This tale is set in the crossword and nature-notes department of an obscure national newspaper during the declining years of Fleet Street.

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    Martin lives in a small English village, where he studies his hero and putters about harmlessly—until an ambitious outsider, Nick Marshall, is appointed postmaster instead of Martin. Slick and self-assured, Nick steals Martin's girlfriend and decides to modernize the friendly local office by firing dedicated but elderly employees and privatizing the business. Suddenly, gentle Martin is faced with a choice: meekly accept defeat as he always has, or fight for what he believes in, as his hero, Hemingway, would.Filled with Michael Palin's trademark wit and good humor, this novel is for anyone who has ever dreamed of triumphing over the technocrats and backstabbers of the world. Hilarious, touching, and ultimately inspirational, Hemingway's Chair will make readers stand up and cheer.

    The perfect day turns to nightmare however, when they are involved in freak ballooning accident in which a boy is saved but a man is killed. In itself, the accident would change the couple and the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that same night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa. Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in de-familiarisation. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye. --Alex Freeman

    But as he runs through the looming encounter in his mind, his neuroses come to the surface: What is the best day to see the boss? What if he doesn’t offer you a seat when you go into his office?The Art of Asking Your Boss for a Raise is a hilarious account of an employee losing his identity—and possibly his sanity—as he tries to put on the most acceptable face for the corporate world,with its rigid hierarchies and hostility to new ideas. If he follows a certain course of action, so this logic goes, he will succeed—but, in accepting these conditions, are his attempts to challenge his world of work doomed from the outset?Neurotic and pessimistic, yet endearing, comic and never less than entertaining, Perec’s Woody Allen-esque underling presents an acute and penetrating vision of the world of office work, as pertinent today as it was when it was written in 1968.

    Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for years. Plotted around the central role of one of Coward's best loved characters, a medium Madame Arcati (originally played by Margaret Rutherford). Coward's play is a spirited charade about a man with 2 wives, one dead and another alive.

    The doctors who worked in the Mobile Army Surgical Hospitals (MASH) during the Korean War were well trained but, like most soldiers sent to fight a war, too young for the job. In the words of the author, "a few flipped their lids, but most of them just raised hell, in a variety of ways and degrees."For fans of the movie and the series alike, here is the original version of that perfectly corrupt football game, those martini-laced mornings and sexual escapades, and that unforgettable foray into assisted if incompleted suicide--all as funny and poignant now as they were before they became a part of America's culture and heart.

    But when she finds herself awake at 1:37 a.m. in a panic over the need to produce a homemade pie for her daughter's school, she has to admit her life has become unrecognizable. With panache, wisdom, and uproarious wit, I Don't Know How She Does It brilliantly dramatizes the dilemma of every working mom.

    "A wild spoof of absolutely everything: social pretenses, law enforcement, marriage, open marriage, racism, literature, tv, science fiction, and sex. Dozens of plots perk along at an amazing pace...raunchy, dirty, outrageous, rife with cliches--& often very funny."--People "One of the most brilliant, most radical, & most subversive pieces of writing to emerge from America in recent years."--The New Statesman "Vidal belongs to that group of writers of our time who, precisely because they have always kept their eyes open to the disorders & distortions of our age, have chosen irony, humor, comedy--in other words, the whole range of literary instruments belonging to the universe of the laugh--as their means of settling accounts."--Italo Calvino

    Much to his consternation, she says yes. As Wilfred attempts to extricate himself from the situation, his betrothed’s overbearing father presents further complications. And when Wilfred meets another woman he does wish to marry, a comedy of manners ensues. Set in rural Wales during the 1920s, Wendy Jones’s charming first novel is a deceptive, subtly humorous entrance to the mores and social conventions of a world gone by.

    You don't need to give Arthur more than one chance to do the Government or trick the foreman.And when the day's work is over, Arthur is off to the pubs, raring for adventure. He is a warrior of the bottle and the bedroom - his slogan is 'If it's going, it's for me' - for his aim is to cheat the world before it can cheat him. And never is the battle more fiercely joined than on Saturday night.But Sunday morning is the time of reckoning, the time for facing up to life - the time, too, you run the risk of getting hooked!Arthur is no exception.

    John Howard, a 70-year-old Englishman vacationing in France, cuts shorts his tour and heads for home. He agrees to take two children with him.But war closes in. Trains fail, roads clog with refugees. And if things were not difficult enough, other children join in Howard's little band. At last they reach the coast and find not deliverance but desperation. The old Englishman's greatest test lies ahead of him.

    The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.

    A pleasure boat company is transformed when the proprietor, Noah, is chosen by the "One True God" to put "sunny" faith back in the world and women back in the kitchen.

    This income only serves to highlight the emptiness of a life led by a woman deprived of the domestic trappings that have defined her.