the ever-trenchant fetters of gender roles, Dutton’s SPRAWL is a book a reader might read in one sitting, but it will resonate for days to come—if not longer. . . . SPRAWL is that rare kind of book that will change one’s perception of what fiction can do.” —K. Thomas Khan, 3:AM Magazine

    With this brilliantly inventive collection, Ali Smith joins the campaign to save our public libraries and celebrate their true place in our culture and history.

    After her marriage falls apart and a hurricane destroys her home she realizes that her life has fallen out of focus. So she takes to the road to ask long lost friends and strangers a simple question: "What's your best story?" Can the funny, tragic, inspirational tales she hears on her journey help Anne see what she's been missing? Tyler Bron seemingly has it all-a successful company and more money than he knows how to spend. But he has no life. So he hires a struggling novelist to write one for him. There are no limits to the fictional world that Bron's money can transform into a reality, and he soon becomes the protagonist of a love story beyond his wildest imagination. But will Tyler Bron be able to write the happy ending himself?

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    Structured as an index, the work is a collage of excerpted conversations, letters, quotations, moments, and dreams. An exploration of longing and desire, the story follows a moment of crisis in a marriage and in the life of a woman who remains haunted by an unassimilable past. Allan Gurganus called an early version of the work a "thoroughly engrossing almanac of desire" when it was published by The Iowa Review.

    As the grief-stricken Swabey looks back on their affair, the exact nature of his responsibility for Clara’s death is movingly revealed.

    Mapping the messy connections between people - and their failures to connect - the characters are captured in the grainy texture of real life: freshly palpable, sensuous and deeply flawed.From Dublin to Venice, from an American college dorm to a holiday caravan in France, these are stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's women are haunted by children, and by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out.A woman's one night stand is illuminated by dreams of a young boy on a cliff road, another's is thwarted by an swarm of somnolent bees. A pregnant woman is stuck in a slow lift with a tactile American stranger, a naked mother changes a nappy in a hotel bedroom, and waits for her husband to come back from the bar. These are sharp, vivid stories of loss and yearning, of surrender to responsibilities or to unexpected delight; all share the unsettling, dislocated reality, the subversive wit and awkward tenderness that have marked Anne Enright as one of our most thrillingly gifted writers.

     (No previous DEAD CLOWN BARBECUE reading experience required.) This 21,000-word collection contains the first-ever publication of "Gave Up The Ghost," the basis for the horror/comedy short movie directed by Gregory Lamberson, that will appear in the upcoming anthology film CREEPERS. In addition to a report from the movie set, this collection contains... "The Car." A pair of vampires get together for an evening of vicious fun. "The Loneliest Jackalope." Bunnies with antlers! You can't go wrong with bunnies with antlers. "Inside the Boxes." Whatever is in there can't be good... "A Bit of Christmas Mayhem." Andrew Mayhem vs. a trio of axe-wielding Santa Clauses. "Scrumptious Bone Bread." It's not just for giants anymore. "A Flawed Fantasy." Sometimes, two girls at once isn't the best idea. "Tin Cans." What will you hear when you put one to your ear?